Non -heritage has newcomers | Cai Wenjuan: The handed down blue and white inheritance renewed

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General Secretary Xi Jinping emphasized that "we must strengthen the protection and inheritance of intangible cultural heritage, actively cultivate the inheritor, and let the intangible cultural heritage bloom more charming glory." Litchi News launched the bilingual micro -documentary "Non -Heritage" of the "Youth Shouteller" series, through thousands of years of context, trek thousands of mountains and rivers, recorded the traditional non -heritage renovation story, and listened to the voice of youth inheritance. After a while, the images retain memory, cultivate spiritual contexts, cultivate cultural self -confidence, and present a gorgeous and continuous Chinese civilization to the world.

Porcelain is not only a popular elegant and elegant, but also a well -known Chinese culture representative. When it comes to porcelain, Jingdezhen has to be mentioned. This ancient city of Jiangxi has more than 2,000 years of history, the history of more than 1,000 years of official kiln, and the history of more than 600 years. Culture, also writes a unique craftsmanship city business card.

Millennium kiln fire, endless. Today, Cai Wenjuan, a native of Jingdezhen girl, took the traditional technique of handmade porcelain in Jingdezhen from the hands of her ancestors. She tried to explore the eternal and long -lasting wisdom in the fine production steps, and painted a new era of patterns in blue and white.

Millennium kiln fire skills are absolutely ancient and modern

Jingdezhen, because of the south of the Changjiang River, was known as Changnan Town in ancient times. According to records, there is a tradition of pottery ceramics.

In the years of Song Jingde (1004-1007 AD), Zhenzong ordered Changnan Town to burn the royal ware, and the bottom end of the book "Jingde's Year". Later, because of "its instrument is beautiful to make Mao Mei, at that time, it was effective in the country." So the world was said to be "Jingdezhen porcelain".

"Seventy -two hands, Fang Ke". The porcelain of Jingdezhen, from stone to soil, from soil to porcelain, to experience the seventy -two processes of carefully polished, divided into six major processes of mud training, pull blanks, sharpness, painting, glazing, and burning kiln.

Practice the mud to practice the ore into a flexible and bone mud, and the pull -up and the lust technology promotes the porcelain type. The glazing of painting is the icing on the cake on this basis.

"The success of the porcelain, the kiln fire is dependent." The ultimate "instrument" of the porcelain depends on the fire of the burning kiln. Enter the kiln color, and the kiln is colorful. This superb fire art is also a key step for porcelain.

When Cai Wenjuan was really learning porcelain, he realized that it was not easy and intentional in it. She still remembers that the teacher asked her to experience the soil and kneading the mud, "constantly turning it on to discharge excess air." Remember to try to prepare the glaze. "The secondary deployment" and the occasional control of force control, "I once painted the jar, because my hand was crushed by it too hard."

And the patience, perseverance and ingenuity among these processes are the secrets of the world -famous Jingdezhen porcelain.

Jiacheng Four Generations Exploring Blue and White

As a native girl in Jingdezhen, Cai Wenjuan grew up in porcelain.

"My family is made of blue and white porcelain. From the beginning of Zengwa's grandfather to studying blue and white in Jingdezhen, to my grandfather to work in the top ten porcelain factories, my grandmother made gold and carved in the porcelain factory, and then my mother also later. Entering the work of porcelain factory, my father is responsible for blowing glaze and burning kiln. It can be said that for porcelain culture, I have been dazzling from an early age. "

Perhaps because of family studies, or maybe due to the influence of the urban atmosphere, Cai Wenjuan has been interested in painting since he was a child.

"After my father found that I had this interest, I always encouraged me to develop it into a hobby that can persist. But at that time, I just liked painting, and I didn't like the painting as much as painting."

This girl who loves painting enters the Department of Fine Arts of Jingdezhen Ceramics step by step. There, for the first time, she tried to paint on porcelain and ended with the Yuanqing and white porcelain who was later used as a career.

"When I first started drawing, I didn't have any confidence. Because drawing on the mud and drawing on the paper is completely two feelings, the lines of the lines on the mud require the fixed force and wrist force, and the mud is very fragile. I ca n’t work too hard when painting. I have adapted to more than half a year before I really took the painted blue and white pens. "The moment I witnessed the miracle of successful firing my work, Cai Wenjuan gradually retrieved my sense of self -confidence and gained a new one. Throughout.

"Song Qingbai, Yuan Blue and White, bright glaze, and pink color", diverse porcelain glaze color condenses the wisdom and ingenuity of the artisan people, and also shows different times of personality and aesthetic pursuit. In Cai Wenjuan's view, his personality is most suitable for Yuan Qinghua. "The blue and white porcelain of the Yuan Dynasty was often huge and bold.

The soil is a blank, the water is shaped, the gold is decorated with the glaze, and the fire is burned. Ceramics that gathered classical aesthetic charm and traditional five -element philosophy deeply attracted Cai Wenjuan. "I think it has endless charm waiting for me to discover, explore and imagine."

After graduating from college, Cai Wenjuan first entered a local ceramic company to work and continued to explore ceramics. In 2008, the experience of serving as a ceramic culture propaganda ambassador in the Beijing Olympic Games changed her future trajectory.

"At that time, it was mainly responsible for promoting ceramics culture in Xiangyun Cottage in Olympic Park and performing hand -painted performances on the spot. I found that everyone who came to the hut has a strong interest in the ceramics we usually get used to it. They often make them love. This brought a lot to me at the time, and also gave me a seed of dreams. "

In this way, Cai Wenjuan began a studio of blue and white skills, and later opened the road of entrepreneurship with the Yuan and White of the Yuan Dynasty he was good at. "At first I had a lot of thoughts, but I was born in traditional ceramics. I also love it. I think I should make traditional ceramics and make it well."

However, just like ceramics have continued to make the world in a new posture through the development of the times. In Cai Wenjuan's opinion, innovation in traditional technology inheritance is an inevitable. "The cultural and creative products in each place are displayed by the local humanistic connotation. Jingdezhen's ceramic utensils have been extremely delicate, but the cultural cores contained in them can be extended through different carriers." With such thinking, Cai Wenjuan's thinking, Cai Wenjuan, The team made new attempts to fuse the materials, shapes, and glaze in the comprehensive decoration of ceramics. They also combine clothing, jewelry, bags, etc. with blue and white, so that the beauty of tradition is expanded and glory in more daily life.

"Growing in the city of Jingdezhen, I think this is my own mission, which is given to me by this city. I like ceramics from my bones. Contribute to this city's own small power. "

The thousand -year -old porcelain capital, Jingdezhen, is now the advent of the "Jingfu" of the dream of porcelain, showing a new weather. Speaking of the future, this native of Jingdezhen girls still express their affection for hometown. "I hope to continue to inherit the handmade skills of Jingdezhen porcelain and tell more people to tell the ceramic story of Jingdezhen."

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