Non -Heritage | China Anti -Heritage Hall presents a "Chinese hand" Quanzhou specialty to bring wonderful non -heritage experiments to the audience
Author:Cultural Tourism China Time:2022.09.05
Quanzhou, as one of the 24 historical and cultural cities announced by the State Council, is the starting point of the "Maritime Silk Road" and the first "East Port" and the world's first "World Multi -Cultural Exhibition Center". On July 25, 2021, the "Quanzhou: The World Ocean Business Center in Song and Yuan China" was successfully included in the World Heritage List.
On September 3rd, the China Arts Museum and the China Intangible Cultural Heritage Museum ushered in a wonderful non -heritage experience journey! "China’ s ingenuity "-The Quanzhou experience has brought a number of national non -heritage projects with rich content and diverse forms, which has triggered a lot of praise from the audience! At the end, many viewers still said that they "didn't see enough", "not enough", "not enough to learn." Below, let's review the wonderful moments of this event!
Quanzhou Line puppet show, fun lecture "Little Sami goes down the mountain"
"Come out! Come out!" With the cheers of a child, a "little Sami" puppet wearing a monk hat appeared on the multi -function hall of the museum! Among them, the hand -held silk line is Chen Yinghong, a representative inheritor of the national non -heritage project "Quanzhou Line Puppet Show". With the superb skills accumulated for many years, Chen Yinghong swinged through flexible fingers and turned between the "Little Sami" wooden idols on the line ending. Various posture dynamics, vivid and lifelike.
Chen Yinghong tells the history of Quanzhou's line puppet
Chen Yinghong also told the audience the development history of "Quanzhou Line Puppet Show". He introduced that "Quanzhou Line Line Puppet Show" was known as "hanging silk", "online drama" and "wooden play". After thousands of years and uninterrupted inheritance, it has accumulated a wealth of traditional repertoires, with unique drama music "tunes" and more than 300 traditional song cards.
The audience experience the money puppet operation
The audience experience the line puppet operation
The whole scene was filled with an active and cheerful atmosphere. After the performance, Chen Yinghong also invited some audiences to experience the line -up operation of the puppet in the center of the stage. Under Chen Yinghong's careful professor, the puppets slowly moved forward with the puppets of the parents and children. It caused the audience to laugh!
Quanzhou flower lantern, light up the bright non -heritage skills
Fu Cao Yi interprets Quanzhou flower lanterns
Fu Caoyi Quanzhou lantern works
"The surrounding lights are practicing the brocade, which is dotted with the tassel, and the bell should be outside." It depicts the prosperity of the lanterns during the Lantern Festival. The "Quanzhou Flower Lantern" started in the Tang Dynasty and flourished in the Song and Yuan Dynasties. It has continued to this day and is a national intangible cultural heritage project.
Professor Fu Cao Yi Quanzhou lantern production
As the inheritor of the "Quanzhou Flower Lantern" production skills, Fu Caoyi has brought a number of exquisite lantern works for everyone. From its historical evolution, production skills and decorative arts, the inheritance and innovation of "Quanzhou Flower Lantern" is interpreted. Production experience and skills also introduced the audience how the "Quanzhou lantern" was cleverly integrated in science and art.
After that, Fu Caoyi took the parent -child family experience at the scene. From the initial scattered components, they gradually produced exquisite and compact multi -faceted lanterns. The scene was immediately immersed in the atmosphere of joy and festive atmosphere. The red and yellow "Quanzhou lantern" was covered with the entire scene, completion of each other and lively.
Quanzhou Jiangjia Wooden Puppet Powder, gives the character a makeup
Huang Ziyan's works
Huang Ziyan talked about Jiangjiamu Puppet history
"Wow, this doll's expression is too realistic!" The various puppet works on the desktop of the four -story youth activity center on the fourth floor of the museum attracted the attention of the audience. These works are all from the fourth generation of the fourth -generation heir of the national non -heritage project "Jiangjia Wooden Puppet Carving Skills".
Huang Ziyan shared the experience of learning "Jiangjia Wooden Puppet Evanizing Skills" with his father, starting with a carved knife, telling the historical origin, the inheritance of the master and apprentice and the exploration of the "Jiangjia Wooden Puppet Sculpture Skills", this The skill of the items tested the patience of the producer. Each knife is very rigorous. It requires no heart and a bamboo, and the knife can be precise and neat. Later, Huang Ziyan clicked the content of this experience -"Jiangjia Wooden Puppet Powder". As a critical step in Jiangjia Wooden Puppet head, "Fan Decoration" determines the visual effect of the duty head. One step with the finishing touch.
Then, the audience followed Huang Ziyan, holding the puppet head, and started drawing and smearing. From the eyes to the mouth, to the hair accessories, each character image has been put on a layer of makeup, with light makeup, thick makeup, and makeup with makeup. The characters such as the white -faced scholar "" Nezha "were re -decorated, and the passing audience praised the design sense and imagination of the participating children.
Make a densely partition -cabin blessing boat, sail sail
Yang Liangtun talks about the watershed partition blessing boat
Yang Liang Dun works
For thousands of years, the "Water Mid -compact Blessing Board Manufacturing Skills" has been widely used in fishing vessels, cargo ships, warships and diplomatic envoys, especially the Fujian ocean cargo ships on the "Maritime Silk Road" during the Song and Yuan Dynasties. Zheng He's fleet of the West also used the "Water Mid -Story Blessing Board Manufacturing Skills", which shows that he has played a bridge and bond in the cultural and economic exchanges of the East and the West.
As the inheritor of the national non -heritage project "Watermate Partner Blessing Board Manufacturing Skills", Yang Liangun introduced the various structures and scientific principles covered by the audience, and showed you the intuitive and three -dimensional hull structure. Subsequently, the audience followed Yang Liangtun to start experiencing ship model production. The audience at the scene became active. Under the guidance of Yang Liangtun, the outline of the hull was slowly put together, and then stepped with various parts step by step. In the end, the audience took a photo with their works to record this unforgettable moment.
Yongchun paper weaving painting, the beauty of the longitude and weft
Fang Bi's explanation
Fang Bi Shuangwu
Paper weaving painting is a traditional folk art that is unique to Yongchun County, Fujian Province. It is said that it was founded in the late Sui and early Tang Dynasty. It has a history of more than 1,000 years. Called the four weavers in China.
At the beginning of the event, Fang Bishuang, the inheritor of the national non -heritage project "Yongchun Paper Painting", introduced the historical background, process knowledge and production points of "Yongchun Paper Weaving" in detail, and took everyone to appreciate the "Yongchun Paper Weaving Painting". The vague artistic value. In the process of demonstration, Fang Bi Shuang led everyone to experience the weaving of the group fan, including the steps of painting, cutting, weaving, edging and paste, so that everyone can feel the interlaced and hazy beauty of the crafts in the practice.
The white latitudes paper is regularly woven into the meridian paper of the picture through tools, and it is constantly recycling, like a ripple ripple on the drawing paper, sparkling, looming. During the event, Fang Bicang also taught the children's tips to the children from time to time, assisting multiple groups of parent -child families to complete the works. Parents and children were emotional Fang Bicang's superb craftsmanship, and also expressed their admiration for handicrafts.
As the starting point of the "Maritime Silk Road", Quanzhou's non -heritage project brings you a paragraph full of knowledge and interesting experience. Through this "Chinese hand -in -hand" -Tongzhou non -heritage specialty event, more The audience has a deeper understanding and understanding of the excellent traditional culture of the Chinese nation, and further feels the profound cultural accumulation of our motherland.
The "Chinese Smart Hand" Aesthetic Education Series launched by the China Arts and Crafts Museum and the China Intangible Cultural Heritage Museum is intended to select representative projects from the Chinese arts and crafts and intangible cultural heritage of the Chan Ruo Xinghe, and regularly invite related fields The master of arts and crafts and the inheritors of the intangible cultural heritage personally explained and demonstrated the creation, and carried out social education activities of different themes.
Editor: Yuan Ming
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