[High -end Lecture Hall] Yao Quan name: 涿 涿 【· Episode 1

[Read Reading of Yun Fan] One of the poems of the 诗 荐 荐

Author: Yao Quan Ming

About the Author

Yao Quan's name, No. ，, from Wuhan, Hubei. Deputy Director and Secretary -General of the Rural Poetry Working Committee of the Chinese Poetry Society, and the acting director of the Nieye Crossbat Poetry Research Foundation of Jingmen in Hubei Province. He has authored "Lake Lake Xuan Yin Cao", "Bamboo Smile Collection", "Wang Xizhi's Book Collection of the Spring Festival", "Cao Quanbei Lishu Ji Zi Jun Zi Spring couplet", "Yan Zhenqing Kaishu Ji Ji Jun Zi Spring Couplet", "Comments on the Complex of the Symposium (Ten Volume)", etc. The editor -in -chief of "Contemporary Poetry", "Hundred Library of Contemporary Poetry", "Chinese Poetry View" and so on.

NO.01

Cross -border creativity. Zhang Bo Gao watched the sword dance and enlightened cursive books, Chinese and foreign comparative literature, and the Monterem narrative skills of movies for movies, all of which were cross -border. If the creation of poetry, in order to break through, it is necessary to follow the road of cross -border. From a single to diversified development, to open up the second pulse of Ren Du, Chinese and Western ancient, modern, and Western, first of all, it is necessary to communicate with the new poems. Zi said, "A gentleman is not instrument", is this called 欤?

NO.02

People who write new poems or old poems do not need to attack each other, and time will become referees. At the time of the big waves, poetry is by no means a key factor. In the face of Western cultural hegemony, who can not be knocked down, who is the last victor. The victor can enter the process of the big waves.

NO.03

Yue Yang Cai Shiping is currently a more thoughtful poet. He believes that the massive poetry works today are nothing more than "triple": to resurrect the ancients, repeat others, and repeat themselves. I think that it can be considered as medium to achieve this "triple". Because they still know the ancients, others, and themselves, and most people do not even know these three, let alone the rest?

NO.04

Meaning and image composition image. Interesting, it is a skeleton frame, such as the yellow valley, "the king is careful like culture and martial arts, and the Zhou Zhao may be slightly different." There is a state of moss. Both are not silent. "Both are not real poems.

NO.05

The Hubei Provincial Museum "Wanli Tea Ceremony" saw the blue and white poems Begonia -style tea -style tea, printed with the five laws of the Jiaqing imperial system, saying: "Jiayu heads out of the tribute, pouring poetry must be the moon. Turbing. Fish crab eyes are Xu Xuan, flag guns are fine. One is clear and full, and spring is avoided. "Jia Qingshu has no poem name, and his poem is quite familiar. Although the poetry of the Qing Dynasty was more familiar, after all, it was still counting the traditional roads of the poem. Today, some "retro factions" should be dragged out of ancient times, creating fake antiques to scare people, but the books are read less. The ancients couldn't survive. If they could survive, I was afraid that they would kill these half scoop water.

NO.06

"Plum" is not a new thing that is born in the sky, and its origin is Hu Shi. Planting vernacular as a whole is one of the "attempts" of Hu Shi's "Try Collection". Hu Shi is not born in the air, and the "old bottled new wine" in the poetic revolution is its origin. It was just that Hu Shi walked a little farther on the white one, and Li Zi walked a little further on the weird.

NO.07

There are two points of Li Zi higher than ordinary poets: First, he is good at rubbing the technique of vernacular poems into the writing of classical Chinese poems; second, he can theoretically build his own category. One allowed him to stand out from the mediocrity, and the other made him stand firm in the tide of poetry. This is particularly important. Those who learn plums are prone to the evil way of floating and slippery, that is, they do not pay attention to the performance of theoretical depth.

NO.08

Don't be inferior to writing good vernacular poems, good or bad, few people really understand that painting tigers can not be like cats. Don't write good writing poems, good or bad, a big group of people really understand that painting tigers can not be a dog -like dog. Therefore, many people write vernacular poems and use the perspective of evolution theory to suppress their difficult classical poems.

NO.09

Poetry cannot always be led by a group of so -called new poets who knew nothing about Chinese traditional culture and sneer at their noses, and poetry could not be kept in a cage by a group of so -called traditional poets who knew nothing about new things and kept the old poet. Continuous tradition, pioneering and innovation, is a pair of wings of Chinese poetry.

NO.10

Ming Wang Jide's "Qu Lulu" cloud: "If you are common, you make a new language, and the words are often changed." The meaning of the poet's existence lies in innovation. Newly different from the old, often gives people a sense of "new ingenuity". However, there is a kind of view that clever is frivolous, and it is harmful to the thickness of poetic flavor. This is to be confused. Blindly, the dullness is not dull, and it is not the poet. To neutralize, it is clever but not slippery, thick but not staying, and a little bit.

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