Yegorov: How can Eastern and Western painting arts cross -cultural mutual learning and development?丨 丨 东西 东西

China and Russian painting now

It is part of the world art

Not only do you learn from each other

It also has more national characteristics

China News Agency reporter Tian Bing

Number of full text: 3303

Estimated reading time: 11 minutes

On August 13th, in a gallery in the center of Moscow, the well -known Russian painter and academician Alexander Yegorov's "Plumbing Material and the Qiang World" classic review exhibition held at the opening ceremony of the opening ceremony of the "Plumbing Material and Masting World" of the Academy of Culture and Art of the Russian Academy of International Culture and Art.

What is the same in concept and technique of painting art in Eastern and Western painting? How to view the inheritance and innovation of painting art? How to achieve artistic integration and development under the differences between Eastern and Western thinking? Ye Gorov was interviewed by China News Agency's "East and West Questions".

Abstracts are currently recorded as follows:

China News Agency reporter: In the history of painting art in Russia, a large number of masters have emerged. Their works portray the characteristics of Russian national characteristics and national image. What do you think of the tradition, innovation and diversification of painting art?

Yegorov: In the history of painting art for more than 500 years in Europe, you can see the expression paradigm of the perfect integration of spiritual world and the real world. From ancient Greek painting to European colleges, the artistic thoughts at that time faced the great changes in the social era and values. Since ancient times, each era has tried to find new paths more and more accurately.

The master of Russian art has laid the foundation for development for modern art. For example, Ivanov's "Christian Saint", he created this huge work in the past 20 years. From the perspective of the college faction, this is a perfect work that cannot be surpassed, but from a broader artistic perspective, it does not seem to fully express the author's inner emotions. There are too many uncertainty in Russian painting, which also brings great difficulty to artistic creation. Not every work will achieve the perfection of people's imagination.

The Pib's "Folkfu on the Volga River" further the impact of painting on people. The ideological investment reflected in his description of the characters in his heart created this classic painting. The remorse and frightening emotions conveyed in "Ivanre Di" make people seem to watch a drama. This is the multiple feelings passed by art. The artist finds more resonance from the painting through real heart feelings.

I have participated in many international exhibitions and worked in many countries. I will see many different materials and forms of expression in my works. Inheritance is not to copy and not change. On the contrary, it is necessary to break the original pattern and try and find the spiritual core that is more suitable for contemporary human civilization. By continuously changing and adding new elements, we can sublimate painting ideas into the concepts of synchronization or even advanced.

In 2013, Yegorov created paintings in the studio. Interviewee confidence

Reporter of China News Agency: What are the similarities between traditional Chinese painting art and Russia, or Western painting art in philosophy and techniques? What are the mutual influence of painting art in the two countries?

Yegorov: There are many differences between European painting art and traditional Chinese painting. For example, in the attitude and concept of depicting time, there will be some dramatic plots in European art, and traditional Chinese painting will be more subtle. For example, my favorite ancient Chinese painter Fan Kuan and Guo Xi presented the four -dimensional space on the picture.

China affects Russia's paintings earlier. For example, the Russian town of Paleh was the center of the artist's creation. The 19th century began to be influenced by Chinese painting, and more Chinese art elements were added to the works. Another example is the well -known baby art, and its inspiration comes from the traditional Oriental art.

In the 1950s and 1960s, China's best artists came to the Soviet Union to study. After returning to the motherland, they combined the art of Soviet painting with the Chinese concept and taught more artists to study and create. As for the current painting of China and Russia, it is a part of the world art. Not only does it learn from each other, but also has more national characteristics.

China News Agency reporter: China and Russia are all countries with long history and their own unique philosophy and art aesthetics, and there are differences in artists' self -awareness and creative concepts. How to achieve artistic integration and development under this difference?

Ye Gorov: I have a certain understanding of the thoughts of Confucius and Lao Tzu in ancient Chinese philosophers by reading the Russian version of books. The world has a deeper understanding. The impact of Chinese philosophy on the world is very far -reaching and indispensable.

Chinese and Russian classical paintings have made great contributions to the world. As far as Russia is concerned, from Lubulv, Kramsco to Malavic, artists have not only created a real Russian style, but also enriched artistic connotations with quality and incentives. At the beginning of the twentieth century, the Russian pioneer was also a real breakthrough outside the artistic ideology.

The integration and development between Russia and Chinese painting art has a broader prospect. I know and know many Russians who learn and learn from Chinese art and philosophy. I also learn Chinese calligraphy and sketching with Chinese artists, and often apply these skills and philosophy to their works. I believe that more cultural exchange activities and exhibitions between Russian and Chinese artists can open a new page of world art. The new generation of artists have found a new way of expression through modern art, and more importantly, redefine the status of human beings in the modern world.

In 2011, Yegorov sketched in Liufeng Lake, Heilongjiang, China. Interviewee confidence

The future development direction of art should be more diversified. In addition to the inheritance of classical painting, there will be many modern elements. For example, in contemporary art works, we will find the emergence of some electronic devices such as computers and mobile phones, and people's diet, clothing and even personality changes will be reflected in the works. But if you blindly pursue the difference, it will be too impetuous. Tradition is a foundation, and it is also the wisdom and historical memory of thousands of years of human civilization. How to better integrate and develop forward and promote the civilization of human ideological and civilized, more artists need more artists to pursue and explore. Especially in today's rich material life, you can't slow down the footsteps of art. This is also the theme of this exhibition today. China News Agency reporter: You have been invited to lecture, exhibition, sketching, etc. on China many times. What are you impressive? What do you think of the interaction between the two countries in the field of painting art?

Yegorov: In 2007, I was invited by the Harbin Municipal Government to host a exhibition in 2007 and conducted in -depth exchanges with the Yushun Art Museum. When I visited the Jin Shangyi's work exhibition at the Chinese Art Museum in 2009, the kind of intimacy of Russian painting style came into being. During the solo exhibition in Guangzhou, I was invited to visit the Li Xiaolin's work exhibition. Each of his characters is like a world, with an independent artistic spirit and language. Chinese artists have so realistic investment in creation. And delicate, this makes me more admirable. Around 2011, I participated in large -scale events such as the Beijing International Art Biennale, Taiwan Youth Art Exhibition, and Guangzhou International Art Fair. I felt the extensive exchanges and international presentation of Chinese international art.

In 2009, Yegorov and Russian people's artist Roman King wrote on Harbin Sun Island. Interviewee confidence

In 2012 and 2013, I was invited to hold a single exhibition and a master class lecture at Southwest University for Nationalities. The models in the character's sketch class came from students from different ethnic groups in the school. They retained their own national language, clothing, customs, etc. Communication, this tolerance and diversification China has attracted me even more. In addition, I have been invited to exhibitions and sketches in cities such as Dalian, Mudanjiang, Sanya, Chengdu. The Chinese people's respect for artists and the longing for art have surpassed Europe. Chinese art is increasingly recognized and valued by the international community, and Chinese young artists are increasingly important in international status. We sometimes say the impact of economy and military on the country and the world. In fact, art also verifies this. When a country has a strong influence, its culture and art will be more known and known by the world.

At present, there is a special feature of the Russian art world, that is, more and more young artists are interested in traditional Chinese art. They discovered the continuity and normative results of Chinese artistic concepts, and the inheritance of Chinese art has more heritage and historical responsibility. In terms of inheritance and promotion, Russian artists should learn and learn from Chinese artists. I very much hope to see more joint painting exhibitions and joint art teaching of Russia and China. More museums and galleries exhibit the works of the two countries to allow art to enter more popular vision. I will promote and promote it with my own strength to promote more cooperation between artists between the two countries.

Now there are many young Chinese artists such as the Russian Academy and Surikov Academy of Fine Arts. They are learning that they have mastered traditional techniques while incorporating many Chinese elements. effect. Russian young artists' learning of Chinese calligraphy and landscape paintings also give them more understanding and longing for Chinese art. For a long time, art is considered a language without text, which requires more art exchange activities and younger generation of artists to work hard to make social life atmosphere richer and beautiful through the correct aesthetic concept.

Introduction to the interviewee:

The picture shows Ye Gorov's sketch in Mumbai, India in 2005. Interviewee confidence

Alexander Yodorov, Russian contemporary artist, painter, sculptor, art critic, and classical oil painter. Good at sketching, colorful lead, watercolor, chalk, portrait portrait, landscape, still object, human body, etc. Member of the Russian Artists Association, member of the International Artists Association, academician of the Correspondence of the Russian Academy of International Culture and Art. Born in a family of culture and art in 1967, he studied at Moscow Karina Academy, Moscow Academy of Arts and Crafts, Moscow Film Academy, and Russian National Management University. He has been awarded the gold, silver medals and honorary certificates, and artistic contribution awards granted by the Russian Ministry of Culture, Artists Association, and Art Research Institute. He has won the Gold Award of the Russian Static Exhibition, the Russian "Golden Pen" Award, the designer of the Lahmaninov piano trophy, and the Venice Bienna Gold Award winner. Since 1992, it has held individual exhibitions and joint exhibitions in Russia, the United Kingdom, the United States, France, Italy, China, India and so on.

Text Editor: Cui Bailu

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