Quanzhou "lion" 丨 like "lion" to make progress and bravely break into the "Nanyang"

Collectors are the torch bearers inherited by civilization. They have the unremitting pursuit and protection of culture and art, and make indelible contributions to continuing outstanding cultural heritage. In the process of civilization inheritance, obtaining aesthetic pleasure and perception of life is the biggest feedback of collectors.

Mr. Wang in the urban area is a well -known collector in his life but a well -known collector in the circle. Recently, in his house, the reporter saw that the many collections were filled with the entire house, and it could not be exaggerated that his home was a museum that stated the ancient China and described the traditional culture of southern Fujian.

The old house roof lion

Among the collections with a large number of categories, many categories, and deep sense of these years, the old lion old objects are not necessarily the most prominent and conspicuous, but they can bring the perception of life most to Mr. Wang. Moreover, the collections contain. The spirit of the lion culture is accompanied by the courage to break through the southern ocean, but also echo the same work with the cultural integration of the "Xia Nanyang".

□ Quanzhou Evening News reporter Zheng Yunzhong intern Huang Qiuyun/Text Interviewer/Picture

collect

Appreciate life from the lion culture

Mr. Wang's collection of old lion objects has two characteristics: First, the number of lions collected by the lions and categories is rare in the private collection world of Quanzhou, and it can almost be described as "integrated". Second, his collection of lions has both lion carvings such as the head of the door, the flagpole lion, the lion of the case head, and the ubiquitous lion elements on various utensils, such as: the lion and the lion on the seal of the pot, The lion head shape on the incense burner, the embroidered statue of the lion embroidery on the embroidery products.

The bronze lion in the Ming Dynasty is mighty and powerful

In his collections, we can see the lion shape of different styles in different periods: the lion with a wide step, they are solemn and mighty, strong, strong, and strong, and have a strong appeal; They are distinctive and strong, with majestic and imposing; they are more and more living stone lions. They have realistic shapes, fine carvings, smooth lines, pure skills, and stronger decoration. Strong, changeable, gorgeous and cumbersome decoration.

Mineral color wood carving lion beautiful

If it is distinguished from the function, we can also summarize a clear context from many collections: the art of lion -shaped art has gradually entered the lives of ordinary people from the Grand Palace and the Temple of Buddhism. From the majestic atmosphere of the Beijing Lion in the ancient gate, to the door lions, roof lions, which are everywhere in the decoration of folk buildings, as well as the small and lovely placed on the door of the ancient women's boudoir door, the small and cute The head of the door, witnessing the lion culture from the depths of history, gradually settling in the Jinshui of Quanshan, and settling in the settlement of ordinary people's settlements.

Southern Fujian Jianjian Jiao toed Lion Rhymes

Mr. Wang told reporters that his collection of various lion -shaped art originated from the identity of the lion culture. A flag pole lion in the yard is deeply loved by him, the brave and aggressive spirit of the lion, the majesty of majesty, and the endless shape, bringing his beautiful enjoyment and spiritual pleasure You can also perceive life from it.

inherited

With the spirit of the lion "Xiananyang"

During the interview, Mr. Wang talked about the history of Quanzhou people from the south of the south. The Quanzhou people born to the sea have since ancient times that they have not been afraid of their livelihoods and are far away from the ocean. In the face of difficulties, they show the character that is brave and dare to win, which is highly consistent with the spirit of the lion.

Mr. Wang is from the overseas Chinese family. His father and uncle, who was still across the South Ocean because of his life forced to cross the South Ocean when he was minors. At that time, their father died early, leaving orphans and widows. The mother could not support five children. She could only give the two youngest children to the nearby people and Anhai's childcare hall. The blood connected by the blood begging, but helplessness, because only this can allow the whole family to survive. At this time, the brothers could only endure their sorrows to leave their relatives of their hometown and find a new way out. When they left, they kept in mind the words that their mother said, "Be sure to work hard to find their younger brothers and sisters in the future."

Southern Fujian Jianjian Jiao toed Lion Rhymes

The two brothers set off together. After thousands of hardships, they walked out of different life paths. After Mr. Wang's father rushed to Indonesia and Vietnam, he returned to China to join the revolution. At the beginning of the founding of the People's Republic of China, he successively served as the head of the township, the former office, and the overseas Chinese federation. His uncle settled in the Philippines. Successful. However, after all, the brothers are lingering, and they finally return to the same way. Together in their hometown, they built a hospitality building in their hometown. Essence Mr. Wang recalled the scene where his uncle returned from the Philippines to his relatives from the Philippines in the late 1970s. Uncle's uncle kneeling from the village entrance, until the hall at home, the mother and son cried. This situation can't help but make people cry.

Shiwan kiln is festive to lion cuteness

In fact, isn't this a microcosm in the magnificent history of the ancestors of Quanzhou? In love, Li Guangqian, Huang Yi, Chen Yongzhu and other huge businessmen who have contributed to the country's revolution and construction of the motherland, returned to the overseas Chinese, and used overseas Chinese to bring their family members to bring their lives. They do not also show their hard -working personality and the spirit of daring to work hard; on the land that is full of dreams, opportunities and variables in Southeast Asia, they rely on the perseverance and savvy of generations, relying on the adventure spirit that dares to be the first. In the end Become synonymous with local wealth. After gaining a stable and wealthy life, they nurtured their hometown and drove the development of their hometown. "Fanke" laughed against the difficulties and could also find images on the lion.

This spirit is also the spirit of daring to adventure, hard work and selfless dedication in the lion culture.

Fusion

The perfect combination of traditional and openness

The lion is not owned by China, but it has become one of the most widely circulated and most popular animal totems circulating in traditional Chinese culture. It condenses the spiritual quality of wisdom, auspiciousness, bravery, collaboration, and dedication. It is the communication and integration of civilization that makes its image gradually get rid of the ferocious wildness, and is transformed into a Swiss beast pursuing the ideal and spiritual pursuit of the people.

Ming Dynasty scabbard lion is deterrent

Quanzhou people are "Xiananyang", which is also an epic of civilization. On the one hand, they not only brought the techniques such as smelting technology, shipbuilding technology, and porcelain methods to other countries, but also allowed local folk beliefs, life etiquette, eating habits, and opera music to broadcast Nangyang. On the other hand, the process of "Xiananyang" also changed their lifestyle and thinking habits. Language, diet, customs, etc. in Southeast Asia, still have widely affected all aspects of Quanzhou people's lives. Mr. Wang's collections have a very common drip beast in the southern Fujine Building. From the rich color, elegant shape, and implicitly, it is not difficult to see that after the migration from Nanyang to Southern Fujian from the western imported from the West, this has long been "entered the countryside" and has evolved more. Qi has become the product of the blend of civilization.

Bluestone Golden Lion is smart and cute

From the southeast of China to the southeast of Asia, the people of Quanzhou migrated all the way, and also became the messenger of cultural exchanges. They both keep the culture of the original hometown, and use the communication with the common beliefs to connect with the common beliefs to enhance the cohesion of the ethnic groups. The initial dealings, then to the industry's competition, until the running in the way of behavior, the most subtle is the collision between different cultures, compromising each other, and eventually organic integration.

In this long historical process, there are many stories, all of which explain the truth: the communication and integration of civilization is not to fury the boundaries of different ethnic cultural concepts, but to maintain the communication on the basis of their own cultural characteristics Learn from each other. Obviously, the traditional adherence to the opening of the concept is not contradictory: if the tradition is not adhered to, then the civilized exchange will lose the foundation and become the water without the water. It became a disability.

The strong portrayal of the heart is on the stone mortar

"Xiananyang" undoubtedly reshape the humanities of Quanzhou to a certain extent. It is traditional, cherishes the family, cares about the country, is open, opens, and born to the sea. The two seemingly contradictory character can be perfectly combined in Quanzhou people and achieved each other.

This also echoed the classic case of Chinese and foreign culture, the lion culture, which echoed each other under thousands of years.

- END -