Pan Xiangli, who always reads classical poems out of the new flavor

From "Reading Poetry" to "Mei Bian News" to "Classical Spring Water", Pan Xiangli is like a high -level player. Those classical poems that have been integrated with it have turned into her chess pieces. She Sitting in front of the chessboard to deploy one hand and one hand, waiting for the reader to play against her.

■ Wu Mei

Many years ago, I first read the column of Pan Xiangli in the "Nightlight Cup" of the New People's Evening News. In the process of reading "Reading Poetry" one by one, there are often a moment when the sentences in the article are stabbed after a paragraph, and after the column is published, "Reading the Poetry Unknown" is published, and I just buy it. One book. After getting the book, put it at hand and pick it up from time to time. The more I read, the more I feel that reading classical poems is a part of Pan Xiangli's daily life, and she is very willing to write this part of her "private life" to share with readers. At that time, the publications related to classical poetry were either a reading book of appreciation or the research results of most heads. I read Mr. Yang Zhishui's "No Flower Living", which was shocked. And "watching poetry is not clear" has similar interests.

Seven years before "Ready Watching Poetry", Pan Xiangli's book "Mei Bian News" in 2018 was published by Pan Xiangli. When I saw the promotion of the new book, I was secretly stubborn: Isn't Pan Xiangli not exhausted his love with classical poetry? Just place an order and buy one. When waiting for "Mei Bian News", I recalled the articles in "Reading the Poetry", thinking: What kind of cold Tang poetry and Song lyrics should the author be written to write another "private" reading experience of classical poems?

After getting "Mei Bian News", I only browsed the directory, and I saw that Pan Xiangli had sinking the "deep sea" of classical poetry, because many of the ancient poems involved in the book were like me like Tang poetry and Song poetry. Readers have never heard of it. However, reading the full book has a new solution to the degree of the author's love of classical poetry -even when it comes to our familiar poets, Pan Xiangli often has an intentional and reasonable play.

The second chapter of "Mei Bian News", starting with "Cooling and Millet Wei Wei Yingwu", after "The prosperous and prosperous encountering youth", "but love Yaweilang Poems", "Living with the Tang Dynasty into the Middle Tang Dynasty", to "The Tang Dynasty", to " "No hardship" and "how free" ", five continuously Pan Xiangli asked Wei Yingwu to make his own protagonist. How many articles are the second chapter of "Mei Bian News"? 29, the last part is "Li Shangyin's ivory ball". Pan Xiangli never dedicated that Li Shangyin was one of her favorite poets. In other words, in the chapters that must stay for his favorite Li Shang, the author couldn't help but let Wei Yingwu stand 5 times. Readers who know a little about the history of ancient Chinese literature know that this poet who stepped into the middle and Tang Dynasty from the Tang Dynasty, whether leaving him in the splendid Tang Dynasty or letting him walk in the stars, Wei Yingwu was not a one The great poet who can stand alone, so unless he is based on his studies, the author of the Tang poetry reads will not take 5 articles like Pan Xiangli to let Wei Yingwu or walk or walk. Pan Xiangli took off the certain rules in the underworld, and relying on his unique sympathy for Wei Yingwu, he enlarged Wei Yingwu's masterpiece and poetry one by one.

So, what is the benefit of reading classical poetry with Pan Xiangli? It feels like the sea is cut into the Chinese traditional culture. We read "" Not Hard "and" How much Freedom "" from "Cooling and Rain Weiying", and we have to regret accepting a fact: even though a Chinese history of ancient literature is written as the great work of the emperor, we must be slightly over the way. Shaochunhua Qiu Shi. Let's talk about Wei Yingwu. If it wasn't for Pan Xiangli, he would leave the arbitrary provisions of the history of literature. Wei Yingwu in the memory of ordinary readers would probably only have a sentence "wild crossing the unmanned boat".

Pan Xiangli's partial magnification is not limited to Wei Yingwu. When she wrote Bai Juyi, she also gave a lot of length larger than the ancient Chinese literary history textbooks. When we stick to Pan Xiangli's magnification, we will find that if Pan Xiangli wrote a "history of Chinese classical poetry", it must be interesting. This is why we read "Mei Bian News".

"Mei Bian News" made me read that Pan Xiangli had internalized the Tang poetry in memory into his own small universe. Being a friend with classical poetry should be the highest state, right? Therefore, at the beginning of the year, I heard that there was another new book "Classical Spring Water" related to classical poetry created by Pan Xiangli at the beginning of the year. Grass?

Walking through spring, it was not until summer that "Classical Spring Water". If you read it carefully, you do n’t see any strange flowers and strange flowers, all of which are poets and poems mentioned by the author in "Reading Poetry" and "Mei Bian News". Those and poems we think are familiar, so they have a strange color.

I like the writing of classical poems in "Classical Spring Water". Each article is no longer sticking to a poetry as a poet, but uses a theme to gather digital poets and their poems. This way of writing, I think of the proprietary term, harmonious and opponent of classical music. "Sounds and sounds fill each other, echo each other, and complete each other. The "harmony", the horizontal space of the various voices is called the "opponent '", the "harmony" and "opponent" given by the young pianist Zhang Haochen in his book "Playing" "The definition to correspond to the 12 articles received in" Classical Spring Water ", whether it is the wilderness of time or eternity, whether it is every deciduous or in the world, Pan Xiangli uses multiple poems from many poets to echo each other, As a result, the articles woven from the latitude and weft of time and space are very three -dimensional, like a Rubik's Cube, and on one side. Like "The Song of Songs, the Words of the True Colors", it seems to be a topic of dust, that is, the richness of the literary style of the Song Dynasty, but because of Pan Xiangli wonderful, the reading process is very pleasant. So, how did Pan Xiangli state a generous Song Ci? She chose Ouyang Xiu, who was well -known by the article, and Zhou Bangyan, who may be diluted because of the "narrow" of the subject matter. One was a politician and writer in the Northern Song Dynasty. The one lived in the late Northern Song Dynasty. The span of time made the two words have their own melody. I read the beauty of the harmony of Song Ci at this time; as for the comments from Su Dongpo, Wang Guowei and other former sages to help out, let us feel deeply, and Song Ci has no coffin to determine.

After reading "Mei Bian News", I think the topic of classical poetry Pan Xiangli will probably stop here? Reading "Classical Spring Water" to the last page, I think this is just the related work that Pan Xiangli has recently completed. From "Reading Poetry" to "Messing Message" to "Classical Spring Water", I feel more and more like Pan Xiangli is like a high -level player. Her pawn, she sat in front of the chessboard to lay out in front of the chessboard, waiting for the reader to play against her. If you meet a conscience, I think she will sigh, good chess!

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