The story behind the non -moving cultural relics

Foshan ancestral temple Wanfutai was built in the fifteenth year of Shunzhi (1658) in Shunzhi of the Qing Dynasty. It is the oldest, most complete, and most prominent ancient drama in South China. The symbol is known as "Lingnan No. 1".

When the ancestral temple was repaired for three years and re -open, many old neighborhoods said, "It seems like I haven't repaired it, I don’t know where to repair it."

◎ "Southern" magazine reporter ∕ Li Meng wakes up from Guangzhou and Foshan

◎ Editor in this article 玉 Jiang Yu

Everyone who loves to travel knows that some ancient buildings often have nameplates such as "national cultural security units", "provincial cultural protection units", and "non -mobile cultural relics". These are ancient buildings that have been identified by relevant departments as "non -mobile cultural relics".

Unsocute cultural relics often carry heavy history and culture. Not long ago, the tenth batch of cultural relics protection units in Guangdong Province announced a total of 132 places, which once again attracted the attention of the protection of non -mobile cultural relics.

How to protect the "Cultural Insurance Unit"? How to erase the dust of the years and continue cultural blood? With these issues, reporters from the "Southern" magazine visited multiple cultural security units to visit the text stories behind the non -mobile cultural relics.

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"The old house must be popular, and the furniture is also. Putting the good mahogany furniture in a warehouse that is unattended is easy to be inexplicably damaged because of the inadequate managing. Putting the redwood furniture collected by these collectors in the popularity, tourists are weaving like weaving The Liangyuan is complemented with ancient buildings and complements each other. "Wu Lihua, deputy curator of the Museum of Museum of Chancheng District, Foshan City, introduced the furnishings of Liangyuan to the reporter of the" Southern "magazine.

The popularity of Wu Lihua's popularity is the keywords often mentioned by the industry -attention. The protection and preservation logic behind it is that the cultural relics are always placed under the protection and care of people.

This garden built in Jiaqing and Daoguang years in the Qing Dynasty, with Shunde Qinghui Garden, Panyu Yuyin Mountain House, and Dongguan Keyuan, also known as the "Four Famous Gardens" in Central Cantonese in the Qing Dynasty, showing the Lingnan Garden "Hirosterity and Equity, which The distinctive style of "exquisite and beautiful". The elegance of the Liang clan and the careful creation of the gardens showed the humanistic atmosphere and characteristics of Foshan at that time. Today's Liangyuan is still deep. Its architecture, gardens, furnishings, collections, etc. all have precipitated the essence of Lingnan culture and become an important node in the Lingnanwen pulse of Foshan. "We will also repair the old houses around Liangyuan to renovate, and transform them into dwellings and simple catering entities, so that Liangyuan is more popular and supporting." Wu Lihua said.

The same is true of Nanfeng ancient stoves in Foshan.

The ceramic art studio that can be seen everywhere, the comfortable pigeons and kittens, Lagerstroemia, late lotus is open, dark incense ... Walking in the provincial cultural relics protection unit of Foshan Nanfeng Ancient Strap What people admire is that the 500 -year -old Nanfeng ancient stove is still intact, and the kiln fire continues. It is reported that Nanfeng Ancient Stove is the oldest dragon kiln in the world.

"Now the ancient kiln is fired twice a month, so that the ancient kiln can be protected to the greatest extent. Although the furnace of the ancient kiln can accurately control temperature control, the firing temperature of the ancient kiln will be ups and downs. However Burning works in the ancient kiln, because temperature changes will create unexpected kiln change effects. "Monte, 74, is respected as Uncle De. He has a deep feelings for the ancient kiln of Nanfeng Ancient Classes in the ancient kiln of Nanfeng.

As a national key cultural relics protection unit, Nanfeng Ancient Stove and the Dragon Kiln Gaosheng in the same period are all styling products of the reform of the kiln of the past. It is also a milestone of the technical progress of Shiwan ceramic production. Value and artistic value.

Today, the operation of Nanfeng Ancient Stove Scenic Area not only attracted ceramic artists to settle in, but also non -herediters and artists such as music, incense, and Xiangyun San to open a studio here. The surrounding old factories have also been revitalized and transformed into a youth research center with ceramic art.

Today, the charm of the ancient stove of Nanfeng is far more than ceramics. It has become a cultural soil, exuding the fragrance of Lingnan culture.

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Cafe, bars, clothing, and restaurants of various countries, as well as various novel stalls. You can also see Cantonese opera performances in a standard time ... It is not difficult to spend all day in Lingnan Tiandi.

Lingnan Tian is located in the central area of ​​Zu Temple of Zhancheng District, Foshan City. The entire ancient building complex of Zu Temple Donghua Li is repaired and used in a "repair as old". Historical architecture of architectural style. Nowadays, the area has become a comprehensive district that integrates Lingnan folk culture, Zencheng era, and modern business. It affects the Pearl Triangle and affects South China.

The new and old collisions are the characteristics of Lingnan Tiandi. The new business format and the old building space are highly tacit and coordinated in the Lingnan Tiandi area.

In the Ming and Qing dynasties, especially with the help of a business in Guangzhou in the Qing Dynasty, Foshan appeared in the prosperity of "Gentlemen and Merchants Jia and Lin Lin", and it also nurtured a number of modern industrialists, scientists, and cultural and artistic elites. Foshan is not only a famous town of millennium manufacturing, but also a humanistic source of Lingnan cultural business cards such as Cantonese opera, kung fu, and food. The ancient building groups left over from the Zu Temple Donghua Li area most reflect the history and humanistic characteristics of Foshan over the past few hundred years. "Reserved religious temples, ancestral halls, home temples, houses, houses, shops, tea buildings, clubs, pawnshths, marrying houses, etc. with ancient buildings with different eras, different shapes, and different decorative layouts. The unique architectural culture and social folk culture formed by the government's culture and business metropolitan environment. "Relevant staff of the Cultural, Television, Television Tourism and Sports Bureau of Chancheng District, Foshan City, introduced to the reporter of" Southern "magazine.

"Protecting history and continuing the context; reasonable development and sustainable use." It is the principle of building the construction principles clearly proposed in the formulation of the "Detailed Control Plan for the Detailed Control Plan of the Foshan Zu Temple Temple East Hilli area". The construction unit and the culture and planning department unified construction ideas, and strictly control the height of the building of Lingnan Tiantian plots during the construction process to protect the cultural relics protection units and historical buildings. In terms of cultural relics protection, the principles of classification, reversibility, and minimum intervention are proposed, and the ancient charm is continued in modern methods in space.

Protecting ancient buildings is to protect culture and inherit the context. Today, with ancient buildings as the main body, relying on the existing cultural relics in the area, in addition to commercial development, the government departments have also proactively planned various publicity and exhibitions, cultural and artistic activities.

In the past years, Foshan has a lively atmosphere and a strong humanistic atmosphere here, and history and reality are cleverly link here.

Repair

The ancestral temple has a high position in the hearts of Foshan people.

In the summer afternoon, Huang Wenzheng, who drank a cup of coffee, felt refreshing, led the reporter to walk to the door of the ancestral temple, and saw the bright red wall. Huang Wenzheng couldn't help laughing at the corner of his mouth and took out his mobile phone to take a photo. Huang Wenzheng, 54, was carrying a backpack with a backpack, walking like a wind, full of energy, talking about the repair of ancient buildings and the ancestral temple.

Huang Wenzheng said: "The ancestral temple was very sacred in my heart. I couldn't think of dreaming when I was young. I could participate in the century -old repair of the ancestral temple."

He grew up in Foshan since he was a child. The traditional customs of worshiping the Emperor Bei and visiting the ancestral temple have been deeply in Huang Wenzheng's bones. In 2007, Foshan's ancestral temple carried out a comprehensive repair since 1899. Huang Wenzheng was the person in charge of the project of the ancestral temple at that time.

"There are many types of materials and complicated craftsmanship adopted by Foshan's ancestral temple repair, and many traditional materials and craftsmanship are almost lost. To solve this problem, the Office of the Foshan Zu Temple Repair Group and the participating units jointly conduct relevant investigations and research work to invite the country to invite the country , Provincial and Municipal Cultural Relics Protection and Architecture experts, scholars, old craftsmen, and old artists formed a team of expert consultants for the repair of Foshan Zu Temple to provide comprehensive technical guidance, quality supervision, theoretical support, and technical guarantee for the repair work. "Foshan Ancestor Liu Qijun, deputy curator of the temple museum, told a reporter from "Southern" magazine.

During the construction, many new technologies such as rising roofs, the restoration of wooden structure, and wall repair have made the debut of many new technologies, which made the difficult task of difficulty in succession and attracted countless concerns in society and the industry. Huang Wenzheng was under pressure at the time. He knows the importance of the ancestral temple to Foshan and the Foshan people. "For non -moving cultural relics such as ancestral temples, the biggest difficulty is to repair the old as the old."

When the ancestral temple was repaired for three years and was reopened, many old neighborhoods said, "It seems like I haven't repaired, I don't know where to repair it." Huang Wenzheng said with a smile: "This is the biggest affirmation of our work."

Only the crafted "embroidery" kung fu can withstand the results of the 100 -year test. In the end, the ancestral temple repair project won the highest honor award of the National Cultural Relics Protection Project, the top ten cultural relics protection projects in the country.

Over the years, Huang Wenzheng has led the team to host more than 100 ancient building protection and restoration projects such as the ancestral temple, the Liangyuan, and the ancient temple of Tapo. Innovative results, filling a number of technical gaps in relevant fields at home and abroad, and won a number of honors such as the state, provincial, and cities.

"Ancient architecture is the crystallization of historical culture and science and technology. It is a valuable and precious resource that cannot be renewed. We must deeply recognize the importance and urgency of the protection of cultural relics. In the next work, further strengthen the cultural relics of the ancestral temple of Foshan. Protection and use of cultural heritage to protect inheritance. "Liu Qijun said.

"In terms of renovation of ancient cultural relics, the biggest problem is technology and talents, especially the lack of directly operating craftsmen and management talents, which will challenge the follow -up protection of ancient buildings." Talking about the future of the ancestral temple and the ancient architecture of ancient buildings The protection view, Liu Qijun and Huang Wenzheng both put forward such anxiety. At present, in Huang Wenzheng's ancient building repair team, he is training a group of management talents as much as possible. He also looks forward to more young people in the future.

Ancient buildings have never been a cold brick and tile structure. She is full of deep history and humanistic heritage, full of tenderness and fireworks. Only by understanding the era of ancient buildings and her experience, and providing timely and proper protection can we better enlarge the era of ancient architecture and continue the precious context that can be touched, felt, and continued.

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