Micro -reviewing Thirteen Arts | A peaceful praise —— Henan Opera "Princess Jie Fei" after watching

"Princess Jieyou" stills provided by the Xinjiang Production and Construction Corps

The new historical drama "Princess of the Words", created by the Xinjiang Production and Construction Corps Henan Theater Troupe, met with the audience online, telling a story of "and pro -princess" with outstanding local characteristics. The play adopts a linear narrative structure. Taking time as the axis, with the life deeds and major historical events of the princess, the image of the princess Han family with national righteousness and border peace is created.

A good work is inseparable from the full and three -dimensional characters, and the plump and three -dimensional character of the character's image comes from the contradictions and conflicts it has. As the central figure of the repertoire, Princess Xieyou concentrated on the main contradiction of the overall situation. This contradiction and conflict are originally from the identity of "Hedu Princess".

In history, there are many kinds of family stories, and the more famous ones and pro -princesses include Wang Zhaojun and Princess Wencheng. They have added a strong and colorful contribution to their own deeds and outstanding contributions to the peace of the Western Regions. The "Hedu Princess" is a special group. Some of them are "princess", and some are given to the princess title with the pro -pro -pro -pro -pro. Regardless of the specific situation, these women have noble background, with prominent identities and a better living environment. When they assume the lofty mission of "kinship", their marriage is no longer just about personal happiness or a family, but has risen to the height of the country and nation. Describe the dilemma and difficulties they encounter. They are far away from their homeland and their parents and relatives, go thousands of miles away, face strange environment and customs and customs, and use themselves as a symbol of peace. The circumstances are described in detail in order to truly allow the "Princess to relieve the worry" to the stage in order to truly present the spiritual power behind the incident of pro -Westernism.

"Princess Princess" follows the principle of "big things and small things", with the background of the historical events of Princess and pro -relatives, and seizing the most conflict events as the main storyline. The complex emotions and behaviors that show are all -round and three -dimensional shapes and show stories. Among them, the most tension and touching are the delicate portrayal of their personal emotions.

The drama desires to raise the first, and starts with Zheng Liu's two discussions about the family affairs. Zheng Hui and Liu Huiping are very moving. They were cousins, grew up together, had a good bamboo horse, and they had a deep emotional foundation. They were about to determine the marriage. It was when they were deeply affectionate. The decree of the country. The two are difficult to give up, and they are even willing to give up all foreign objects just to keep each other. But in the end, under the persuasion of Liu's father, the two finally decided to "throw a private affection for the society." Zheng Hui's "Princess" opened the boundaries between the two, and since then, no matter how deeply affection can be buried in his heart. With his pro -Wu Sun, this one goes like a lonely geese, and it is only a single shadow, but there is Zheng Huahuang on the side. Zheng Hui accompanied the princess to solve the three years until he died for Kun Mi. Before Zheng Huiling, Hui Ping once again played a song that the two often got along with each other. A "cousin" that had not appeared for a long time told the unspeakable affection in his heart. Later, the two met in their dreams. Zheng Hui described as young as a long time. Since the relief and pro -kiss, those words and emotions that were unspeakable finally revealed. After Zheng Hui's death, "the grassland has never been spring", the princess reliered the princess to lose her lover and the pillar of the soul, and also represents the most prominent personal emotions under the identity of "Liu Huiping". Miss.

In the repertoire, Princess Jieyou has different emotional orientation and behavior methods as "Liu Huiping" and "Princess Jieyou". The righteousness and fearlessness of the people and border tranquility.

After Princess Xie's arrogance came to Wusun Guo, she was named Mrs. Right, which aroused the dissatisfaction of the Huns. Princess Xiexun confronted the Huns princess, and the momentum did not fall down. After being attacked by the Huns at night, he won the recognition and respect of the Huns with a keen heart and a soldier princess and soldiers. As a princess Han family, she has never forgotten her mission, and for 50 years with her in the Western Regions, it educates children and spreads culture. She has brought many advanced technologies such as silk and brocade. Highlighting contributions is loved by the people of all countries. At this point, Princess Xieyou finally retired and returned to his homeland.

From the perspective of the story scene and character image, the Henan drama "Princess Jie Fei" tells a very typical peaceful story, adapted from the real figures and events in history, with a relatively deep cultural foundation, and the plot and contradiction are very concentrated. The main line runs through the overall situation, which is very convenient for the audience to understand and have emotional resonance with the characters. However, from another aspect, the widespread praise of the pro -story has also brought a test for the new presentation of traditional stories. Most of the characters' identity and storyline are similar. Most of the audiences are familiar with, but they will also have new expectations for the content of the story. In the story, the princesses sacrifice the choice of small self and achieve big self. It may also be misplaced with the values ​​of modern audiences. So how to find a balance in traditional stories and modern concepts is a problem that new historical dramas must be solved. In the Yu opera "Princess Princess", the way the creators adopted to focus on showing that Hui Ping's dignified atmosphere and benevolence and love as a princess of the Han family, but also intentionally showing her inner real emotions that she possessed as an ordinary woman And complex psychology. Under the elaborate design of the creators and the wonderful interpretation of the actors, the Princess Jiexun switched flexibly between multiple identities. It has a rich sense of layering and emotional tension, which can move people's hearts. In addition, the many behaviors of the characters are more in line with the aesthetic acceptance and value orientation of contemporary audiences. After receiving the imperial decree, Liu Zheng tried to return to Yin Mountain Forest to ask for a lover to become a dependent. The value concept. In general, the Henan drama "Princess Jieyou" not only focuses on the wonderful interpretation of the storyline and the three -dimensional portrayal of the character image, but also contains the creators' unremitting pursuit and good wishes of national integration, national peace. This further stimulated the patriotic feelings of the masses, demonstrating the value of the new era, and it was a praise of the era of peace.

(Special author: Chen Hui, editor of the Editorial Department of the "Big Stage" Institute of Hebei Provincial Institute of Culture and Tourism)

Responsible editor: Zhang Jiayi

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