Wenrun Hangzhou famous master talks ｜ Li Hangcheng: the first aesthetic place in the cultural highland

Zhejiang News Client Supervisor Wu Yaya planned Chen Wenwen reporter Zhang Ye Li Rui Video Sun Jinman Sharing Alliance Fuyang Station Li Xiaopeng

【Editor's Note】

On the occasion of becoming the first batch of national historical and cultural cities in Hangzhou, a new goal was brought out: vigorously promoting the prosperity of the whole region and the prosperity of the whole people, and accelerating the creation of first -class historical and cultural cities. The Zhejiang Daily Group Hangzhou Branch launched a special report of "Wenrun Hangzhou Famous Masters", inviting experts and scholars to interpret the connotation of cultural cities together.

【Character Business Card】

Li Hangyu, a national first -level writer. In the 1980s, he focused on writing, representative of the "roots", and winner of the National Short Story Outstanding Novel Award.

Later, he was engaged in documentary creation and studied classical music and movies. In 2008, he began to transform oil paintings. He has exhibited huge oil paintings "Water Conservancy China" (70x2 meters) at the China Water Conservancy Museum.

Li Hangyu reads paintings at Fuyang Gongwang Art Museum

In the afternoon, Huang Gongwang Village was leisurely and wide, just like Fuchun River, hundreds of meters away.

In a small courtyard, one tree hiding the green, we met Mr. Li Hangyu.

At this point, he returned to Fuyang again, just 10 months.

Li Hangyu is not a Fuyang native, but the word "back" is because he faded with Fuyang 40 years ago.

At that time, Li Hangyu, who had just graduated from the Chinese Department of Hangzhou University, was assigned to Fuyang and successively worked at Dasuan Middle School and Fuyang Broadcasting Station. In the past few years, Li Hangyu wrote the first three articles of "Gechuanjiang Novels". Among them, "The Last Fisherman" became one of the masterpieces of Chinese contemporary "root -seeking literature".

Coincidentally, it was 40 years ago that Hangzhou was approved by the country's first historical and cultural cities. Just a few days ago, after ten years, Hangzhou held a cultural work conference on the Municipal Party Committee again, and proposed to build a first -class historical and cultural city with high quality.

Hangzhou, who has become a historical and cultural city for 40 years, how to move towards first -class?

In this regard, Li Hangyu, who has witnessed the development of Hangzhou's cultural development over the past 40 years, has his own opinion.

Fu Chunjiang in Li Hangyu's brush

To form a Hangzhou -style aesthetic concept

Cultural highland, the first aesthetic

At present, Zhejiang is building Song Yun culture. Hangzhou has also proposed to show "the beauty of Zhejiang" with "the rhyme of Hangzhou" and create a Song Yun culture highland.

What is the word of rhyme?

In Li Hangyu's view, the rhyme of Hangzhou should be a delicate culture. It is necessary to do things and be practical, and have aesthetic requirements for what they do. "Hangzhou and Song Yun culture are very good." He believes that this is not only because of the Dingdu of the Southern Song Dynasty, but also because of the "Jiangnan temperament" of the entire Hangzhou, "Hangzhou people's life is exquisite, which is in line with traditional Song Yun. "

"In this case, you can take it slowly and keep doing it." Culture's cultivation is the process of slow work, and Li Hangyu never encourages "urgent chapters". The height and thick Song Yun culture draws the essence. "

The direction is set, how should I go to the specific road? Cultural highland, the first aesthetic, "be sure to go to the height of aesthetics."

Those who have read Mr. Li Hangyu's "Gechuan River Series" novels will be impressed with the river full of wild temperament. "Gechuan River" has long been a classic logo in the Temple of Contemporary Literature in China.

Although it is a fictional river, it is obvious that the "Gechuan River" actually has a corresponding relationship with Fuchunjiang. In the interview, Li Hangyu also mentioned the beautiful Fuchun River in front of the door. He often drove to the river and walked around the river. When he saw the beautiful scenery, he stopped. After getting out of the car, he painted them. "Fuchun landscape is beautiful, and I often make me urge to paint."

Fuchun River Fuyang Section

He is planning to create a long -rolled oil painting "New Fuchun Mountain House", "No, slowly draw, the beauty of Fuchunjiang is fine." In his opinion, this natural beauty is exactly the precious wealth of Hangzhou , Also laid a high aesthetic benchmark for Hangzhou's cultural highland. "The cultural characteristics of Hangzhou must include aesthetics."

Not only the natural beauty such as Fuchunjiang and West Lake, there are also high -level art colleges such as the Chinese Academy of Fine Arts and Zhejiang Conservatory of Music. The recently -opened Hangzhou National Edition Pavilion is enough to support the rise of Hangzhou to a new height of aesthetics. "Li Hangzhou believes that Hangzhou can also have higher requirements for his cultural development, and it will be formed in the future Hangzhou culture to form. Hangzhou -style aesthetic concept. "In terms of aesthetic education and aesthetics, Hangzhou should be at the forefront of the country."

The Lin'an Museum (data map) designed by Wang Yan (data map)

The cultural position cannot be empty

Between the market wells, Wen Qi is even more grounded

In September, Li Hangyu's new book "Awakening House" was published in one line.

Writers drink alcohol, and they are particularly talked about. Xu is because writing is a very creative job. Alcohol becomes companionship. It is not only a "tree hole" for self -finding themselves, but also a "exit" that highlights talent.

But Li Hangyu regards it as a "window" -the sixty -year -old literati, loves "bubble". In the book, he through many small windows such as bars, and he has seen the different destiny and life of different people. "‘ Bubble ’is one of my main ways to communicate with the world.” In the bar, Li Hangyu made a lot of friends. "In fact, the human nature of ancient and modern Chinese and foreign countries is connected. Within a community, people need to have a place to gather. In the era of Lu Xun, if there is no small tavern that drinks old wine and fennel beans, many novels of Lu Xun will not be established. There is no bar and cafe in Paris, and its culture will be much inferior. "

In his memories, there was always a small sale in the village that was poor in the past. The villagers were accustomed to gathered there. "This is the same as the bars I often go to in Lu Xun. People need cultural information. The position of communication. "

Culture needs to be flowing. The cultural auditorium must be in every village in Zhejiang is a good position and carrier, but he also expressed his concerns: "You can't just have an empty shell, how to fill the content, let the people love and love all the people. Gathering, this is important. "

In his footprint, there is a writer Mai's hometown of Jiangjia Village, Fuyang Dayuan Town, where there is a Jiangjia shrine. "Very lively. The villagers are especially old. Tea, chat. "Li Hangyu liked this feeling very much. He believes that the cultural hall of each village should shoulder this function. Soil."

How to make the "Cultural Auditorium", the "signboard" of Zhejiang, is truly practical and launched, and Li Hangyu believes that Hangzhou still has a long way to go.

"Who will organize, this is the most important thing." Li Hangyu believes that this requires the government to make institutional innovation to attract some excellent villagers in the village to return to the village, or to introduce some professional talents from the outside.

Hangzhou Philharmonic (Data Map)

Bold encourage emerging culture

In the future, Hangzhou "goes forward"

The history of Hangzhou for more than 2000, a national historical and cultural city of 40 years, Hangzhou has a deep traditional cultural accumulation.

"We cherish tradition, but we cannot stick to tradition." Li Hangyu believes that on this land, the essence of protecting and promoting traditional culture is the mission of Hangzhou, but Hangzhou cannot be satisfied here. " Go to win the hearts of young people. "

"Culture, we must go forward." Li Hangyu said that in Hangzhou to build a first -class historical and cultural city, from the government level, you need to have such consciousness.

"Hangzhou and even Zhejiang, many museums are scarce in the museums." Li Hangyu was a little sorry for this, and good positions did not play the greatest role. However, in his observation, some good space was found, such as the large roof of Liangzhu Cultural Village.

One of the important factor is that the operation of the big roof is very open and market. The museum constantly invites professionals to come to lecture or perform. It's. "

However, he was pleased that in these years, he has also seen some forwards in Hangzhou culture. "For example, Hangzhou has the Philharmonic Orchestra." Classical music "enthusiast" Li Hangyu has heard five or six games at his own expense.

The deep responsibility of love, "If you really want to make suggestions, I think the operation of the Philharmonic Orchestra should move towards a more benign and open cycle." Li Hangyu felt that the threshold could be lower. The people who come in are always a little bit, and the influence of the whole people cannot be formed. To attract young people to come in and fall in love until everyone is willing to pay for culture. "

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