Southern Observation | Aesthetic value of calligraphy art

Introduction:

The inheritance of Chinese culture and books for thousands of years has formed a bright Chinese calligraphy culture, and Chinese calligraphy has promoted the development of Chinese characters and Chinese culture. He uses rules and laws to express his inner feelings in a unique form and create a beautiful mood. The aesthetic value of calligraphy is diversified, and the beauty of the techniques that is transformed from the brushwork, frustration, and transformed; separate from the ink color, and write the vicissitudes of years with five colors- "coke, thick, heavy, light, and clear". From the analysis of the Chinese traditional culture, Confucianism, Buddhism and Taoism: Calligraphy has the beauty of Confucian aesthetics and the beauty of "neutrality", "male health" and "enrichment"; calligraphy has the aesthetic value of Taoism and the natural beauty of "teacher law". "Yin Yin "The beauty of" Yang "is vivid and vivid; calligraphy has the aesthetic value of Zen and the beauty of" Zen "," enlightenment "and" completeness ". It is perfectly reflected in the aesthetic value of writing techniques, ink, and cultural inheritance in Chinese calligraphy. Chinese calligraphy art is the cultural treasure of the Chinese nation. Because of its unique ethnic value, artistic value, and anthropological value, it has shined in the treasure trove of world culture and art.

1. The national value of calligraphy

The history of the Chinese nation has a long history, the traditional culture is exaggerated, the art of calligraphy has a long history, and the art of calligraphy is proud of the Chinese people. The emergence, development, and dissemination of Chinese calligraphy and Chinese culture have been accompanied by thousands of years. Calligraphy art is a unique representative of Chinese culture and art, and it is an indispensable carrier for spreading Chinese excellent traditional culture.

Zhaizi China has a long time. For thousands of years, the calligraphers and calligraphy works of Chanruo star and vast -Ruo Yantai have been produced, leaving the world for countless exquisite calligraphy art treasures, adding glory to the art treasure hall of our country. Added rich cultural wealth to the treasure house of human beings, and calligraphy reflects its national value.

Chinese calligraphy has gone through a long stage of development from Yin Shang Oracle, Jinwen, and Qin Dynasty script, to subsequent liberty, cursive script, script, and regular script. Various books are enriched with the development of fonts. Yin Shang Oracle and Western Zhou Jinwen recorded important national affairs such as military, politics, astronomy, and economy during the Shang and Zhou Dynasties, which fully reflected the appearance of Shang and Zhou culture. During the Wei and Jin dynasties, the aesthetic value of calligraphy became more prominent, and it was closely related to literature. From Wei and Jin to the Qing Dynasty, the literary cultivation of the big calligraphers was extremely high, and the masterpieces created by these artists all condensed the profound national value.

Since the Tang Dynasty, calligraphy has reached its heyday. The Tang people loved calligraphy very much, and even developed calligraphy as their own career. Therefore, there were many people learning calligraphy in the Tang Dynasty. The imperial examinations in the Tang Dynasty have the saying "body, words, books, and judgment". The "book" that refers to calligraphy, which refers to the good or bad. The practical value; the calligraphy and literature in the prosperous era are also closely linked. The doctor of the literati constitutes the subject of the participation of the artistic practice of calligraphy. A series of activities centered on calligraphy and a cultural atmosphere created here have become them to get rid of the secular society. Pursue a way to pursue the freedom of spiritual. In the Tang Dynasty, calligraphy was affected by the environment and the overall spirit of society on the one hand. In addition, in some aspects, the emergence of calligraphy also showed the tolerance of the Tang Dynasty tolerance.

From the beginning, calligraphy was relatively practical, and then gradually developed into an art. In a sense, the Tang Dynasty calligraphy followed the sense of art, especially in the early stage, the emergence of cursive and regular script reflected the pursuit of literati. The court specializes in the establishment of the Hongwen Museum in charge of calligraphy education. The candidate must pass the calligraphy level. This "six arts" call for calligraphy to a more important position. The achievements of the calligraphy of the Tang Dynasty reflected the charm of the Tang Dynasty's prosperity, and the famous calligraphers represented by Ouyang Xun, Chu Suiliang, Yu Shinan, Yan Zhenqing and other famous calligraphers. Among them, the Tang Dynasty Yan Zhenqing has a high status in the history of calligraphy, and has a valuable regular script "Self -Books" and "Multi -Pagoda Monument". The realm is called "the second book of the world". Yan Zhenqing is second only to the sage Wang Xizhi, known as "Asian Saint".

By the Song Dynasty, it was another period of development of calligraphy art in my country. In the famous "Four People in the Song Dynasty", the achievements of Su Shi, Huang Tingjian, Mi Yan, and Cai Xiang were extremely brilliant. Da Wenhao Song Dynasty Su Shiji writer, calligrapher, gourmet, painter, celebrities in history, Su Shi calligraphy is good at writing script and regular script, his calligraphy "Huangzhou Cold Food Poetry Post", this post is known as "the third line of the world" Essence

In the Yuan Dynasty, the development of a new literati style was developed with retro, and its main representative was Zhao Mengfu. He is true, grass, li, and all. He creates a soft and smooth artistic style, which has a great impact on future generations. In the Ming and Qing dynasties and modern times, calligraphy also developed vigorously. A group of calligraphers with liberated personalities emerged in the Ming Dynasty. The update of the concept of aesthetics has opened up the unscrupulous change of calligraphy, bringing an inexhaustible source of use to human society. Contemporary regular script everyone Guan Jun, cursive script everyone Chen Hailiang, Lishu everyone Liu Wenhua, Qi Shu, Wang Youyi, and Xingshu, Chen Zhongkang, has always influenced the pace of calligraphy learners. Chinese calligraphy has left a rich value culture with calligraphy as a carrier since ancient times, and continues the "Chinese characters" cultural genes to this day.

Mr. Xiong Bingming, a French Chinese, integrates philosophy, literature, painting, sculpture, and calligraphy. He has lived in France for 50 years. Both the philosophy of life and the practice of artistic creation run through things and integrate China's humanistic spirit. Mr. Xiong Bingming once explained the relationship between Chinese calligraphy and traditional Chinese culture. "Calligraphy is the core of‘ the core of Chinese culture ’, which has the value of human society and art.” This shows the distinctive national characteristics of Chinese calligraphy. Second, the cultural value of calligraphy

Cultural consciousness and cultural self -confidence are the main tone of China's rise today, and it is also the concept of Chinese culture and cultural cultural concept for thousands of years. Chinese calligraphy exports overseas in various periods, allowing the world to understand China and appreciate China. When China proposed the "Belt and Road" initiative and the concept of building a community of human destiny into the relevant United Nations resolutions, it became a global initiative. Chinese calligraphy has provided international public cultural products for the "Belt and Road" express train to the world. This opportunity to actively promote Chinese calligraphy to "go global", promote world cultural exchanges, and integrate Chinese culture and calligraphy into the world's big family.

The Chinese calligraphy art accompanies the spread of traditional Chinese culture to the world quickly. In ancient times, Chinese calligraphy also had a certain value effect on Europe and African countries. Historically, Zhang Jian's envoys in the Western Han Dynasty made the Western Regions. He took the "Silk Road" as a medium and brought traditional Chinese culture to Central Asia, West Asia, Europe and Africa, leaving a lot of utensils for writing documents and calligraphy. Chinese calligraphy also Followed by the world. In 1917, an archeological team in Outer Mongolia discovered a cliff stone carvings engraved with Chinese characters in a domestic mountain. This cliff stone was engraved with more than 20 lines of Chinese. This is an inscription with more than two hundred words of discipline. It has been written about 1,930 years. This archeological discovery found that the sealing wolves in the ancient poems were verified in reality, fully reflecting the cultural value of calligraphy.

Various types of Chinese culture and art are transmitted to the world with calligraphy as the core and carrier. Southeast Asian countries are keen on Chinese calligraphy calligraphy. In Southeast Asian countries, Singapore, Malaysia, Thailand, and Vietnam are the prosperous area of ​​Chinese calligraphy. Calligraphy has a profound impact on Southeast Asian countries, which can be traced back to the Qin and Han dynasties in history. Chinese calligraphy has also had a profound impact on the culture of neighbors Japan, South Korea, and Singapore. Many Japanese characters are Chinese characters. Writing; Chinese Chinese characters can be traced back to the end of Yin Shang at the end of Yin and Shang, and the names of many Koreans and Koreans are named Chinese and Chinese characters. Singapore, Southeast Asian countries occupying 75%of Chinese and overseas Chinese, originally used Chinese. Calligraphy activities are naturally colorful. Singapore Calligraphers Association, founded in 1968, is an open community for non -profit approved by the Ministry of the Interior of Singapore. Early establishment. The Singapore Calligraphers Association is the earliest national calligraphy organization in Singapore. With "Love Me China" as the training, it is the big family of exhibitions, competitions, lectures, demonstrations, and publishing, exchanges, mutual visits, and receptions in the world of calligraphy art. Essence

Calligraphy art has blossomed all over the world in South Korea, Japan, Singapore, Italy, the United States, France and other countries. Japan and Jin, in South Korea, calligraphy streets, books and art halls, university calligraphy schools in the United States, Calligraphy Associations in Singapore, and Calligraphy lectures in Italy. The Japanese Japanese calling calligraphy is a book. The book is more like a noble decoration art in Japan. The value of Chinese calligraphy has spread throughout the world.

With the continuous deepening of my country's reform and opening up, the degree of internationalization of China has continued to deepen, and Chinese calligraphy has increasing into a world cultural family and affecting the development of world culture. Many countries are coordinated by the embassies, liaison and communication with museums, exhibition halls, and art museums in various countries, holding international calligraphy exhibitions and exchange activities from time to time, and even calligraphy schools to popularize Chinese calligraphy knowledge, guide the people of the world to understand, understand Chinese calligraphy, improve calligraphy, and improve calligraphy. Aesthetic ability. Calligraphy communicators have gradually opened calligraphy courses through more than 1,500 Confucius Institutes and Confucius Classrooms established in 159 countries around the world to introduce the history of Chinese calligraphy development to students, understand Chinese calligraphy and Chinese characters, and then guide foreigners to actively appreciate each of them actively appreciating each. Classic calligraphy works. Japan and Jin integrate more calligraphy elements in my country's leading cultural exchanges and commercial exchanges. Chinese companies or institutions in foreign countries or institutions hold calligraphy exchanges regularly or irregularly, attracting many foreign friends to join, and consciously drive their loved ones or their loved ones or Friends learn calligraphy.

Chinese calligraphy is profound and profound, and it is in line with Chinese culture. With the continuous advancement of the concept of human destiny community and the "Belt and Road" initiative, Chinese calligraphy will have a positive impact on world cultural exchanges with their own endless artistic charm and thousands of years of cultural heritage. Chinese calligraphy will be for Chinese calligraphy. Chinese calligraphy will be for it. The world's irreplaceable cultural value.

3. The value of anthropology of calligraphy

Chinese calligraphy is a symbol of human civilization, and calligraphy and human beings depend on symbiosis and prosperity. Historically, the ancient Egyptian, ancient Babylonia, ancient India, and China's four major civilizations were produced in history. China has endlessly stretched Chinese characters and calligraphy. Ancient country. The four ancient civilizations in human history are not interrupted in Chinese records! Chinese characters in China, with India's Sanskrit and Egyptian ancient pictographs, all belong to individual graphics to express thinking language. And Chinese calligraphy with a history of thousands of years has made our cute block characters on the lines and morphology of the lines, realizing the sublimation and beauty of beauty. Chinese calligraphy is no longer a writing technique, but it has formed a cultural artistic conception, which contains cultural artistic conception, A noble art of creative emotions and aesthetic tastes, Chinese calligraphy contribute valuable value to human history. Chinese calligraphy art is the same as other arts, as well as national borders. It is an important form of many art categories in the world. It has unique charm and infinite light in the history of world art. There is no borders of art, and Chinese calligraphy accompanies the concept of the community of human destiny. The people of many countries are proud of learning Chinese and calligraphy. With the steady progress of the "Belt and Road" initiative proposed by China, the development rhythm and Chinese calligraphy are written, and the starting writing of Chinese calligraphy. Pen pen and writing have the same wonderful work. Chinese calligraphy is increasingly attracted to the attention and love of people around the world. Its artistic charm and cultural heritage will definitely have a positive impact on the exchange of world civilization. From the perspective of cultural anthropology, calligraphy is a common culture of human beings.

The relationship between calligraphy and anthropological music, painting and architecture is also very close. The rhythm of the frustration of the calligraphy yin and yang is similar to the rhythm of music. The former vice president of the National Academy of Painting and the famous creative calligrapher came to Germany's "Mo Le" calligraphy to go abroad, and once held "Mora Paris" in France, integrating and sublimating the duality of calligraphy and music. The spatial processing of calligraphy (such as dense comparison, white and black, etc.) has a profound impact on painting and architectural art. Ancient Chinese calligraphy and painters advocated "the same source of calligraphy and painting", advocating painting with books, and introducing the elements of calligraphy into painting, so that the brushwork of painting is more artistic.

From ancient times to the present, calligraphy represents the characteristics of the Chinese nation, which has had a profound impact on the political, economic, and cultural in the surrounding areas. The Qin Dynasty Li Si used the uniformly regulating writing of the text, the programming of the Tang Dynasty regular script, etc., which objectively stabilized the politics of China and the surrounding areas, and also played a role in spreading Chinese culture. The official script of the Hongdu Men of the Han Dynasty promoted the liberation of artistic thought. The uniqueness of Chinese calligraphy and its commonality with human society, calligraphy is a form of time and spatial interoperability. The timeliness of calligraphy reflects the disposable writing of lines, and the spatiality of calligraphy reflects the three -dimensional sense of lines, multi -dimensional characters and black and white binary. The changes in the square, thick and fine, dryness and moisturization, rotation and folding, dew and hiding, and post -collection perspectives in the lines of calligraphy lines will cause endless changes through different free combinations. With the rapid development of informatization and technology, the living space of materialization has repeatedly expanded, and the poetic space of people's survival is narrow and marginalized. The pursuit of the meaning of life and the longing for a better life is a question that people must pay attention to modern development. Chinese calligraphy has a harmonious and unified aesthetic value, and has a positive effect on the education and integration of human society and the regulation of people's psychological emotions.

In recent years, with the output of Chinese culture, Chinese calligraphy has gradually moved to overseas. Data show that not only Russia, the United States, France, Italy, Canada and many other countries have set up calligraphy courses. Universities, Gaogilin City, Canada, and University of Modena, Italian, France currently has 100 universities and more than 600 primary and secondary schools. Calligraphy courses have been set up. Other countries have also experienced the charm of calligraphy and carried out calligraphy classrooms and calligraphy activities. Russia took the lead in incorporating Chinese into the domestic "college entrance examination". According to statistics, the number of Chinese learning Chinese in Russia has reached 56,000. Chinese has become the second largest language in Russia. In the process of feeling foreigners' love for traditional Chinese calligraphy and their extremely longing for Chinese culture. China's output is not just calligraphy, but also the spiritual food of human culture through calligraphy as a carrier.

Let Chinese culture share for human society and use calligraphy art as the platform carrier. The opening of the Chinese Calligraphy Academy overseas is a good new measure. Many calligraphers have gone abroad to carry out calligraphy teaching and practice activities overseas. Promote overseas and promote the internationalization of calligraphy education. Chinese calligraphy goes abroad, goes to the world, and opens a door to people who are eager to understand and learn Chinese culture; and the world, the world also borrows this door, enters China to better understand China, and at the same time reflects the value of the world and human beings. the value of.

Conclusion:

China has been proud of the East since ancient times, and after a century of shocks, since the reform and opening up, the culture has been sprayed out. With the prosperity of international cultural exchanges, Chinese calligraphy art has also become an important bridge for cultural exchanges between China and the world.one.Calligraphy, as the "Belt and Road" China provided by China to the world, has shown endless world value and human social value.Chinese Han culture spreads to the world's widespread communication. The people of the world will feel the dignified script of the regular script, the elegance of the script, and the wildness of cursive script.Value, open the calligraphy class overseas, tell the story of Chinese, convey Chinese voices, let China's national traditional culture shine, contribute to countries around the world, and make positive contributions to human society.(Figure: Dai Quan)

Editor: Yuan Ming

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