Art Space ｜ HD big picture!Look at the peak of ancient Chinese figure painting

Portrait painting in China has a long history and a long history. Portrait paintings are described by the character's appearance. Therefore, the ancients are also called photo paintings, expressiveness, writing, and writing. It is the oldest painting department of various categories of Chinese painting. The Qing people Shen Zongzheng said in "The Editorial of the mustard to learn": "There are mostly at most, and the most old -fashioned writing."

Following the "Miaohe Shenxian -the National Museum of the National Museum of the Ming and Qing Dynasties", the National Museum of China once again selected more than 50 portraits of the Ming and Qing portraits in the collection of the museum. The Tibetan and Qing Portrait Exhibition ", it is reported that the exhibition has been opened to the public in the National Bonan 9 exhibition hall recently.

This exhibition consists of three units, and the selected paintings cover the royal family, famous ministers, celebrities, literary associations, boudoirs, women and other aspects. The royal family famous portrait paintings are mainly realistic, written in shape, and play the role of Ji Gong, Songde, and Walking on the line; There are family portraits that praise traditional ethics and virtue; the portrait of female portraits of the positive posture reflects the awakening of women's concepts to a certain extent, and shifts from early rules to reducing the purpose of the purpose of reducing the purpose of women.

Portrait paintings have developed into the Ming and Qing dynasties. On the basis of inheriting the tradition, we absorb and learn from foreign techniques. They have innovation and development in painting techniques, expression methods and style characteristics, forming a perfect system with distinctive characteristics. Compared with the Tang and Song dynasties, the portrait paintings of the Ming and Qing dynasties pay attention to the realistic realization of images, especially in the middle and late Qing Dynasty, breaking the traditional character photo method, combining Chinese and Western, strengthening perspective, strengthening the details of facial texture, making the characters more tending in proportions and structures in the structure and structure. reality.

"Portrait paintings, as image data, left the appearance of historical figures for future generations, which is a precious historical record; clothing, costumes, furnishings, etc. in portrait paintings not only vividly reproduce the various cultural systems at the time, but also reflect the living conditions of people at the time of people. With the spiritual world, it plays an important role in the research of politics, economy, culture, and social history. "Zhu Wanzhang, a research librarian of the National Museum of China, introduced that during the Ming and Qing Dynasties, with the increase in the demand for portrait paintings from all levels of society, the creation team was promoted Growing up and promoting the level of creation.

First of all, a considerable number of scribes in the Qing Dynasty involved in the creation of portrait paintings, which led to the manifestation and attention of the freehand spirit. Highlighting and briefness and charm were the embodiment of the literati freehand, and it was the change of the painting and aesthetic concepts at that time. The prosperity of portrait paintings highlights the folkness and secularization of portrait painting. Zhu Wanzhang said: "It is in the alternation of this kind of 'elegance' and 'vulgar', 'freehand' and 'realistic' and 'realistic', and the portrait paintings of the Ming and Qing Dynasties have achieved a long development that surpasses any times in the past."

He Xin, a designer of the State Museum of the National Museum of China, said that the exhibition comprehensively shows the content techniques, era background, creative process and related connotations of portraits of portraits in the Ming and Qing Dynasties. From China to the life, spiritual style, ideological pursuit, belief concept and aesthetic taste of the people of all strata in the Ming and Qing Dynasties, in -depth understanding of the richness of the politics, ritual, official system, art, customs, clothing, aesthetics of the cultural relics Connotation.

No.1

"Kangxi Study Sitting Statue"

This painting is gorgeous and solemn atmosphere, showing the honorable status of the emperor, learning virtue and elegant grades.

No.2

"Mingrui Statue"

On the picture, the emperor Qianlong Han and Manwen Royal Title were praised.

No.3

"Chasing Lu Lu Tu"

The paintings depict the hunters who are riding their arches and chasing the deer, and take their homophonic "chasing the joy".

No.4

"Du Fu's Medicine Map"

In the shaft, Du Fu was in his left hand, and he held the medicine sickle and bamboo basket with his right hand.

No.5

"Xiao Yi Earn Lanting Map"

The painting was painted as "Lanting Preface" in the hands of Tang Taizong Li Shimin, and he deliberately sent supervision of Royal Shi Xiaoyi to lurk beside the debate. After obtaining the trust of the debate, Xiao Yi waited for the opportunity to take the "Lanting Preface".

No.6

"Map of Han Xi Zai Night Banquet"

"Map of Han Xizai Night Banquet" (partial)

"Han Xizai Night Banquet" is a famous handed down painting in artistic level. This painting should be a copy of the Ming people.

No.7

"Lanting Yaji Map"

"Lanting Yaji Map" (partial)

In the spring of the Ninth year of the Eastern Jin Dynasty (353 years), Wang Xizhi and Xie An and Sun Chuang 41 celebrities and celebrities gathered at the waters of Yin Lan Pavilion in Huiji Mountain. "This was born. This event has also become the creative theme of the painter.

No.8

"Biography of the Past"

"Biography Biography of the Past" Dong Xiaowan portrait portrait

"Biography Biography of the Past" Li Xiangjun portrait portrait

Most of them are Zuo Shuxiao and right painted characters. Little Kai's handwriting is strict with the work of the work, which is very pleasing to the eye.

NO.9

"Four Generations Happy Map"

In the picture, the four generations of the four generations in the landscape garden gathered together and enjoyed the joy of the joy.

NO.10

"Yaji Tu"

"Yaji Map" (partial)

The painted Lao Ya gathered in the courtyard, including peony, cranes, deer, Shoutao, bergamot, pomegranate, gourd, etc. as the scenery.

Figure 丨 Guobo

Author 丨 Tang Bi

School pair 丨 Aiwei

Beauty Couple 丨 月 丨 丨

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