"Art China" focuses on recommending contemporary outstanding artists -Yu Jin

We are so close to us so that Xi is not inspecting; art is so far away from us, so that we can't reach it. Listening to the story of the artist Yu Jin may have more and deeper understanding of the art itself.

Yu Jin, stage name: Black Shark, born in 1958, Liu'an, graduated from the Central Academy of Arts and Crafts (now the School of Fine Arts of Tsinghua University) in 1984, is the dean and professor of the Academy of Arts of the Arts Research University of Anhui University of Architecture. Director of the Institute of International Art of China and South Korea. Researchers, a special researcher at the Chinese Institute of Outstanding Book Protection and Cultural Relics Protection and Innovation Research Institute. Dean of the Academy of Painting Academy. Member of Chinese Artists Association. Member of the Spanish National Artists Sculptor Association. Chairman of the Caochuan International Artist Committee.

Main achievement:

1. Ink in the "Gossip", was selected to the Karussel Art Exhibition in Paris, France in 2013. (Organizer: French Artists Association.)

2. "Xiangyun" ink, invited to participate in the exhibition of famous artists in Hanzhong and won the special award. (Organizer: Korea National Art Education Association.)

3. "Western Town" Watercolor, won the 6th National Watercolor Painting, Pink Painting Silver Award. (Organizer: Chinese Artists Association.)

4. "Steel Moonlight" ink, won the bronze award of Chinese painting works in 2003. (Organizer: Chinese Artists Association.)

5. "Old Street" watercolor, won the bronze award of the fourth national watercolor and pink and painting exhibition. (Organizer: Chinese Artists Association.)

6. "Mountain Women" Chinese painting, won the gold award of the Chinese Modern Calligraphy and Calligraphy Contest. (Organizer: Ministry of Culture, China Foreign Cultural Exchange Association and China Art News.)

7. The murals of "March 3" were selected as the first (century) mural exhibition in China and won the masterpiece award. (Organizer: Chinese Artists Association.)

8. Fan paintings of "Polilated Ocean" won the excellent award of China's first Fan Painting Exhibition. (Organizer: Chinese Artists Association.)

9. "Old Street Series Two" Watercolor works were selected into the ninth National Fine Arts Exhibition. (Organizer: Ministry of Culture, Chinese Artists Association.)

10. "Zen Tea" ink, was selected to the Karussel Art Exhibition in Luxu Palace, Paris, France in 2014, and won special prizes. (Organizer, French Artists Association.)

11. The color ink of "Yellow River Soul" was selected into the 2013 Republic of Korea's new modeling art contest and won the excellent work award. (Organizer, academic committee of the Korean Education Art Association.)

12. In 2019, he went to Seoul, South Korea to participate in the China -Korea International Art Exchange Exhibition.

13. In 2016, the "Western Town" was selected as a centennial watercolor painting and work exhibition. (The organizer, the Ministry of Culture, the Chinese Art Museum, the Chinese Artists Association.)

14. Ink works in "Autumn Rhyme" in 2012, participated in the China and New Art Exchange Exhibition held in New Zealand. (Organizer: New Zealand, Auckland International Art Space Museum.).)

15. In 2022, "The Sun Right" was selected into the national art work exhibition. (Organizer: Chinese Artists Association.)

16. In 2003, "The Estuary of the Reconstruction" was selected into the first national small watercolor exhibition. (Organizer: Chinese Artists Association.)

17. In 2022, "October" was selected for the 16th newcomer exhibition of the Chinese Artists Association. (Organizer: Chinese Artists Association.)

"Haixia" was selected as the 7th National Watercolor and Pink Painting Exhibition. (Organizer: Chinese Artists Association.)

"March 3rd Series Five" murals, selected for the 10th National Art Exhibition. (Organizer: Ministry of Culture, Chinese Artists Association.)

"Years" was selected as the 8th National Watercolor and Pink Painting Exhibition. (Organizer: Chinese Artists Association.)

"The Memory of the Years" oil painting works won the gold medal of "2007 Anhui Provincial College Teacher Oil Painting Exhibition". (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Provincial Department of Education, Anhui Artists Association.)

"Late Autumn" oil painting works won the first -class academic first prize of "2007 Anhui University Teacher Oil Painting Exhibition". (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Provincial Department of Education, Anhui Artists Association.)

In 2003, "Western Town" paintings won the Anhui Provincial Social Science and Literature and Art Government Award. (Organizer: Anhui Provincial People's Government.)

In 2004, "March 3" paintings won the Anhui Social Science and Literature and Art Government Award. (Organizer: Anhui Provincial People's Government.)

The "Old Street Series" participated in the 50th anniversary of the founding of the People's Republic of China on the National People's Republic of China. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

"Xiongguan" Watercolor has won the bronze award of the "Third Anhui Art Exhibition". (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

"March 3 series" murals won the silver award of the first Anhui Provincial Fine Arts Exhibition in the first year of Anhui Province. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

"Chenhui -Three of the Western Town Series" Watercolor has won the bronze award of the first Anhui art work exhibition in the first Anhui Provincial Fine Arts. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

"Old House Series" Watercolor has won the Bronze Award of the Second Anhui Fine Arts Exhibition. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

The "March 3 series" oil paintings won the 3rd Anhui Art Exhibition Excellence Award. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.) 31. "Love Song" prints selected into the Hui faction print process exhibition. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

32. "Xiangwu" oil painting won the second Anhui Fine Art Exhibition Excellence Award. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

33. "Finding Survival Space" was selected as the "Anhui, Hefei Gongbi Painting Works Exhibition" at the China Art Museum. (Organizer: Anhui Provincial Federation of Literary and Art Federation, Anhui Provincial Department of Culture, Anhui Artists Association.)

Main joint exhibition:

1. Yu Jin (China), contemporary artist in May 2011. Pascal (France) Zhai Sitring (Australia) Seven Kingdoms Touring Exhibition, organizer: Guangzhou Art Museum, the Central Painting Academy of the Civil Revolution, the Dutch Chamber of Commerce in China, and the Institute of Fiber Art of the Academy of Fine Arts of Tsinghua University.

2. In December 2020, ingenious ink -academic invitation exhibitions of famous Chinese painters in the country (exhibitors: exhibitors: Guo Yiyuan, Guo Shifu, Tang Wen, Pan Hui, Pan Gongkai, Yu Jin, Zhang Lichen, Jia Guangjian, Wang Tiansheng, etc.). Place of Show: Beijing Yanhuang Art Museum.

3. In December 2021, the first national giant painting invitation exhibition. (Main exhibitors: Guo Shifu, Ma Haifang, Yu Jin, etc.)

4. In May 2016, "Painting as a person, Miao Qu Now -Yu Jin Chinese Painting Exhibition" was unveiled at the National Academy of Painting of China and the International Art Center.

5. Inheritance of classics -Invitational exhibition of contemporary calligraphy and painting masters in 2016 (exhibitors: Fan Yang, Huo Chunyang, Yu Jin, etc.).

6. In June 2016, the fourth classic and style -the contemporary artist invitation exhibition (exhibitors: Guo Yiyuan, Jia Wenfu, He Jiaying, Yu Jin, Lu Yushun, Guo Shifu, etc.) Essence

Personal donation

1. CCTV, the Chinese Artists Association, and the Chinese Calligraphers Association jointly organized a large -scale public welfare activity of "Gong in Qianqiu -Donation of the elderly education" and donated one of Chinese painting works.

2. In order to support the reconstruction of Sichuan disaster areas, in the "Hope Project, Action of Solitude -Anhui Famous Masters Excellent Relief Sales Activities", a Chinese painting works are donated.

3. One donation of the fourth "Caring and Responsibility of the Mind Rainbow Project -Contemporary Calligraphy and Calligraphy Masters Help the Poor Leaving Children's Public Welfare Exhibition" organized by the Song Qingling Foundation of China.

Work collection agency:

1. China Art Museum;

2. New Zealand Oakland International Art Space Museum

3. China (Suzhou) Pink Painting Art Museum;

4. Hefei Jiu Liomi Art Museum;

5. Prime Minister's Palace of Kyrgyz.

Published a personal collection:

"Yujin Watercolor Collection", "Yujin Oil Painting Collection", "Yujin Ink Painting Collection". (Publishing unit: China Literary Federation Press.)

In 2018, at the 18th China Century Grand Capital Figure Summary and Commendation Conference and CCTV TV Character Awards Ceremony, he was named "Chinese Contemporary Morality Artist".

The thick and vast ink painting image

——Masing Mr. Yu Jin's ink painting art

I like Yu Jin. I like his sincerity to his friends, and I and him are a good brother for more than 20 years. Yu Jinguang made friends, from the master of the international and domestic calligraphy and painting industry, from the dwelling of the literary world to the surrounding calligraphy and painting industry, politics, and business circles. Essence Yu Jin was quite a bit of Song Jiang in Liangshanbo. I also like Yu Jin's attitude towards life: live free and easy, live freely, to play, to paint, whether oil paintings, watercolor paintings, or Chinese paintings, regardless of character Luohan, famous mountains, or flowers and birds. It is a "desperate Saburo". However, it is this natural attitude towards life and artistic attitude that Fang made Yu Jin's painting art present a quite unique style: both traditional pen and ink taste and the light of western painting. It is unique and unique, and the root cause is a soft spot for the "ink performance". Over the years, he has devoted himself to studying the efficacy of "water" and the artistic conception of "ink".

Yu Jin, stage name: Black Shark, graduated from the Central Academy of Arts and Crafts (now the School of Fine Arts of Tsinghua University) in 1984, is the dean and professor of the Academy of Arts of the Arts Research University of Anhui University of Architecture. Director of the Institute of International Art of China and South Korea. Researchers, a special researcher at the Chinese Institute of Outstanding Book Protection and Cultural Relics Protection and Innovation Research Institute. Dean of the Academy of Painting Academy. Member of Chinese Artists Association. Member of the Spanish National Artists Sculptor Association. The chairman of the Caochuan International Artist Committee, Master Wu Guanzhong and Master Zhang Ye. Mr. Yu Jin is the most important ink painter in the art world today. For decades, he walked in the mountains and rivers of China for decades, accumulating a thorough understanding of Chinese ink painting with difficulty counting sketches and sketching. In the studio, he used the unremitting writing of exquisite ink and ink, freehand pens, and income from the mountains and rivers, flowers and birds, such as the land of the motherland, and so on. A peak of contemporary ink painting.

The ink paintings created by Mr. Yu Jin for decades, I feel that his art is both an endless mountain and a vast dense forest. Among them, there are hard trek and experiments, as well as unknown confusion and exploration. It can be said that Mr. Yu Jin's ink and landscape painting provides a unique case of Chinese painting in the 20th century, especially from the traditional interior of literati painting to modern art. It has high research value. represent. Chinese paintings are from Wang Weicheng's ink landscapes. There is a "ink painting". The traditional ink painting is relative to the color. The literati painters of all ages compete for "water" and take their elegance. Compared with traditional ink and ink, contemporary "ink" emphasizes 'modernity' and has its characteristics of Chinese culture. In recent years, Mr. Yu Jin has pretended to be ink landscapes, flowers, birds, and characters. With the strength of the strength and strong black and white effects, he abandoned the symbol of traditional painting and avoided "ancient human taste". To avoid "sketching", and strive to experience the experience of reality with imagery and abstract pen and ink language. His works made my heart stay in a quiet, cold, and suspense atmosphere, and the aftertaste traveled in the vividness of flowing, changing, and charm. The development of Chinese painting from the expansion of traditional essence is a feasible road to modern direction. The essence of the traditional Chinese painting tradition can be reflected in such aspects: the concept of emphasizing the "unity of heaven and man" between natural and human consciousness; the "comparison" and "Xing" that emphasize and exert borrowing lyrical in the connotation of art Concept; in the creative consciousness emphasize the "imagery" concept of exerting the spirit of the subject's ability; in the visual interest, emphasizing the aesthetic concept of "like and dislike"; Essence The link between these "ideas" is exactly the "pen and ink" of Chinese painting. Chinese paintings are from Wang Weicheng's ink landscapes. There is a "ink painting". The traditional ink painting is relative to coloring. Scholars paintings in the past are competing to advocate "ink" and take their elegance. Compared with traditional ink and ink, contemporary "ink" emphasizes "modernity" and has its characteristics of Chinese culture. As a result, Mr. Yu Jin's ink painting creation has to face a traditional and contemporary question, that is, how the landscape painters face the natural scene in front of them, how to get out of sketches in the education of Western Academy, and shift to the stylized and symbolicization. Features of Chinese ink and wash system.

Just as Zhang Xu obtained from the Gongsun Lady's sword dancer, ancient Chinese literati painters faced the trees and rocks in nature. With the refinement of the characteristics of the natural morphology, through the subjective transformation of image thinking, what I thought of when painting was acting again. Calligraphy and other calligraphy pens. Between these irrelevant forms, a certain form of outer form is found to form an objective and objective combination of painting image symbols. The various descriptions, puppets, and dots they use also use the "other things" to express "this thing", and use a variety of different program symbols to express the awareness of Chinese painting. And because of the differences in the cultivation, temperament, character, personality differences, and aesthetic taste, the roughly similar program symbols show different personality and style changes in pen and ink, making the connotation of "pen and ink" far beyond the painting " "Form" itself. Looking back at Mr. Yu Jin's ink painting creation process: He almost continued to sketching throughout the motherland. The purpose of this sketch is not mainly to collect image materials. It is more to explore different natural landscapes with various brushes and ink methods. Program and symbols are the subject of art exploration. Its performance is completely innovative, through the style of literati and elegant, without the decay of a little bit of custom, explore between tangible and invisible, explore the origin of art expression, is not stuck in "things" and pays more attention to the creation of "realm", as if In his works, you can see the running trajectory of the universe, and you can experience the rhythm of Yunhai waves and tricks; you can see the beginning of the floods of heaven and earth, and you can also feel the birth of the black holes and life. The work is meticulous, the changes are endless, and the dots, lines, and faces are abstracted to everything.

His works more of the Northern Song Dynasty panoramic landscape, attach importance to the space combination of different depths and depths in the distance, and pay attention to the comprehensive use of various methods in ink techniques. On the one hand, we attach importance to the style of ancient painting, on the other hand, pay attention to on -site sketching, and learn from traditional art language to express modern life. In the final analysis, Mr. Yu Jin created the "realm" to open the viewer's heart.

In the 1990s, the cultural perspective of Chinese art was increasingly open. In an era of increasingly open economy and culture, and information cross -border circulation, Chinese paintings can no longer develop in a closed environment. It is difficult to develop and imitate each other. In the trend of contemporary global cultural exchanges, if various arts have to be available, they must have some general things that transcend the nation and the country in terms of artistic language or subject matter. In this historical background, Mr. Yu Jin thought deeply about the value of Chinese painting and ink. His vision beyond the form of aesthetics of the West, and returned to the "pen and ink" of Chinese painting again to further reflect on it in modern Chinese painting modern transformation in modern transformation of Chinese painting. The role. What is the traditional pen and ink that can give people the value of appreciation? Is it "strokes and ink fun", "brushwork"? Is the rhythm formed by the trajectory of the line, is it the intensity of the turning of the transition? Is it the author's comfort when you run the pen and ink. Mr. Yu Jin realized: In addition to the "shape" of Chinese paintings, it is "reaching". In addition to painting and styling skills, it also comes from Chinese calligraphy. People are playing with a good Chinese painting pen It is often like taste the beauty of calligraphy. Appreciating Mr. Yu Jin's performance in a line to show, what is more interested in is the rigidity, tenderness, strength, health, hair, astringent, thick, dry, moisturizing, dry, wet, wet, wet, and wet. "Taste" and "a wave of twists and turns", "house leaks", "folding stocks", "cone painting sand", and "insect erosion", "fun", can taste his skills or even training. This aesthetic factors that are rooted in the national tradition and aesthetic consciousness are "more layer" (not only "one thing" (not only "one thing, but also" he's one thing "). It is also the soul of traditional pen and ink.

This characteristic of traditional pen and ink is just in line with some modern art concepts: painting works are a process of creating the author's creation, and the appreciation of the viewer is completed. The authors conveyed by the Chinese brush and ink, the author's feelings and feelings, through different people's appreciation, may get different "feedback", so that painting works have become the expression of "self -emotion". The traditional pen and ink and modern art concepts, and the special abstract taste of the pen and ink itself, may be the reason why some modern painters favors Chinese calligraphy and painting. During this period, Mr. Yu Jin's works had the characteristics of "full composition and symbolization". The work focused on the tissue of the lines and a strong sense of form. The line is focused on the overall composition power, and it is shocking. At the same time, it also takes into account the changes and interests of local pen and ink, or the quality of local pen and ink. The ink language exploration has reached a comprehensive harmonious and perfection, and the creative power is strong. The works such as the springs are bursting out. With a complicated and dense thread, it shows the rhythm of the mountain. , Reached the strong sense of the storage line. Ink ink is the soul of Chinese painting, and it is also Mr. Yu Jin's spiritual temperament and temperament. Ink and wash are Mr. Yu Jin's "chest and qi", which is the vent of his spirit and art. Ink and wash are also Mr. Yu Jin's artistic symbols and symbols of life. His strong and strong spirit, bold and boldness, and the eldest husband's qi have been displayed in his ink and wash world. Therefore, his works are not stagnant in the image, not outering, but in the deeper and extensive inside of the things, giving natural objects with spirit, soul, and flesh, and the beauty of nature into the spirit of nature into the spiritual realm of his heart. Essence

Mr. Yu Jin's imagery tradition of Chinese ink painting, for "foreign teacher creation, the heart of the heart", to "unsatisfactory", to the meaning of "brushwork" and other traditional essences. When facing complex natural object sketching, he is processed, abstract, exaggerated, deformed, etc. of the objects and ink angles, which makes his reality sketching often has a considerable distance from nature. His works, regardless of landscapes, tree rocks, terraced houses, grass and grass, it is not really realistic; Mr. Yu Jin extracts the meaning of pen and ink from the real form, the paper and ink of ink and ink are moist. The expression of space relationships such as black and white, virtual reality, size, sparseness, etc., and the expression of the rhythm and rhythm of the picture, of course, also extract the basis of the shape.

On the one hand, this conscious pen and ink consciousness makes Mr. Yu Jin not obey the morphology of the object like a gourd in the face of reality, but to extract the pen and ink structure. Reading and reading; on the other hand, due to the special regulations of objective reality, the various themes he painted, such as the mountains and mountains, such as the ancient plateau, such as the old field town, such as shallow hills and woods, and the meaning of the landscape and ink of Mr. Yu Jin's landscape means Show richness and diversity. The diverse landscape style of Mr. Yu Jin is rare among landscape painters. His work, ink contains soul, has internal, mental, thought, realm, and interesting ink. With this premise, that ink can not be invited, you can do it. How can the kind of mediocre, kitsch, and chest -free hills generate "hills" in writing? In addition, some of his works have a heavy line structure, ethereal and bright; some are combined with dots and lines; some strengthen the relationship, rich and deep. Among the performance of the face, the ink, broken ink, and accumulation of ink came, and the light was broken. In the straightening song, in the structure of a variety of lines or clearly or hazy intervention, it constitutes a complex and timeless ink image, which means a long pen and ink taste. Of course, the combination of this kind of wire surface is also elegant and bright, dark, dark and deep because of the different revelations of the actual objects. For Mr. Yu Jin, exploring the mysterious ink space in the mesh structure is a temptation. In his ink painting exploration, full composition and black heavy color are a distinctive feature. It not only comes from Huang Binhong's Song people who like to paint the night mountain, but also, Mr. Yu Jin discussed in depth of calligraphy and painting related. sex. A way of controlling a pen is always mature in calligraphy, and after a long time, it is used in painting. "Say it" a stroke and hide thousands of strokes "-the here may include both the internal movement of the pen, as well as the changes in ink and water. In the brushwork of calligraphy, the most complicated internal movement appears in the Eastern Jin Dynasty. We see that we see In Mr. Yu Jin's ink painting works, there is a transition from graphic to images, from image to strokes. During the process, Mr. Yu Jin greatly expanded the complexity of the pen and ink movement through the use of freely and ink, and then transferred the visual focus of the work from the screen to the pen and ink. As a language system, the pen and ink have natural symbolization and form. The trend has built the visual landscape of Mr. Yu Jin, and has become a symbolic visual image with a variety of understanding.

In other words, its ink and landscape paintings have fully tapped the potential possibilities of writing and giving them imaginative re -creation, so that they can present them in front of the audience in the eyes of the audience with new space -time forms and new lives. And resonance. It is worth mentioning that Mr. Yu Jin's ink and wash works are magnificent. Mr. Yu Jin has a bold and elegant personality, is simple and neat, and he is still happy to do major events. Once he has a large -scale scene, he has no unsuccessful. Many of the cultural events he do are quite the municipal government's face, which may be the reason why the dean of the university is the dean. The rapid and vigorous lines in his ink and ink landscapes, those bold and bold ink, the conflict of black and white noodles, and the rhythm of Pentium are not the unique aesthetic, imagery, art, art, art, and art of the land of the motherland. Is the refraction of emotion?

The meditation of the universe life is transformed into an art object. "There is great beauty in the world", "seeing my heart and the spirit of heaven and earth", this spirit is exactly the spiritual world and artistic realm of Mr. Yu Jin. With such a spirit, spirit, spirit, and mind, his feelings are educated, his thoughts are flying, and his art is inserted into the imaginary wings and the universe. A landscape style that he has recently appeared is worthy of attention. This is a kind of reinforcement of black and white lumps. It is tangent in hard edges. Some prints mean, and the black blocks have complex pen and ink treatment so they are durable ink landscape. The picture is stacked, and the houses are embellished with the fields. They are dark and deep, magnificent, unique in style, and distinctive personality. Perhaps this is the characteristic of this image of the large mountains and rivers of the motherland, so that Mr. Yu Jin's ink landscape painting art has an unique position in the contemporary landscape painting.

Throughout Mr. Yu Jin's painting creation, it has important reference significance for the development of contemporary Chinese painting and the growth of young painters. Like most Chinese painters cultivated in New China, Mr. Yu Jin also belongs to our time and has its own special characteristics and limitations. The course of Mr. Yu Jin's Chinese painting study and creation also reflects the process of ink painting in New China, that is, between tradition and modern life, between artistic language and creative themes, how to find a value balance in the sense of sociological sense? When Chuang Yujin's landscape artistic practice not only established its distinctive personal appearance, but also expanded the expressiveness of Chinese brushes in the psychological state of modern people, and left us a rich art rich mines, inspiring the active of the young generation to active. Explore and innovation.

Author/Zhang Benping (famous art critic)

Postmodern language

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