Micro -reviews Thirteen Arts | Young people -literary classic art interpretation

To commemorate the 140th anniversary of the birth of great writer and thinker Mr. Lu Xun, the drama "Lu Town" created by the Henan Provincial Moral Art Protection and Inheritance Center was performed at the Tangshan Grand Theater on August 31. "Diary" "Blessings", "Medicine", "A True Story of Ah Q", "Kong Yiji", "Tomorrow", "Storm", "The Story of the Hair", "Changming Lantern", the characters and stories in the nine novels, bring together a scene, concentrate on expressing Lu Xun's works The drama of ideological connotation has improved the art improvement on the basis of the deep interpretation of Lu Xun's works. The whole play is based on the madness of the madman and the unfortunate encounter of Xiang Linyu, revealing the pathological phenomenon of feudal society. This clever adaptation of Lu Xun's works has further revealed the nature of feudal society and deepened the contradictions and conflicts. Highlight the character of the character and is very artistic.

曲剧《鲁镇》剧照 河南省曲剧艺术保护传承中心供图

The actors' performances are amazing, especially at the end of the whole drama, Xiang Linyu's complaint in Xueye is crying. It can be said that the voice is pure and solid. The image of the at the bottom of the society that is killed by divine rights and husbands. The stage design is simple, the lights are dark and heavy, and the character psychology is fitted. The soundtrack is also very delicate. For example, when Xianglin was caught by the guard's beard, the madman wanted to save but could not help it. He could only repeat it helplessly: "Let go of her." At this time, the Erhu, Suona, and hanging ensemble made the sadness, loneliness, and loneliness, The desolation feels instantly filled the audience, and the sorrow and anger can reach people's hearts. In the fourth game, when He Lao Liu arranged for marriage, the soundtrack chose cheerful flute, 铙, and treble suona, which was very festive. In the fifth game, the opening of the children's voice, A Mao played with children in the village, and was peaceful. In sharp contrast to the "tight hammer" gong sound, which was urgent when A Mao was killed, deepened the expression of unfortunately encountering Xianglin's unfortunate encounter. At the end of the first and the last scene, the same painting sings appeared: "There was a town, living with a group of people, or dreaming or waking up chaos, laughed and tears." I will find it carefully. I will find it. I will find it. The lute at the end is more crisp, bright rhythm, witty, easy, and ironic, and more highlights the helplessness of the visitors of Lu Town and the helplessness of "madman".

The drama "Lu Zhen" integrates Mr. Lu Xun's nine works into a drama, and many classic characters gather together, which can be divided into three categories: viewers, madmen and Xianglin, and Lu Dingping.

Kong Yiji, who claims to be pedantic and incompetent for students, the old lady who is old and conservative, Ah Q in the spiritual victory method, the single four sister -in -law, the foolish and numb Hua Laosu, the cruel and vicious Ding Shu, the landlord, the landlord, and the landlord. The inferior gentleman Zhao and other people and others played the role of a visitors. They looked at the people and things around them like watching the play, and they had no sympathy for the experience of others. They were both murderers of the old society and victims. There have been three concentrations of this group of visitors. The opening of the self -reporting door accompanied their classic lines: Kong Yiji "the stealing is not stealing", the old lady of the nine pounds "not as good as the first generation", Ah Q "son fighting Laozi", Zhao Zhao Master "Ah Q, you are also with the surname Zhao, ah ah" and so on. Such a great visual impact on the audience has paved the way for the development of the plot and mobilized the audience's interest in ornamental. At this time, Xiang Linyu appeared in the catch -up of Wei Beard and called for help. The viewers chose to close the door directly to avoid the matter. In the sixth Xianheng Hotel scene, the viewers appeared for the second time, eating, drinking and chatting, and each character repeated their classic mantra. It seemed to be extra handwrites, but in fact, it showed the spiritual state of the feudal community's crowded and old and stubborn. Facing Xiang Lin's encounter, the spectators unanimously took the psychology of watching the show and hunting, and coaxed Xiang Linyu to tell her story, which made her a laughingstock. , I don't feel the coldness of my behavior, and I don't feel that I am a pushing hand to Xiang Linyu. The most disgusting thing is Liu Ma, who coaxed and induced Xianglin to donate thresholds. It seemed to give Xianglin's hope for life, but she completely pushed her to a stalemate. At the end of the whole drama, the visitors appeared for the third time. When they saw the blessings of New Year's Eve and the streets of Xianglin's frozen corpse on the streets that fluttered on the streets, they walked numbly and things. opened. These spectators are the true portrayal of the survival and mental state of countless people in the old society. They are persecuted by feudal etiquette, and they are used to hurting and insulting their weaker life than them. It is these visitors that become a ruthless accomplice like Xianglin's diligent and kind, loyal and loyal folk women on the road, and is the "unknown killing group" written by Lu Xun. By shaping these "spectators" characters, the play profoundly reveals the inferiority of the old Chinese citizens.

The madman and Xiang Linyu are the core figures of "Lu Town", which concentratedly express the main purpose of this drama. The madman is a form, and Xiang Linyu is the content. The madman is responsible for telling the essence of the "eating" of feudal society, and Xianglinyu is responsible for interpreting the specific performance of "eating people" in feudal society. From beginning to end, the madman was crazy, unaware of it, and the visitors took his words as crazy. Wei Beard had to beat him. When he heard that he was a lunatic, he would not bother with his friend Lu Dingping with sympathy. When the crazy people look at it, the most sober person in the whole drama is a madman. When Xianglin was chased by Wei Beard, the rescuer was a madman. It was the madman who persuaded Lu Dingping to not read the ancient book. Remind Lu Dingping to go out to study and be careful to be eaten by others. Only children are innocent, and they are also madmen who shouted "save children". The screenwriter has shaped the madman into an individual existence that see the essence of the feudal society, but it is incomparable, unable to change reality, and no trust. This form of expression is extremely tension. From beginning to end madman, the words kept mentioning two words: "eating people", and "people eat people", what exactly is "eating human law", Xiang Linyu clearly shows himself through four despair encounters How to "eat" by feudal rituals. The first time Xianglin was fled to Lu's house after her husband Xianglin's death. At this time, she was full of hope for life, but in the end, she was caught by her mother -in -law and forcibly married He Laoliu. die. The second time was to compromise with He Laosiu and had a son, she had a longing for life, but with the death of He Lao Liu and his son, she was also driven out by the He family. Depend on. The third time she went to the Lu family to be a helper and was disgusted by the Lu family. Mother Liu lied to her donation threshold to redeem the crime of her life. At this time, Xiang Linyu had the hope of surviving. However, Master Lu Si believes that the two widowed husbands were wounded and the crime was deep, and the threshold of donating more could not be atonement. She drove her out of the Lu family, and even the girl in the house rolled her eyes. Xiang Linyu's heart was confused, and he was stunned. In the last time, although Xianglinyu was begging on the streets and begging along the street, she still hoped to find an exact answer to her confusion, but the cold eyes and disgust of the spectator made her completely desperate for life. In the end, she had no nostalgia for the world she had lived, and frozen death on the snowy night on the night of the blessings of others. The drama is also deeply criticized through the shaping of this character image, which profoundly criticized the essence of the traditional Chinese feudal etiquette culture. Lu Dingping's role was originally a crowded figure in Lu Xun's "Blessings". Two inadvertently mentioned two strokes, but in the drama "Lu Zhen", it became the main character. This adaptation is very successful. Looking at the whole drama of "Lu Zhen", it is full of depression, pedantic, and helplessness. The appearance of Lu Dingping made people see a hint. He is a spiritual symbol, a lighthouse that breaks through the darkness. He not only has theoretical guidance, but also has a firm practice. On the road of fighting with feudal ethics and morality, he is further further than a madman. Although the madman saw the essence of the feudal society, he was unable to resist with it, and he could not find the direction of moving forward. He could only do some false illusions. And Lu Dingping is the pioneer who changes the innovation world of the old world. Although heroic and righteous, he "is willing to take this effect Qiu Jin, and there is a trace of Xue Nihong claws. The ambition and great ideal, eventually became a reality through the unremitting efforts of a generation of heroes. These front -wheel drive not only awakened the "sleeping dream", but also moved towards the great rejuvenation of the Chinese nation.

Lu Zhen was a replacement of his hometown in Lu Xun. The story of Lu Zhenli reflected the entire social state of the old China at that time. The drama "Lu Town" expresses a universal and universal emotion that transcends regions in the form of drama. General Secretary Xi Jinping pointed out: "The enlightenment and lesson of history are the common spiritual wealth of human beings. Forgetting history means betrayal." Although the feudal system is gone, we must not forget the lessons of history. We must attract lessons from history, establish the correct worldview, outlook on life, values, firm belief, based on their own positions, always adhere to the power of realizing the Chinese dream, so as to purify, self -improvement, self -innovation, self -improvement, so that The story in the town really becomes history.

Responsible editor: Gou Xiaoqing

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