The theme line of the Yangtze River Basin | The Yangtze River Ecological Leisure Tour
Author:Cultural Tourism China Time:2022.09.06
The collision of the current and rising winds, the echo of the wind rising, the water of the Yangtze River split mountain cracks, hundreds of millions of years are endless, and now they can still feel its vigorous and powerful heartbeat. In recent years, the concept of General Secretary Xi Jinping's "Persistence and Nature", "Green Water and Qingshan are the Golden Mountains and Silver Mountains" in all parts of the Yangtze River Basin, and the spirit of "focusing on big protection and not engaged in big development" to protect the Yangtze River to protect the Yangtze River Mother River, comprehensively promotes the construction of ecological civilization, continues to do a good job in the protection and restoration of the Yangtze River, and achieves significant results. Guided by the Ministry of Culture and Tourism, the China Cultural Media Group and the Propaganda Department of the Jiangsu Provincial Party Committee of the Communist Party of China and the Jiangsu Provincial Department of Culture and Tourism were hosted. Wonderful ecological leisure journey.
The Yangtze River is the mother river of the Chinese nation and an important support for the development of the Chinese nation. The Yangtze River Basin is rich in environmental elements formed by water as the link. It is an important ecological security barrier in my country and an important support and support for the development of the Yangtze River Economic Belt. National Forest Parks, National Geological Parks, National Nature Reserve, National Scenic Area, Ecological Tourist Scenic Area/Resort, Wetland Park and other natural landscapes and ecological resources from all over the Yangtze River Basin, so that tourists will be accepted while marvel at the excellent natural environment of the Yangtze River, and Feeling the hardships of the good ecology, deeply understand the scientific connotation of the "two mountains" concept.
Responsible editor: Gou Xiaoqing
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