Micro -reviewing Thirteen Arts | One is Xianyuan Xianhua and the other is beautiful jade flawless

People's festivals, art events! In the early autumn season, the 13th China Art Festival kicked off. The colorful and colorful dramas have been staged, and the audience of the country's fans can be full of eyes. At the end of August, the "Lu Town" created by the Puxian opera "Step of Umbrella" and the Henan Provincial Melly Artistic Protection and Inheritance Center created by the Fujian Provincial Puxian Theater Theater "Lu Town", which blooms magnificent glory on the stage of Chinese opera.

Smile "Step in the Umbrella"

The Xianxian opera is known as "the live fossil of the Song and Yuan Nan opera". It is one of the local opera dramas in Fujian Province. Since the new period, the Xianxian opera still retains the music legacy of the Song and Yuan Nan opera. She has a strong vitality and is loved by the audience. She is well -known in the north and south of the motherland. "Step in the Umbrella" retains the traditional and elegant performance art style of Puxian's traditional drama, and the rich and delicate character performance is amazing. Its vocals integrate the folk songs and Song and Yuan dwells in the Puxian area, and the charm of Song and Yuan Dynasty songs is full of long and long.

Stills of "Step of Umbrella"

"Step in the Umbrella" starts with the excellent traditional opera culture of excavation and inheriting the Xianxian opera, telling the audience a love story that has a traditional meaning and a new sense of the times. The way of telling the story is small and fresh. Chen Shihe Wang Huilan, the son of the criminal department, who had been settled but never met, was destined to meet in the war. After learning about Chen Shizhong's identity, she guessed that she tried to explore Chen's affection, and did not want Chen Shizhong to show love and denied her relatives. Hui Lan was surprised, and some of them were cold and indifferent. After Chen Shizhong's embarrassment and remorse, he confessed his mistakes one after another. Finally, Wang Huilan forgive Chen Shizhong under the place of everyone. The two finally reconciled. On the stage of not many characters, a love story of ancient young men and women's love and righteousness was interpreted.

It is reported that the structure of the story is born in the traditional Pixian drama script "Shuangzhu Ji · Escape and Meets", and fully retains and uses the performances and plots of "Rain" and "Get Umbrella" in "Jiang Shilong" and "Ruilang Rain". The re -expansion and new creations of the main creators have made this new drama "Stepping Umbrella".

The story of the opera is about one person, simple and bright is its main color, and the hero and heroine of the male and female protagonists in "Step in the Umbrella" are simple and elegant. The movements and skills are rich and delicate. The basic skills are mainly concentrated in three parts: step, hands, and shoulders. For example, the traditional work of the male lead's three steps, steps, shoulders, and ginger bud hands are exhibited in the drama. When the two are walking together in the play, they show the skills and actions such as "dragging umbrellas", "picking umbrella", "grabbing umbrella", "umbrella", "kneeling" and other techniques. Sexuality and ornamental, very intriguing. With the deepening of the plot, Wang Huilan's shame, helplessness, anger, and Chen Shizhong, and Chen Shizhong, kindness, and cuteness form a strong contrast, producing a strong ornamental effect. It is not difficult to see that the performance skills of the two men and women are very mature. They have given their own rich and complicated, incredible inner world. With the tacit and familiar accurate grasp and cooperation, the audience is fortunate to follow the profound and profound traditional opera. The culture has been absorbed in the culture and appreciated the stage expressiveness of the representatives of the artists to sing and meticulous.

The art of opera is the art centered on performance. The director of this drama pays great attention to this performance characteristics, so as to focus all the audience's attention on the male and female protagonists. The exquisite handicrafts also have the fate of breathing with them, and appreciate the artistic charm of the drama.

Chinese classical aesthetics has a philosophical view of "one division into three, three livelihoods". Chinese opera performance art has been adhered to and in use this aesthetic principle for thousands of years. In terms of form and content, they have reached a high degree of harmony and unity, giving people a "overwhelming" beauty, and incorporating the emotional expression of the characters into the skills, creating a different artistic realm for the audience.

The world in "Luzhen"

The drama "Lu Zhen" shows the story of Mr. Lu Xun's true and visible Lu Zhen from the perspective of imagery, unique and novel conception and creation and poetic stage presentation.

曲剧《鲁镇》剧照 河南省曲剧艺术保护传承中心供图

In fact, it is not easy to express the characters in Mr. Lu Xun with the opera. Moreover, Mr. Lu Xun's many works have been interpreted as classics by film and television works. However, I have to say that the panoramic character combination showed to the audience by the drama "Luzhen" is a dramatic character combination, and the audience recognizes it. Madman, Lu Dingping, Lu Siye, He Laoliu, Kong Yiji, Ah Q sentient beings, and the suffocating numbness and cruelty, darkness and dullness, and the "pathogenic environment, everyone is harmed in the pathogenic environment. The profound theme of the "person" revealed reasonably in this play.

Xiang Linyu in the play is the focus. This tragedy who refers to the name makes people cry. She undoubtedly exists in Mr. Lu Xun's writing: "I'm so stupid, really ... I only know that the snow is snowing. When the beasts did not eat in the mountains, they would come to the village. I don’t know that there will be in spring ... "

Although this character has many synonyms such as "grievances", "madness", "negative energy communication" in today's society, it can only represent the irrational judgment of some biased people or negative people. Because we still have enough reasons to believe that Xiang Linyu is one of the representatives of classic characters in art works. She said, "After a person died, is there any soul?" This is clearly a heavenly question. As soon as the drama "Lu Zhen" asked Lu Dingping, he asked Lu Dingping. I asked the madman again. In the original book, Mr. Lu Xun told us Xianglin's puppet with a backward method, and the player of the opera told us the sad life of Xianglin's sad life. The processing of "Lu Zhen" used the freehand technique of opera. Xianglin was forced to fight against death. Xianglin's "rubbing" and "kneeling steps" performance properly interpreted the characters that the characters were reluctant to escape from fate at this moment. Xiang Linyu sang "Cattle without drinking water and pressing his head, and the twisted melon will not be sweet-" "The whole scene with Lao Sixty % of the relatives was in one go, and it was integrated. From the beginning of the two characters to the end of the emotion, they gradually reached an agreement to make a reasonable pavement for the next two -person beautiful life.

Xianglin's lost son to find a child, and adopted the treatment of "tightening and slow" to express the character's difficult and anxiety on the road in the mountains, that is, "emergency drums" and "slowly lift the cautious desk". Director's ingenuity. When Xiang Linyu saw his son's damaged corpse, the cry of heartbroken and lungs directly hit the audience's heart, which instantly made people completely defense. Many details in the whole play are remarkable. Whether it is the vocal and whiteness in the screenwriter, or the overall grasp of the stage art style, and even the actor's singing and performance, it reflects the complete and unified creative creation. Thinking.

The end of the whole drama is also the most moving. Xiang Linyu has a final desire, "Can the dead family meet?" This is the ultimate question after her wish. , Even a blood flowing with blood. Because the world of eating people put her death and the next life, she couldn't find a trace of exit, and then all tore a crushing, allowing the audience to accompany the characters to be completely desperate until suffocating. Therefore, as the core figure of the drama "Lu Town", Xiang Linyu made the audience feel that she could not extricate himself, and she couldn't be calm for a long time.

The drama "Lu Zhen" shows us a rich and clear Mr. Lu Xun's world. This is the opera Luzhen and Luzhen in the hearts of every audience. It is actually a difficult homework to adapt novels. It can neither move the plot to the stage, nor can it simply complete the parallel conversion from literature to opera forms. If the audience can put aside the literary form of the original work, admit the intuitive opera form on the stage, and acknowledge these live opera characters, then such adaptation is undoubtedly successful. The opera "Lu Zhen" has a new interpretation of the original work, interpretation of opera, unique experience, opera experience, and unique thinking and discovery. It responds to the aesthetic expectations of contemporary audiences, realized the creativity of the original work Conversion and innovative development.

This one is Xian Yuanxian, that one is beautiful and flawless. In fact, there are too many excellent boutique repertoires worthy of our expectations. I believe that every work will bloom their own strange glory!

(Invited authors: Hebei Provincial Institute of Culture and Tourism, Ma Lizhe)

Editor -in -chief: Li Yang

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