Everyone has "microphone": literary criticism faces a revolutionary change

With the development of new technology, the rise of new literary and art groups, and the introduction of new literary and artistic policies, the current literary criticism form is undergoing a series of profound changes. How to understand the new literary criticism form from the theory high? On the basis of comprehensive investigation, specific intervention and accurate grasp of new problems and new characteristics of literary and artistic criticism, how to deeply understand and explain the special features of literary criticism? These have become important theoretical issues with distinctive times in the current literary criticism research.

On May 15th, the National Social Science Fund's major project of "'' Micro Age 'Literature and Art criticism" research group, Shandong Normal University Network Literature and Art Research Center, and Capital Normal University Literary and Art Criticism Research Center were jointly sponsored by online forms. "Literary Criticism Workshop". Participating experts and scholars focused on the realistic issue of "literary criticism form", focusing on the value of "literary criticism subject transformation", "new style of literary and art criticism", "barrage, game, database literature criticism", "'amateur' literary criticism and the value of literary criticism and the value of literary criticism and the value of literary criticism and the value of literary criticism and the value of literary criticism. The topics such as "the cosmic and literary criticism" and other topics have enriched and deepened the realistic sense of literary and artistic criticism and its theoretical construction with the cutting -edge thinking of new issues and new phenomena.

Zhou Xian, vice chairman of the Chinese Aesthetic Society and a professor at the School of Art of Nanjing University, proposed that focusing on knowledge sociology should become the construction path of current literary criticism. He believes that literary criticism can play a role in social construction through the "five -yuan structure", namely artists, arts, audiences, critics, and markets. Critics shoulder the role of "legislators" should play a value -oriented role, especially in the face of social and cultural phenomena such as entertainment to death, attention crisis, consumer production and other social and cultural phenomena. Capital vassal.

The concept of literary concepts has changed as changes in the times. Today, with the rapid development of media, poetics research urgently requires the steering of media poetry. Professor Zhang Ye, director of the Ministry of Literature of the Chinese Social Sciences Magazine, reflects on the current "media" negation theory from a humanistic perspective, emphasizing the positive significance of the creative power of the new media to human value. He proposed that for human intellectuals, although it should be defended by reflection and criticism, there is a prerequisite for this kind of reflection and criticism, that is, the creativity of new media as a possibility of discovering human and society as a kind of humanity Full affirmation of strength. Media poetics need to study how new media has changed the main body of traditional eliteism, how to break the moral cage and aesthetic rules of traditional elegant literature, and realize self -re -recognition and potential updates.

In response to various new changes in the field of literary and artistic criticism, Jiang Shuzhuo, chairman of the Guangdong Provincial Writers Association and professor of the School of Literature of Jinan University, focused on the main level of criticism, the form and motivation of criticism activities, and outlined the prospects of the "micro -era" literary criticism. He believes that in the era of "microphone", the subject of literary criticism has eliminated identity boundaries and the boundaries between professional and amateur. The current critics have become participants of art production in the media era, both producers, also critics, and creators. The method of "Weizhong" criticizing the subject is completely different from the unidirectional nature of traditional paper media and has online interaction characteristics.

Hu Xinfeng, a professor at the School of Arts of the Capital Normal University, conducted analysis and criticism of the "anti -connection" phenomenon of landscapes and circles of literary criticism at the moment. He proposed that the purpose of truly effective literary and artistic reviews is to ensure the freedom and legitimacy of "telling everything" to protect and asylum literature. In the landscaper and circles of network space, the role of artistic comments is easily affected, and it may lose vitality, creativity, and action. In the age of digital media prosperity, literary commentators must accept the empowerment of connection, but also face the dilemma of "anti -connection"; they must dare to stroll in the clouds, but also be willing to retreat, so that they can adapt to the new Internet law. Complete your mission.

Based on the big background of literary criticism from aesthetic to communication, Li Yangquan, a professor at the School of Arts of Huazhong Normal University, revealed the profound changes in the literary criticism paradigm in the context of social media. He proposed that literary criticism should moderately emphasize communication. In terms of literary concepts, from the traditional concept of works to the concept of community and the big literary concept, the communication activities outside the work should also be regarded as literary content; in terms of literary and artistic methods, the importance of attaching importance to communication activities should be paid attention to. The "Wikipedia Encyclopedia" collective production model based on communication; literary and art acceptance activities have moved from traditional personal aesthetic views to group sexual interaction; literary evaluation paradigm, in addition to traditional works evaluation systems, should also consider the connection of literature and art. In love with.

Yang Guang, a professor at the School of Literature of Shandong Normal University, put forward the concept of "Weizhong". Weizhong refers to the "split body" group, such as circle, group, powder, barrage, and so on. The main body of Weizhong is the main body of "active data" in the process of interacting with digital technology. Weizhong does not use the APP platform, but "symbiosis"; Weizhong does not browse the content on the app platform. They are "content", that is, data. At the same time, he believes that no matter how many positive impacts have been in the Critical Critical Critical Critical Critical Campaign, as long as the technical and compulsoryness of the activity lacks a clear awareness and criticism, it will be re -criticized to criticize the public, rebuilding the public, rebuilding it The expectations of literature and reality should not be too high.

Professor Wang Feng, dean of the School of Communication of East China Normal University, believes that he should face the wave of Yuan cosmic universe with a "mid -view" criticism attitude. The Yuan universe is a kind of technical practice and social practice. It can be understood from the four elements of games, virtual reality, the Internet of Things, and trading systems. The alternating conversion of real life and the Yuan universe is the basic way to ensure the smooth construction of the Yuan universe. Switching of technology and reality is a new way of phenomenology. Tang Hongfeng, a researcher at the School of Art of Peking University, took the audiovisual text of the digital age as the object. He believed that the digital media re -gathered text, images and sounds to form a new form of writing. The traditional text writing has ended, and the writing of images, images, and numbers has just begun.

The rapid development of computers, mobile Internet, mobile terminals, cloud computing, big data, etc., has triggered a great change in realistic literary ecology. Professor Wang De Sheng, chief expert of the National Social Science Fund Artist Program "'Micro Age' Literature and Art Research" and the Dean of the Academy of Arts and Aesthetic Education of Capital Normal University, proposed that in the process of direct contact with literary practice, today's literary criticism not only begun not only to start Gradually deconstruct the original criticism of discourse monopoly, and at the same time, its object composition, practical form, and operation methods are becoming increasingly diversified; not only breaks the existing criticism pattern, but also gives birth to many criticism forms with new appearance and characteristics, which has contributed to literary criticism. Revolutionary transformation with form.

The holding of this "Literary Critical Critical Workshop" is an important theory for actively adapting to the transformation of literary criticism, effectively deepening the current cultural criticism practice, specific response to the theoretical construction of literary criticism theory, and continuously strengthening the connection between literary criticism and contemporary life. And practical significance.

Source: China Social Science Network-Journal of Social Sciences of China

Author: Yang Yang

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