How strong is the Gongmei master in Zhejiang in September?

Zhejiang News Client reporter Li Jiaohuan

What kind of imagination will be given to the distinctive cultural relics such as clay sculpture Buddha statues and temple wooden tower in Shaanxi and Temple. On September 1st, Guanshan made the exhibition of the achievement exhibition of "Gongmei Plan Now" at the "Gongmei Plan".

The reporter learned that the exhibition brought together 39 (group) works of 14 masters and exhibited several design manuscripts. These works are nearly 30 national key cultural relics protection units in Shaanxi training in Shaanxi in 2019 and Shanxi training in 2021, and 3 national first -level museums. Essence

Entering the exhibition hall, three woodcarvings are reflected in the viewing hall, namely "Feitian Shen Yun", "Listening Spring" and "Na Xiang". They are exquisite, gorgeous, and complicated, and have some artistic conception. The authors of these woodcarvings are Huang Xiaoming, a representative inheritor of Chinese arts and crafts and the national intangible cultural heritage "Dongyang Wood Carving".

"Dongyang woodcarving is a traditional arts and crafts in Dongyang City, Zhejiang Province, and one of the national intangible cultural heritage." Huang Xiaoming said that Dongyang woodcarving originated from Shang and Zhou dynasties. It has a wide range of applications. It used to appear on the carved beams, doors and windows, railings, etc. of the building. It is now used to interior decoration, including furniture.

"Feitian Shen Yun"

The wide application also means that the subject matter is wide. Huang Xiaoming created the "Dunhuang Feitian" with traditional expression by feeling the color shapes of Guanyin Luohan in Shanxi and Shaanxi. The extract of this work has a representative flying image for deconstruction and reorganization. Through deep relief and hollow carving, the flowing light and light figure of the sky came out. Four weeks of ceiling fall, surrounded by clouds. The overall picture is beautiful and vivid, thick in the rough, clumsy in the middle, and moving in the quietness.

"Listening Spring"

"Listening to the Spring" reflects some unspeakable relationship between man and nature. The prospect of the picture is the lush banyan forest. One person sitting in front of the deep pond, facing the towering cliffs and pouring waterfalls, listening to the sound of the heavens and the earth, and through the way of naturalness. The woods and the surface are made of millennium gloomy golden silk nanmu, while the distant mountains and clouds are made of new ingredients. The combination of gloom and new materials produces a strong color contrast, which more highlights the theme of the work, and creates a realm of the combination of heaven and man and the naturalness of Taoism.

Compared with "Flying Tianshen Rhyme", "Listening to the Spring" is more modern aesthetically. "Na Xiang" has exerted modernity to the extreme. Under the hollow traditional branches and peony patterns, a face -closed face is hidden, bringing a more imaginative fantasy mood. "I want to reflect how our generation of craftsmen came over and how to cross the modern art peak through these three completely different forms of expression. During the development of Dongyang woodcarving, it gradually moved closer to the modern aesthetic. "Huang Xiaoming said.

"The Great Buddha Temple of the Silk Road Memory", the author Yu Baiqing. The work is the real scene of the Great Buddha Temple Grottoes of Bin County.

"Kaiyuan Scenery", author Zheng Xingguo, Zheng Zidong. The Tang Dynasty lady figurines of the Shaanxi History Museum are the prototypes.

"One of the Charm of the Tang Dynasty", author Wu Yaohui. Refer to the creation of the Ladies of the Tang Dynasty. The lady is tall and quiet, holding a cat in her arms.

Crafts and crafts are the art of creature. From the germination of crafts and crafts such as colorful pottery, jewelry, rituals, statues, and artistic craftsmanship in the historical period, to the diverse daily necessities and artworks of the category, complicated genres, and advanced craftsmanship. Change plays an important role in the construction of national spirit and cultural identity.

Zhejiang is one of the origin of Chinese arts and crafts. There are many types of craftsmanship and extraordinary artistic accomplishments. In fact, the development of traditional craftsmanship in contemporary times must not only take root in local culture, but also break regional restrictions, and widely draw the essence of traditional culture and craftsmanship.

It is understood that the Zhejiang Provincial Museum launching a special exhibition of China Arts and Crafts and Crafts and Crafts Exchange, which is represented by a master, also organizes the high -profile national, provincial, provincial, provincial and middle -level arts and crafts masters, and young and middle -aged leaders. Domestic museums and national key cultural relics protection units, observe ancient arts and crafts, understand the relevant historical and cultural backgrounds, exchange and discuss skills.

In 2021, the Zhejiang Provincial Museum upgraded the previous "Museum Tour" to the "Arts and Crafts Current Plan". Through in -depth training, observation of colleagues, and visiting guides, improve the art appreciation ability of the master of arts and crafts, stimulate their creative inspiration, and present many results in front of the audience today.

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