Micro -reviewing Thirteen Arts | "Red Boat" passing through the "Shan" all the way to pursue great dreams

On the evening of August 28, two dramas lived on the 13th Art Festival of China, one was the opera "Red Ship", and the other was the flower drum drama "Family on the Shan". These two stage dramas created by different performance groups have different themes and different styles, but they also have a high level of artistic standards, and they are also worth looking forward to. As a result, there are audiences who have "greedy" or can't bear to get the house, such as the author, at the same time, at the same time, they have opened two live broadcast platforms to put themselves into these two different styles of art. At the same time, the two works into the field of vision will inevitably produce stacking effects in the psychology, which will cause comparison and develop associations. As a result, the two works actually produced a self -evident, moving echoing and linked: from "Red Ship" to "People on the Shan", from the great and firm dream, to warm and warm and warm The nostalgia of 红, on the way to the "Red Boat", has reached the "mountain side". Today, in today, we are driving to a more bright future and far away!

Stills of the opera "Red Boat" (Photo Conferring in the Huan of Hebei Province)

The temperament of the opera "Red Ship" is magnificent and solemn. Because the play tells a vital history for our country, nation, and people -the establishment of the Communist Party of China. This is a history of every Chinese who is familiar with the heart. The people in the play are also the names of our hearts in the mouth of the teacher, from the middle school history textbooks, and many literary works. It is the success of the opera "Red Boat" for the creation of unfamiliarism and creating a distance for familiarity with knowledge, and its means is mainly the excellent music of the play.

Even if it is the "foreigner" of music, we can feel the differences in their age, personality, and identity from the singing of everyone in the opera "Red Ship", and realize the changes in the situation, atmosphere, and emotions; we In the theme song "I have a dream" in the play, in the melody of repeated chanting and chanting, I feel the revolutionary ancestors who founded the Chinese Communist Party on the red ship. Intersection The musical vocabulary of the opera "Red Ship" shows clear narrative and moving lyricism. They are fused with characters, combined with narrative, and the fusion of dance. The elegant and touching epic temperament.

At that time, when the "Red Boat" was out, that is, when the Communist Party was established, the Chinese nation was at a critical moment of life and death. Prior to that, countless people have tried to save the crisis of the nation. Only the Communist Party of China, established the revolutionary path that starts from education, is a road to save the country that is truly chosen by history and the people! Only the Communist Party of China can drive the "red ship" Dan Xinbi and Bloody to donate with its sporadic fire, and continue to create a glory step by step! The Communist Party of China vowed to lead the people to realize the great dream of the country's prosperity and national rejuvenation. Because of the daring to be born at the time of its birth, the difficulties of its realization, and because of the goodness of its spiritual core, it has become unparalleled. The greatness and solemnity of the world shocked.

When we watch the opera and taste the aria; when we look back at history, lament the danger of the nation, the ancestors of the revolutionary ancestors are full of enthusiastic, beautiful, and romantic dreams, and they linger on our hearts with the music: "I have A dream, there is always one day, the desert becomes a grassland, and the sea becomes a mulberry; I have a dream, there is always one day, there is no exploitation, no oppression, and everyone's equal home. The people's happiness, the rejuvenation of the nation, and the prosperity of the democracy; I have a dream. One day, China will eventually stand up and stand up to the top of the world. "At this time, if we just see the flower drum drama" The Family on the Shan " In the ordinary small mountain village, the hard -working and kind people, although there is no dramatic conflict, but in the ordinary life, there are various "coincidences" and "misunderstanding" and other dramatic settings. The warm nostalgia, the faint nostalgia, the real beautiful life, the absolute years are quiet, none of them are not echoing, confirming that the dream of the revolutionary ancestors of the Red Ship is already true! The dream of dreaming is true, and the brilliant people's home is flat, which is flat, is Chai Mi Camellia, and the freedom of "want to learn to learn" (rural blindness). Happy!

"Think of laughing" is the opening of the Hua Drum "People on the Shan", Zhou Libo answered a disciple's sentence. Disciple Park Xiaoman followed the teacher to go to the countryside to collect the wind, and he heard the girl's laughter clear and loud. Xiao Man asked, "Why do they laugh?" Zhou Libo's answer was "they laughed because they wanted to laugh." "Smile with a smile", this answering answers like no answer. Now we seem to be inconspicuous, but when we look back at the long river of life of Chinese women, we will find that they can realize "laugh and laugh", but Chinese women are in. Under the leadership of the Communist Party of China, it has gradually achieved the bare footbone of thorns. I couldn't help thinking of the "dream" on "Red Boat". In the dream, I hope "people's happiness" and "everyone is equal." Just in "The Family on the Mountains", whether it is "laughing if you want" or "want to learn"; whether it is family harmony or neighborhood to mutual assistance; Unknowing, all confirmed that this is where the "red boat" passed by.

As we all know, opera music is the soul of opera. Just as the opera "Red Boat" music vocabulary has successfully created its epic temperament, the indifferent but timeless charm of the flower drum drama "The Family on the Shan" is also achieved by many artistic elements including music. Hunan flower drum opera, which originated from the southern Hunan folk song, has an extremely local soul. Therefore, the flower drum opera is born with a lively, fresh, simple and smart temperament, and playful dialect slang, such as "beard, generous", etc. The local characteristics can be described as clear. Coupled with the dance beauty of the rich regional characteristics and the Chinese aesthetic clothing, there is no strong conflict narrative, and the music of the flower drum drama, on the stage of "The Family on the Shan", it is not ill and manifestable, expressing the writing, expressing the writing. Yiyang's nostalgia. If the notes slip at the fingertips, such as the stream flows between the stones, the nostalgia of the flowers in the wind is melodious in the wind, the quiet nostalgia, permeate the entire drama, scattered the entire stage, and also infiltrate into the audience's hearts. Although for the northern audience, the music of Huagu opera is very easy to accept, and Hunan dialects affect the plot very much, but the professional and accurate subtitles of the Huagu opera "The Family on the Shan" not only did not affect the audience's viewing experience, but also made the audience the audience By the way, I appreciated and learned the excellent tunes of Hunan Huagu Opera. In the performance, the audience's continuous smile was not only the empathy of the plot, but also affirming the details of the play.

As the revolutionary ancestors of "Red Boat" said: their dreams are "not far away"! Their dreams "must be realized." Yes, "The Family on the Shan" is exactly the real show of dreams! What a moving echo, how happy confirmation, how exciting, and how encouraunte it is! Doubing has moved, China has already stood up! In the future, our people who drove the Red Boat today, for the country's "standing the top of the world", must inherit the legacy of the ancestors, take the great direction to realize the Chinese dream, and strive to sail!

(Special author: Shi Xiaoli, the Institute of Culture and Tourism, Hebei Province)

Responsible editor: Gou Xiaoqing

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