Wang Fangwen's "Talking about the Green and Image of a Pot"

Talk about the grace and image of "A Pot"

Text/Wang Fangwen

Tian Lina is my good sister. In recent years, she has read her series of prose and poems "One Close to Qinghuan". We often say that the text is like it, and it is not appropriate to use it on Lina. Lina's elegant and gentle and intellectual, which is exposed to the midst of the way, is the typical temperament of the female writer I like very much, and it is also the poetic bone of my preference. This kind of graceful and beautiful revealing Lina's bones is not exceptionally in her newly published poem collection "One Pot". Let me talk about the most touching insights that touched me the most.

First of all, talk about "gentleness". When reading Lina's collection, I have been immersed in her euphemistic, gentle and soft artistic conception that she carefully built in words.

The word "grace" was first seen in the "Mandarin. Wu Lang" of the pre -Qin ancient books, "The old saying", "Gan" is soft, and "scheduled" is refined, faint, and wonderful. The graceful style, since Qin, has become a kind of gentle lyric and creative style regardless of the dynasty. It has developed into the peak of Song Ci to describe personal emotions and natural scenery in the literary world. , Yan Shu, Yan Jidao, Qin Guan, Li Qingzhao as a benchmark. In the concentration of Lina's poems, it can be seen that she is influenced by Tang poetry and Song poetry. In many spaces, they all present picturesque scenery, delicate affection, and the observation and sighs of life in nature. People are shocked, or they are applauded, or they think deeply, or sighing a few sighs, the landscape tour in Lina's life, the beautiful encounter with the livelihood, the affectionate encounters of the morning and dusk The acacia of the stars, the night of the stars, the night of the bones, the sentimental flow of the flowers and flowing water ... One by one is contained in her bright, pure and gentle poetry, and really touched the softest and purest places in our hearts. , Caused a burst of throbbing.

"Open my eyes / I stretch the waist in the clouds on the top of the mountain ... Swaying on the bending moon / toast invites Mingyue / Yingcheng three people" "Open my eyes / I smile in the flower of Mu Hibiscus / Mu Furong in the Spring Mountain "Open my eyes again / I wake up in the Begonia Flower / I am afraid to sleep in the middle of the night / so I boil the high candle and take the red makeup." Gathering Lingtai ("I am in the world"), in this poem, the female poet smiled in the hibiscus flower in the Hibiscus flowers in the Lantian Spring Mountains where Wang Wei lived in the top of the mountain, chanting in Su Dongpo When the begonia flower wakes up dreams ... When the soul wandering is in full bloom in each flower, the Lingtai gathered in the poetic poetry poetry soul of the poetic poetry poetry ... The poet uses a pure and soft pen and ink, chant and three sighs, and loves us. Entering the beautiful and agile historical painting situation, we felt that a female poet walked the gracefulness of hundreds of times in the Tang and Song poetry roads.

The female poet uses "cloud" and "flowers" as the objective image of poetry, and penetrates her strange subjective image in it, and sublimates with each other. We often say that the core of poetry is imagery. Good at using imagery will make the language language of poetry, texture, style, tune, and can make the empty concepts be agile and touch. Shi Xian Li Bai is a master of subjective images. Many of the strange feelings in his poems, most of them want to worship the image of the image. For example, "Yun wants clothes and flowers, and the spring breeze brushes the threshold." The white hair is three thousand feet, and the worries are like a long. "

There are many poems that make good use of imagery in "One Pot". explore.

"Peony is still plum blossoms / Zi Lan of the Book of Songs / Youlan of" Chu Ci " / There is a winding officer with a shaking bell / a fragrant corner of the dream / joy of the blue sky and the sky I opened my blue eyes / originally, I inhabited in the sun / dancing with butterfly "(" Inhability in the Sun "). There are a few words of this poem, interchangeation with the flower, and the poet's subjective emotional poems with plum blossoms and peony, let the faint fragrance grab the corner of the dream ... how wonderful and psychicism is this? The mystery, deep, not superficial, thick, thick, and particularly durable.

Another example is "Garden in Dreams": "Too a cloud support / let it spread my dream / dream garden / aroma overflow / violet swaying a few strands of green silk / from green, gray to white / we are speechless to sit silently / Time flows from the tattoos / slightly snoring sounds. "There are only nine sentences in this poem, with clouds, gardens, dreams, violets ... as an objective image, sitting with time, letting time this top -viewing image, The "flowing pattern" of objective images makes the objective image in front of the poet's subjective emotional color. The keen exploration of all things in the female poet, my tentacles of my psychic, and through the many meanings outside the image, the poetic increase has increased, breaking our daily logic and perspective, and updating our eyes to look at everything in the world.

Huang Fan, a well -known poet critic, said: "Poetry does not come from the world, but from the poet's gaze." As a poet, we can be inspired by the "Potten Blue Wind" that the female poet uses the sun, the moon and the stars and the text, and the poet You can't just look at the world in the breath of Hongchen Fireworks. Instead, you must stand at the perspective of God to admit Hongchen, to talk to all things, let the imagination spit, and find new verses for the uncertain poetic world. Essence

(Published on September 4, 2022 in the new book of "One Pot" in Tian Lina, Xi'an) The author:

Wang Fangwen, a poet in the Silk Road, a member of the Chinese Writers Association.He is currently chairman of the Silk Road International Poet Federation, Director of the Silk Road International Poetry Research Center of Northwestern University Regional State and Editor -in -chief of the World Poetry Research Center, and editor -in -chief of "World Poet" magazine.

He has won the Top Ten Poets of Contemporary Contemporary Poets of the 2017 Poetry Magazine, the 2018 Spanish First Silk Road International Poetry Art Festival Silk Road International Guizhou Poet Medal, China Sixth Bingxin Prose Award, 2011 Russian Chekhifu Literature Medal,In 2019, the Bilingual Poetry of the Russian Poetry, the collection of Chinese and English Poetry "The Shadow of the Silk Road" won the top ten poems of the Fifth Chinese Poetry Spring Festival Gala Global Chinese Poetry Culture Award, the 2020 Boao International Poetry Festival annual poet award.

He is the novel "Anwu Shang Women", and the long report literature "Revelation of Poverty Alleviation" and "Beltic Bond", the poem collection "Silk Road Goose Shadow" and "Silk Road Rainbow Shadow" and other literary works 11, some poems have been translated into English, English, English, English,Russian, Indian, Spanish, Korean, Mongolian, Malaysian and other languages.

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