"Nothing to Innovation -Jiang Feimo Ink Works Exhibition": Xuan Bird Lingshan Xiangyun and Mozhu

Author:Music club Time:2022.08.27

"Nothing to Innovation -Jiang Feimo Ink Works Exhibition"

Xuan Bird, Lingshan, Xiangyun and Mozhu

Lu Wenhua

The pioneering birds with both eyes, looming Lingshan, light clouds, and vibrant green bamboo, form a great art world with tension, clear mind, and indifferent divine. On the evening of the 26th, the intention of the intention -Jiang Feimo ink painting exhibition will be exhibited at the 20th (2017) West Lake Art Expo.

The famous curator Wang Boqiao (left) and Jiang Feimo

The West Lake Art Expo is one of the largest and most influential national art events in China. It is hosted by the Chinese Culture Promotion Association, the Zhejiang Provincial Department of Culture, the Zhejiang Provincial Literature and Art Circle Federation, and the Zhejiang Cultural Industry Society. The Shanghai Nature Ring Art Center launched and the famous curator Wang Bo Dajeon's "Innovation -Jiang Feimo Ink Works Exhibition", exhibiting a total of more than 40 high -quality masterpieces created by Jiang Feimo.

The reporter saw at the exhibition of the West Lake Art Fair that although Mozhu under Jiang Feimo's writing was commonly used to the traditional Chinese painting themes, the small painting volume was strong and the visual impact came from, filled with the art tension of people's hearts. Contains lively contemporary art concepts and thinking. "I planted a lot of bamboo and observed the subtle changes in bamboo leaves every day. The bamboo in my heart originated from nature. This is what the Tang Dynasty painter Zhang Yan said, the outer teacher creation, the heart of the heart." Ink artist Jiang Feimo said that the contemporary ink and ink creation of Chinese contemporary ink should achieve breakthroughs and innovation on the basis of drawing and inheriting the rich and nourishing traditional art. It is necessary to observe and think about the history of Chinese art with a wider and deeper aesthetic perspective.

Jiang Feimo, co -founder of Shanghai Natural ring art center, said, "Foreign teachers are created, and the hearts are the source of the heart." Zhang Ye's words are concise and concubine that breaks all the secrets from natural beauty to artistic beauty. Why is it difficult for us to break through the peak of painting art during the Yuan and Song dynasties, because we are too concerned about the level of Chinese traditional painting art, and we do not really pay attention to naturalization and inner world.

The German philosopher Hegel deeply revealed the relationship between nature and art and beauty. He pointed out in "Aesthetics": "But we can say that the beauty of art is higher than nature. The beauty, the mind and its products are much higher than nature and its phenomenon, and the beauty of art is much higher than nature ... ... The soul and its artistic beauty are higher than nature. The difference in quantity. Only the mind is true, and only the mind covers everything, so when all beauty involves this high state and produces from this high state, it is really beautiful. "(Hegel" Aesthetics " Business Press 2009 Edition, p. 4-6)

"From the perspective of the history of human art development, we found that from the rock paintings that appeared during the prehistoric civilization period, the gods and beasts of the Liangzhu Culture Jade, to the bronze wares during the Shang and Weekly, etc. They are all carriers of worship and sacrifice gods until the inscriptions and paintings of the Han and Tang dynasties, and paintings of Tang artists such as Yan Liben and Wu Daozi, all have divine nature. "Jiang Feimo analyzed that in the history of the Song Dynasty, society Life is more refined, the evolution of divinewen is humanities, and the painting with the lives of literati life is appeared, and the true literati painting gradually appears.

The artist who studied ancient culture and perceived a lot of artists said that we can understand the big pattern of observing and thinking about the history of Chinese text evolution. In the Tang Dynasty to the Song style, with the Northern Song Dynasty Bi Sheng invented the printing printing, a large number of prints appeared. Most of the future calligraphy pays more attention to the micro -shaped changes of lines and ink. It has developed to this day, and it is becoming more and more minimal. To learn ancient traditions, it is more necessary to have a wide range of vision and deeply understand the changes in human history in order to truly penetrate the traditional essence and dross.

"It is precisely because we have in -depth research, chewing, and understanding the history of Chinese painting art that we will chase the ancient atmosphere of the Tang and Song dynasties and the longer Chinese historical and cultural period, and pursue the deep and mixed‘ qi of Chinese painting art. ” "In recent years, Jiang Feimo has touched this. When we realize the essence of these Chinese painting art, we will get rid of the so -called techniques and pen and ink of painting gourds according to the same gourd, and enter a" foreign teacher creation, and the heart source of the heart. "The artistic realm of free creation.

"Today, when we see some of his creative fragments and works, we have reason to believe that these experiences and processes cannot be copied to others. However, his creative conclusions and methods (the perspective and presentation of the world) Open a new gap and value orientation of our visual cognition. These works are undoubtedly the spiritual imprint of contemporary culture, and it is also the spiritual retreat and transcendence of the aesthetic style of an Oriental. "

Art critic Amu said in the "Foreword" in "Nothing -Jiang Fei Mo Mo ink exhibition", which is precisely this kind of span brought great challenges to his life and creation.It seems to be naturally resolved in Jiang Feimo. His experience has no template to refer to and copy. For those who support him, it is undoubtedly an adventure.Things can always be easily crossed.The exploration he did is lively, with the emotional experience and aesthetic consciousness of Eastern potential. In fact, it contains a kind of thinking, care, attitude, and even a belief in Jiang Feimo's current life.It is reported that the 20th (2017) West Lake Art Expo opened on the 26th at the Hangzhou Heping International Convention and Exhibition Center, which continued until the 30th.