Foshan: Poet Yang Ke, Zhang Quan talk about poetry writing in the new era

Text/Yangcheng Evening News all -media reporter Chen Xiaonan correspondent Zeng Yajun

Figure/organizer provided

2022 South Guo Shuxiang Festival Foshan Branch continues wonderfully. On August 25th, Yang Ke, a member of the Presidium of the Chinese Writers Association, the president of the Chinese Poetry Society, and the poet Yang Ke and the member of the President of the Guangdong Writers Association and the poet Zhang Ji as the Villa expect.

Yang Ke (left), Zhang Quan (right) is sharing experience

Written by the author, don't "poor words"

China is the kingdom of poetry. From the Book of Songs, Chu Ci to the Tang poetry and Song Ci, this land has been born with eternal poems. How does poetic creation in the new era continue and use rich classical cultural resources? Yang Ke believes that with the precipitation of culture and the development of the times, the writer should actively actively "reconcile" and "dialogue" with classical literature, take its essence to abandon its dross and improve their own creative level.

Yang Ke took the Northern Song poet Su Shi as an example to further explain the charm of classical culture. He introduced that Li Bai's poetry was heartbroken and had a strong romantic feelings; Du Fu was bumpy throughout his life, and his works focused on the suffering of the family and nationality, forming a depressed and frustrated realistic art style; Su Shi lived Du Fu's hard life, but wrote a writing It is worthy of respect for Li Bai's proud poems. "Su Shi's openness has a profound impact on Chinese literati, and even has a positive impact on national character. His poems fully reflect the unique charm of classical literature." Yang Ke said.

"We must not have a feeling of" Poor "by our writers in the new era." Zhang Kuan said. He believes that China is the only country that has not appeared in the ancient civilizations of the four civilizations, and the cultural accumulation is extremely generous. "Our life has the source, the text has the source, and the culture has the source. Facing the thick historical heritage of the great powers, our literary workers and literary writers need to maintain a high degree of cultural self -confidence." Zhang Kuan believes that China's cultural accumulation is The creation of literary and art workers brings endless possibilities. "With such a long -lasting civilization, each creator has the responsibility to revitalize my country's historical and cultural resources."

While using classical cultural resources, the creation of poetry in the new era needs to reflect the development and social changes in a timely manner. This was clearly reflected in Yang Ke's poems: his works in the 1990s "walk in products" and "Tianhe City Square" and other works keenly captured the era of the era of modern commodity economy. Since then, the poem "Artificial Intelligence Beauty Girl" and "Meet the Future in Huaqiang Bei" extended humanistic care to the digital era. "At the same time, we have experienced the four civilizations of agricultural civilization, industrial civilization, business civilization, and the age of information. This is an unprecedented opportunity and challenge. I think poetry works should pay attention to reality and present it." Yang Ke said.

Story local resources to tell Foshan Story and Bay Area Story

"As a historical and cultural city, Foshan is a dazzling pearl in Lingnan land. There are many beautiful cultural business cards such as Shiwan pottery, martial arts, wake -ups, Chinese medicine, and Cantonese cuisine. At the same time, in terms of economic construction, Foshan is still an important industry in China. Manufacturing base, 'Foshan Intelligent Manufacturing' is well -known in the world, there must be Foshan made of Foshan, Shiwanwajia world. "Zhang Ting proposed that in the face of rich local historical and cultural resources, Foshan writers can further think and sort out writing ideas. Determine a goal, string the local history and the present, and tell the story of Foshan and the Bay Area.

In response to how young writers overcome creative anxiety, Zhang Ting also gave his suggestions. He believes that the writer should have the consciousness of feedback to land, reward the era, and give back to the people, but not necessarily to achieve an unrealistic height. "Because the society is complicated, the text is good, and each writer has its own direction -as long as you do not lose your self and lose your own direction and goals, your writing will be well -founded. "Zhang Kuan said.

At present, the construction of the Guangdong -Hong Kong -Macao Greater Bay Area is striding forward. How can poetry creators echo the trend of this era? Yang Ke and Zhang Zheng shared their creative experience and views.杨克认为，粤港澳大湾区地域相近、文脉相亲，面对这一背景，诗歌创作者可以从湾区各地的共同或共通之处，如语言、气候、饮食、科技等方面切入，赋予The work activates the Greater Bay Area's context with a certain universal significance. Yang Ke also encouraged more Foshan young people to participate in poetic creation and come up with more excellent works to show the living environment and spiritual style of Foshan people.

Zhang Ting suggested that while grasping the common points of the Bay Area, writers in the Bay Area also need to pursue the "heterogeneity" of personal creation, and form their own unique creative style in the background of the Bay Area. "Bay Area Construction provides many possibilities for writers. Many themes and materials will continue to flow to the creators' pens, help the writer release the soul, write more individual and aura text, and then go higher and farther and farther. , Closer to the pulse of the times, "Zhang Kuan said.

Source | Yangcheng Evening News · Yangcheng School

Responsible editor | Zhu Guangyu

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