Qi Aiyun: The opera is "marathon", it is impossible to become popular overnight

In the crowd, a white clothes are elegant, gentle and tender, and slightly introverted. This is the first feeling of Qi Aiyun at first.

During the ninth China Qinqiang Art Festival, Qi Aiyun was interviewed by the Culture and Art News during the busy gap. Talking about her Qinqiang and talking about her pursuit. Will say that this is a pure artist, this is my life pursuit. "

At eight o'clock, she started practicing at seven o'clock

Qi Aiyun has lived in the countryside in Chang'an County (now Chang'an District, Xi'an). When watching the drama in the New Year, he likes beautiful people on the stage. He feels that beautiful people are the best people.

Parents are also hardcore fans. Once I came to the town at the Shaanxi Provincial Opera School, my mother said that if she was going to pass, the hukou could be directly transferred to a city hukou. At that time, the urban hukou was a great temptation for rural areas. She has been determined to become a student of opera since then she is poor. The first few rounds of the exam were singing and dancing. When the last round must sing Qin Qiang, her father taught her a period of "Bai", and the cultural class performance was very good. Finally, she was admitted and started the path of opera learning.

Entering the art school, she found that she was completely a "whiteboard", and most of the children in the same class had two or three years of "skills". She has to be strong since she was a child. She starts to get up early every day and secretly practice. Others started practicing at seven o'clock at eight o'clock. She split her fork when she was sleeping. She rubbed her own legs when she was in pain. After nearly a year, she finally caught up with her classmates. We.

Three Teachers

In the 7 years of the Shaanxi Art School, Qi Aiyun was carefully cultivated by the Qin cavity performing artist Ma Lanyu. Qi Aiyun said that Teacher Ma "hopes to teach us all his lifetime learning, she is like painting for us, especially attentive." Kaimeng opera "Ghost Resentment" laid a solid foundation for Qi Aiyun. "I have not only learned a play, including the aesthetics of opera, the pursuit of art high, and the understanding of art. Teacher Ma The thinking that is not the same for us. "In order to cultivate Qi Aiyun into an actor who" civil and military ", Teacher Ma worked hard," Tour West Lake "," Together Turtle Mountain ", and" 扈 扈 给 "," Killing Four Four The different types of folding dramas such as "Wusong Playing Shop" and "Hundred Flowers" and other types of folding dramas have allowed Qi Aiyun to practice step by step.

Qi Aiyun, who was in a good "martial arts", was in trouble. For this reason, Ma Lanyu found the representative of Qin Qin's gentle faction Xiao Yuling for her. Unlike the strict Ma Lan fish, Xiao Yuling is more like a kind mother, with a warm voice and patience to help Qi Aiyun who has not yet solved the problem of the sound. "Don't worry" and "take your time" is what Teacher Xiao often says to her. Under the careful teaching of Teacher Xiao, Qi Aiyun's vocal skills achieved a major breakthrough, gradually recovering self -confidence, laying a solid foundation for the future of opera.

Qi Aiyun's excellent performance in graduation drama allowed Qin Qiang to perform artists and then leader Li Aiqin, and successfully entered the work of the Wuyi Opera Troupe of Xi'an. Practical and hard -working is the label of Qi Aiyun in the theater company, which also made Li Aiqin appreciate her.

A performance in the countryside, due to the rain, suspended the performance, Li Aiqin suddenly heard a person practicing the vocal aria on a temporary stage. At first glance, it was Qi Aiyun. Li Aiqin was moved in an instant: "Oh, this child is really obsessed with art."

With the care and help of Li Aiqin, Qi Aiyun rehearsed "Yin Yang River", "Sky Girl Sanhua", "Life and Death", "Zhou Ren's Back to House", "Yangmen Girls", "White Yumi", "Dragon and Phoenix Chengxiang", "Pipa and Board" , Make up the performances such as "Father and Son of the Three Cao" and "Qingfeng Pavilion", try all kinds of performances. In order to help her reach a higher level, Li Aiqin rehearsed her to participate in the selection of "Yin Yang Jian" to participate in the Chinese Drama Plum Blossom Award. Although the evaluation was very high, due to various reasons, she was lost with the Plum Blossom Award.

Starlight does not ask the passers -by, and the years live up to the people. In 2003, the Mayi Theater Troupe was facing demolition. In the case of extremely difficult circumstances, the power of the whole group finally successfully completed the rehearsal of "Zheng Yingjiao". Qi Aiyun won the 21st China in the play in the play. Drama Plum Blossom Award. "When receiving the prize, Teacher Li watched me get the prize on it, she cried alone." From graduating from the drama school in 1987 to the award in 2004. This process, it is not long, not short, this is not short. This is not short. This is not short. This is not short. This is not short. This is not short. This is not short. The difficult process was seen by Li Aiqin all the way, which can be described as "suffering."

"During that time, the grassroots people raised me"

In 2005, Qi Aiyun participated in the four famous Dan Dan competitions of Qinqiang in the five southwest provinces. It took one year and the number of participants was as many as 3,000. After singing and playing with various comprehensive competitions, Qi Aiyun successfully entered the "Qin Qiang Four Famous Dan".

At the end of the game, Qi Aiyun met the combination of the troupe. Suddenly, the familiar team was lost, and it was inevitable that his will. Qi Aiyun, who couldn't do without the stage, decided to start from the grassroots level. "During that time, the people of the grassroots raised me. No matter how hard the conditions were, I went to the grassroots to perform a" West Lake ". Late again, get together again, and then play again. After the performer, I will return from Gansu overnight. At that time, I felt strong and happy. Give you some soil specialties. "

Two years later, the Chinese Drama Association organized the Plum Blossom Award winner to perform in Taiwan. After the first performance, the audience responded hotly. There were 13 applause in 11 minutes. This experience greatly enhanced Qi Aiyun's confidence in art. Ren a big show every year

In 2009, Qi Aiyun was transferred to the Shaanxi Provincial Opera Research Institute. In addition to completing the performance task every year, she also planned her spare time. Especially in the three years of 2017 to 2019, a big drama was rehearsed a year.

"Burning incense" is the Qinqiang classical whole drama. Earlier, Qi Aiyun's folding drama "The Temple of the Temple" was no less famous than the Sichuan drama version, but it has not been able to achieve a full performance on the stage. This is Qi Aiyun's wish for many years. She and her old partner Zhang Tao arranged the full book of "Burning incense", and the response was enthusiastic. Qi Aiyun said, "Many young children are because of" Burning incense ", who likes Qin cavity or like me. They say that through this drama, they see the charm of traditional opera."

The drama "Guanzhong Xiaoyue" is the team of all the actors of Zhouzhi County Theater Troupe, starring Qi Aiyun and Hou Hongqin, the president of Sanyi Society and the winner of the Plum Blossom Award. Based on Qin Shang, Shaanxi Province, Qin Shang and the hostess of Anwubao Zhou Ying, Shaanxi, shaped a character image of "Shang Ying", who was deeply influenced by Guan Xue's thoughts and flesh and blood. With this drama, Qi Aiyun and Hou Hongqin won the 30th Shanghai White Magnolia Drama Performance Award Prize and Supporting Award.

"Red Tip Forest" is a revolutionary Agaiqiang modern drama. At the beginning of the invitation, Qi Aiyun refused, thinking that he had been performing traditional dramas and could not perform modern drama. Later, she was in trouble, and she decided to challenge herself. Qi Aiyun's fans watched the performance in Beijing. At first, because of "Burning incense", after watching "Red Tips", sighing that modern drama was so beautiful. It is reported that this drama is currently participating in the Ninth China Qinqiang Art Festival and will be staged at the Weinan Grand Theater at 19:30 on June 21.

Encountered "Xiang Zhenxi"

In the ninth China Qinqiang Art Festival this time, Qi Aiyun has two repertoires to participate in the show. In addition to "Red Tips", there is also "The Love of the Pride Yang". Newly compiled modern dramas of bowl cavity, Qi Aiyun plays the role of "Xiang Zhenxi".

Xiang Zhenxi, the wife of Yang Changji, a professor at Peking University, came from a ladylike lady, her daughter Yang Kaihui.

Qi Aiyun repeatedly read relevant historical materials and explores the performance of the performance: "First of all, you have to show the noble, elegant, and the elegance of a knowledgeable woman. So you are on this stage, her actions, language, singing, and eyes All the design must be "Xiang Zhenxi ', not myself."

"Continuous adjustment, modification, and polishing characters are the style of the Opera Research Institute. Everyone has this collective honor for the pursuit of artistic excellence."

"Whether it is an actor of a small soldier or a child who participated in group dance, they are particularly invested. I think this is a style of how many years of the research institute. This is the temple of art. I also hope that it can be transformed and in this temple. sublimation."

At the end of the interview, Qi Aiyun said emotionally: Opera is a "marathon". It is definitely not a sprint, unlike the film and television may become popular overnight. The opera is very exercise of human willpower, and it also reflects his firm belief, purity, and obsession with his firm belief, purity, and obsession. "I want to be such a person. For example, after I am a hundred years, everyone will say that this is a pure artist. This is the pursuit of my life."

Culture and Art Network-Cultural and Art News all-media reporter Zhao Zixi

Editor: Xiaojia Responsible Editor: Gao Sijia Final Appeal: Wu Hanxing

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