Unique skills to build Qigong iron plate relief life

—— "Appreciate the iron plate relief and appreciate the spiritual symposium of craftsmen"

Unique skills to build Qigong iron plate relief life- "Appreciate the iron plate relief and appreciate the spiritual symposium of craftsmen"

In order to promote the spirit of craftsmen, tell the story of craftsmen, popularize the knowledge of iron plate relief, and promote the creative transformation and innovative development of the excellent traditional culture of China, on May 29, "Appreciate the iron plate relief and appreciate the spirit of craftsmanship" The Iron Plate Relief Museum is successfully held.

More than 40 experts, scholars, painters, artists, and non -genetic inheritors from the province, and the founder of Guo Hailong, the founder of Guo Hailong, walked into the big world of iron plate relief.

The iron plate relief is a new form of artistic expression that Guo Hailong is a new artistic expression of the traditional Chinese folk art and the concentration of western painting and sculpture art. Guo's iron plate relief is a kind of relief art to create and shape directly on the cold iron plate with a hand -made hammer for forging, use the hammer, and use iron as a paper. The iron plates of Putong use the techniques such as hammer forging, shaping, grinding, and burning color, and use the artistic techniques of black and white contrasts, virtual and reality, and finally become a simple and thick metal texture, both elegant and magnificent A relief artwork with artistic effects. The iron plate relief is known for its peculiar craftsmanship. Each is an art treasure that cannot be copied and unique, filling the gap in the field of metal sculpture art, which can be called "China One". In September 2013, the iron plate relief process was rated as the provincial intangible cultural heritage of Hebei Province, and Guo Hailong was awarded the title of Guo's iron plate relief inheritance and "Hebei Big Craftsman".

In the appreciation of the iron plate relief art works at the symposium, Guo Hailong showed everyone his work one by one. These works are all handmade, each of which has exhausted all the author's effort and emotions. They are primitive, rough and natural, lifelike, and have a strong sense of shock. They have unique styles that are not restricted to the traditional. The ethnic and children, the lively cranes, crocodiles, yaks, donkeys, etc., not only show the vicissitudes of Tibetan style, but also carve the lively animal vivid and natural, bringing beautiful enjoyment.

Especially the iron plate embossed work "Qinghai Lake", shepherd girl wearing a Tibetan robe was sitting quietly on the grass with a happy smile on her face. Behind her is a rolling hills. ... The lifelike, perfect and harmonious picture leaves a lot of room for reverie; in the "Blessing" he created, a vicissitudes of the old man closed his eyes, his hands closed, quiet and serene, and a kind of shaking in the construction structure, and a kind of shocking manner. The impact of heart. These works with strong artistic infection not only show Guo Hailong's grasp of the portraits of the characters just right, but also let us insight into the vitality and artist feelings deep in our hearts.

The works such as "After the Harvest" and "Autumn Rhyme" are filled with a bright atmosphere, such as the fields in the rich autumn light in September, giving people full and hope. Guo Hailong expresses the beautiful wishes of human and nature in harmony with nature with simple visual effects, giving people a spiritual watch, and reflecting cultural return to the truth.

It ’s really“ I do n’t know. It ’s really wonderful at first glance. As long as the kung fu is coming, the iron plate can also be used as relief. The iron plate is written for paper. The paintings created are really authentic. At the scene, the iron plate relief crafts were amazing. Guo Hailong and Guo Xuefu also guided everyone to make copper plate leaves on the spot, and personally experienced the hard creation of iron plate reliefs and the artistic charm of ghost ax.

In the next discussion, Sun Yunxia, ​​director of the Non -Genetic Heritage Working Committee of the Hebei Provincial Society of Traditional Culture and Education, interpreted Guo Hailong's father and daughter's entrepreneurial innovation from the perspective of non -genetic inheritance innovation; Guo Hailong shared the journey of innovating iron plate reliefs; Guo Hailong's loved daughter Guo Xue and Guo Hailong's lovers Liu Jiuyuan shared Guo Hailong's craftsmanship and personality charm. Experts and artists present spoke enthusiastically and praised Guo Hailong's innovative contributions.

Everyone thinks that the relief of Guo's iron plate is different from the previous non -heritage. Guo Hailong rooted in the fertile soil of life, and used his own essay to sing the era of essays, expressed his love for life in the narrative of the vivid picture, and contained the thinking of artistic concepts in the condensed expression. Understand, he created artistic pursuit with his mind and passion, so that the cold iron plate has temperature and the stiff metal has spirituality. Each of his iron plate relief works has ethnic characteristics, the characteristics of the times, and artistic value.

Any immortal art work is both nation and the world. As a master of art that came out of traditional Chinese art soil, Guo Hailong made positive contributions to enriching Chinese handmade art and sculpting painting arts and better satisfaction of people's needs for better people. Chengcai's new road innovated the successful paradigm of non -genetic inheritance "rebirth of civil art", which demonstrated the Taihang style of the Yan Zhao people. (Text/ Sun Yunxia Guo Xuetu/ Ma Lan Peng Xiuping)

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