Most of the fireworks on earth, changes in Tibetan containers | "Home in Landscapes"

"This is a train driving to spring."

The small train enters the jungle, fields, and farms, and then passes through 24 gas -saving cards, from the cold to the beginning of spring, and the other scenes of the year flashed like the years. Along with a poetic explanation of cultural scholar Mai's poetic explanation, the train arrived in Lujia Village. This small village in Anji County, Zhejiang Province is full of green, green water, and simple folk customs. It also made Gao Yuanyuan said with emotion.

Large -scale cultural tourism visits "Home in Landscapes" jointly produced by the Central Radio and Television Terminal and Culture and Tourism Ministry of Culture and Tourism has recently been launched. From home to the country's narrative path, explore the "changes" and "unchanged" of the rural villages in the past ten years.

Why is the landscape moving?

Because there are ordinary people, living people

The reason why "Home in Landscape" is first of all is human diversity.

On the one hand, the show is full of ordinary and vivid individuals in the countryside. There are village branches that lead everyone to become rich, but also train drivers and tea gardens farmers. They are typical and representative in the current villages. Real people with flesh and blood are undoubtedly more guiding and empathy.

On the other hand, the "new villagers" composed of hosts, public figures and cultural scholars integrate into the countryside, showing different rural revitalization models in experience, chatting, and feelings.

People with diversity bring diversity feelings. After the guests' in -depth experience in different occupations in the countryside, their understanding of different angles can also show a certain tension.

After experiencing the work of Brother Fang Xinghu as a railway worker, the Mai family said, "Although the track is narrow, life is wide"; Gao Yuanyuan said, " The biggest happiness of work "..." ...

There is a simple philosophical thought and a warmth of tenderness, which allows the expression of "people" from the level of life to a spiritual level.

At the same time, when Lu Jian and Zhu Yong covered the tiles for more than 600 years, Yang Qianyi brushed tung oil for wood. They also went deep into the depths of the village and felt the inheritance of non -heritage culture.

"State cultural relics, to be protected." Under the guidance of Article 1 of the village regulations of Shiyan Ping Village, the construction of the entire village is based on the principle of "repairing the old as the old". Little roads and so on.

Whether it is a mountain -like or seven -shaped building, or a two -story building, these rich and diverse styles also represent the precious architectural style of the Tujia family.

Zhu Yong also said, "As a building group, it is very integrated with a natural environment like Shanqingshui. This impact is very large."

It can be seen that the reason why "people" are moving is that it is in the "home" between landscapes; the reason why "home" is meaningful is because it always responds to the "country" proposition.

The show strives to dig out the status and emotional motivation of life from different aspects, and then describes the more temperature side of the countryside in the new era.

For example, as the birthplace of the concept of "green water and green mountains is the golden mountains and silver mountains", in the past 10 years, Anji has continuously explored the way of rural revitalization along the road of green development.

More importantly, "Home in Landscapes" adopts cross -narrative of two villages, and people in different regions have formed interesting comparison texts. "This year's king king's hegemony officially started." After a day of hard picking and fishing, the stove of Shiyanping Village and Lujia Village rose at the same time. In the connection between Lu Jian and Sabenin, their sharing also made the comparison of this countryside more obvious.

On the one hand, there is a traditional persistence, and on the other hand, it is modern changes. Although the scenery of the picture is very different, the spirit of people's rural construction is similar to the simplicity and warmth of the countryside in the new era.

Fireworks in the countryside

Make "home" richer and more vivid

Rich "people" is the core element, showing a village with fireworks.

First of all, in the specific scene, the big theme is displayed with a small incision, and the small figure reflects the big era. "Home in the Landscape" cooperates with the emotional narrative to bring the audience into a specific situation of "Home", lead the audience to understand the villages from the perspective of food, family portrait, etc., and let the show's overall fireworks of ordinary people's lives. See the rolling lifestyle.

On the gentle summer night, the cicada and the cool wind crossed the field to the table, accompanied by a clear singing of the village branch Li Ying, "The birds on the tree are screaming, welcome to the nobles to come to the family, there is no good hospitality, a cup of a cup, a cup of a cup "Clear tea to respect you", all the imagination about the countryside becomes specific and full of poetic.

Secondly, in the diverse interaction, personal vivid memories and cultural interpretations have made the fireworks of "home" lively.

Li Ying and Yang Qianyi were looking for dragon beard vegetables in the suburbs. They were carrying baskets and picked while chatting. When Yang Qianyi shared his friction between husband and wife, Li Ying's phrase "to meet the teeth and the tongue also meets". When showing the wisdom and humor of the rural people, it also closer the distance with the audience.

Finally, in the huge changes, the durable changes of "humanity" increased the thickness of time. Including the comparison of the old houses ten years ago and the current new house, which not only carried the details of the rural changes in the ten years, but also merged the thinking about how the villagers pursued and created a happy life, not only the effect of the audiovisual language conveyed greater than the effect of the audiovisual language was greater than the effect of the audiovisual language greater than that The content itself, more inspiration to the viewer. "Ten years ago, our Lujia Village was such an environment." When Fang Xinghu took out his previous photos, it was difficult to imagine that the beautiful Lujia Village was so broken before.

Sabenin said, "In the past, the urban and rural dual structures that the Chinese people were particularly used to began to be broken in this era. Those houses are like the border of a cities far away." Let rural people live a real dignified life "... This also strengthened the audience's thinking from a more magnificent summary.

In fact, through a variety of ways, "Home in the Landscape" not only shows the improvement of farmers' living standards and rural construction capabilities in Lujia Village and Shiyan Ping Village, but also from material improvement to the level of spiritual pursuit, breaking farmers as poverty halls as poor places. The "stereotypes" of disturbance and running for their livelihoods have built a new look of Chinese villages and farmers in the new era.

Create a new model of original visiting programs

"Leader" is the ultimate purpose

"What I don't fear is the challenge." In the tea garden, Sabenin's heavy weeding machine on his back, bringing a hat and goggles to open the labor process of the weeding worker; the Mai family on the other side also took off his jacket, Pick up the hoe and prepare to "do a lot" in the tea garden.

When the literary workers left the hustle and bustle of the car, they really walked into the field to become a worker, and they became a piece of the people between the landscapes. The audience also followed the show to feel the most rustic fireworks.

General Secretary Xi Jinping mentioned in the opening ceremony of the 11th National Congress of the Chinese Federation of Literature and Arts and the Top Ten of the Chinese Writing Association that "the majority of literary and art workers can only understand the essence of life only by deeply rooted in the people, understand the people's hard work, and perceive the people's joy and sorrows. In order to grasp the pulse of the times, to understand the voice of the people, so that literary and artistic creation can have deep power and timeless charm. "

"Home in Landscapes" really takes the camera to the countryside, praise the glory of labor, and make the people the protagonist of the work. The pulse of the times and the glory of life beating and blooming.

It is the real vivid village that can attract real talents to return.

The collision and blending of culture remained in a balance between equal and mutual learning. "Home in the Landscape" through the common "labor" of literary and rural people through literary workers and rural people. The huge change story on the earth leads more young people to participate in the revitalization of the countryside.

The audience not only saw the pursuit of the elderly in the countryside and the spiritual temperament of the pursuit of a happy life and dare to think about, the show also showed the spiritual appearance and cultural confidence of young people in the new era, and conveyed a more profound value orientation.

Zhu Bingqian, the daughter of the family farmer, drank the guests to the gazebo on the Chayuan Mountain. At the time of the summer, she said that she would return to her hometown in the future. Essence

Because of the struggle and persistence of generations, more and more young people are full of longing for the future of the countryside, and the new vision of staying here to write a beautiful life.

Yang Qianyi said, "At each stage of our lives, we need to have our own dreams to make ourselves progress and go forward. Then the inheritance is not just the inheritance of culture, art and history, but we are very positive for young people to young people. That kind of family power, the inheritance of the three views. "

Throughout this outdoor show, not only is smooth and natural in narrative, but also formed a closed loop in the expression of values, and returns from "people" to "people". By telling the story of working to create a happy life, show the spiritual inheritance and youth power in rural construction, let more people understand the countryside of the new era, and enter the village of the new era. In this process, the imagination and definition of "home" can also be found to find the place of return through the rich interpretation of the show.

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