The portrait portrait in China appeared in Guangzhou, and the millennium ancient charm showed beauty.

On September 1st, the "Moving Wonderful -China Middle -Ages Stone Clear Portrait Exhibition" hosted by the Shenzhen Stone Art Museum and the School of Arts and Humanities of Guangzhou Academy of Fine Arts and Humanities opened at the University of Guangzhou Academy of Fine Arts City Art Museum.

This exhibition is divided into "Passing Model Write -People in Stone Carvings" "Qi Weiyi -Swiss Beasts in Stone Carvings", "The Shards of God -the Landscape in Stone Carvings" The four chapters of thought. Through multiple combinations of film, rough stones, scenes, images, manuscripts, etc., some of the original appearance of Chinese figure paintings, flower and bird paintings, and landscape paintings and the "ideological nature" in it, supplement the ring of early painting history of China. At the same time, it is today. The viewer brings time and space, aesthetic pleasure and spiritual revelation.

exhibition site

The extensions and stone carvings of the Han and Wei Dynasties have shown a high level of art in the aspects of painting level, writing ability, carving technology, and production skills, and have the value of history, culture, politics, art, and aesthetics. For the research of early painting history in China, the "mirror image" or "reflection" of the painting of the northern and northern dynasties of the Han and Wei dynasties in the stone carvings has become a precious material. In these stone carvings, there are both historical projection, realistic images, and innovation of graphic. It can also be seen from the creation of carved workers. Think of "wonderful" with people and things, "Moving Thinking" and "Miao Det", and jointly created the wonderful visual form of stone carvings, and it has also become an important reflection of early painting thoughts.

exhibition site

At the exhibition hall, the original stone "The Stone Bed Siege of the Northern Dynasties" has aroused the attention and discussion of many students. On the right side of the fence, a portrait of three women stood in the mountains and forests. One person in the middle was holding a round fan. There was no topic on the picture. The content was difficult to be clear. The middle is a bull cart, the bull is located in the middle of the picture, tilted to the right, the car is negative, and then the "Jinjin car" is held. Mountain. The most noticeable thing is a picture on the left. The three women who portray Hua Gai Yuyu are moving forward in the forest. Among them, the landscape map of the landscape can be seen on the last woman's hands. This is currently It is known that the earliest landscape map is located. This landscape map is located in the center of Yuyu. It has a strong decorative meaning, but it is independent of the characters. Although the three pictures on the enclosure screen are not novel, the performance of the image is very ingenious, the new style of the ox cart, the denseness of the mapping picture, the patterns of the people between characters, each of which is available in each picture. New ideas, each stroke has conceived. The three pictures show the high level of painting development in the Northern Dynasty. In particular, the "landscape map" portrait on Yuyu is precious for the research of early landscape painting in China.

exhibition site

Xiong Huan, deputy curator of the Museum of Sun Yat -sen University and director of the Art History Research Center, believes that the painting art of painting in the Northern and Southern Dynasties of the Han and Wei Dynasties is the manifestation of the stone carvings, recording the life status and thinking of the parties. Portrait stone carvings, in observing and understanding, image creation, and expressions, it reflects the traditional Chinese philosophical concepts and aesthetic tastes. The stone carved characters, Swiss beasts, and landscapes are displayed. Bleak

According to Chen Xiaoyang, the executive deputy director of the Art Museum of Guangzhou Academy of Fine Arts, the original stone carvings of the Northern Dynasties and the picked films brought about by the exhibition also opened a preliminary attempt for cooperation between museums, art museums and universities. This open class is the field of new art gallery practice and theory and its needs. Bleak

"Exhibitions specially on archeological relics, especially the cultural relics exhibitions of the Middle Ages in the past, can only be seen in various international and domestic museums, and rarely appear in universities and art galleries. In fact, there is a problem behind this phenomenon. It seems that ancient cultural relics and art works are two completely different types of exhibits and research objects. The knowledge systems prompted by the audience in different venues are also divided into two experiences. The question, but in the process of art education, we will find that the knowledge accepted by many students is broken, and ‍‍ is divided into disciplines. Fortunately The research field expands to a more open image field, and the field of history and archeological research also realizes that image is another historical evidence that records social facts other than text, so there is more possibility of cross -disciplinary cooperation. "Chen Xiaoyang said.

exhibition site

Wu Hong, a professor at the Department of East Asian Art at the University of Chicago, said that this exhibition is the first stop of the "beauty process: national college museum and art museum tour exhibition". The museum's collections are used as education content, enrich the education of universities, and allows students to enter the exhibition hall of art museums to learn Chinese history and Chinese culture. This is of great significance in teaching and is worthy of advocating.

It is reported that the exhibition will last until October 30.

Exhibition works selected

Eastern Wei Wuding in the first year of Zhai Men's stone bed (front right)

Male Tomb Main Statue (Top Film)

A house is portrayed in the middle, the portal is open, and there is a large bed inside, surrounded by the winter pattern screen, hanging the tent, a man sitting in front of the screen, wearing a high crown, wearing feathers, lifting his left hand, his right hand is from a high foot. Eat in the cup, placed a cup of food utensils in front of me, there is a drink inside, and a waiter stands on each side. Seven vertical grids are engraved in front of the front line. Eastern Wei Xing and four years of stone bed front leg (pioneer)

Three legs on the front of the stone bed, widelite, and shampoo. The near -up along the upper edge is carved with the lotus pattern, under the lotus pattern, with the middle bed legs as the center. There are four rectangular frames on the left and right, and the frame is carved inside the frame. In the middle of the middle of the bed, the two -standing high -crowned figures were embossed, and the inscriptions on both sides of the Monbao "Zhu Luoshi, the dead day of the four years of the four years." The left and right beds are embossed on each feather shoulder or flame shoulders.

Local screen of the stone bed enclosure of the Northern Dynasties · "Ru Shi Bing Ice" map (pioneer)

This pioneering film depicts the image of "Book of Songs • Xiaoya • Xiaoyi" "trembling, like the abyss, like a thin ice". The picture is a three -stage composition, the lower part is thin ice and rocks, the middle part is the characters and trees, and the upper part is a layered mountain. Most of the pictures have been occupied by mountains and trees. The upcoming change.

Eastern Wei Wuding in the first year of Zhai Men's stone bed fence (middle right)

Guo Juxiaozi (Top Film)

The scene of "Guo Ju Burning" is portrayed, and the topic of "Guo Jusheng's Heavenly Gold Gold" is engraved in the middle. On the right side of the list is Guo Ju, who is holding a shovel. Kneeling, the sorrowful Guo Jun's wife, a little child in front of him. Above the list is a heavenly man who flew in the air.

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