Frontier Technology helps "China Archaeological Conference" to create a "Site Expo Journey"

Author:Guang Hua Ruizan Time:2022.08.22

In recent years, my country's archeology has entered a recognized golden period. Looking at the entire humanities and social disciplines, few areas can show such amazing multidisciplinary cross -fusion paradigms like archeology. With the help of cutting -edge technology, the value interpretation, creative protection and display of cultural relics have entered a new level.

What changes are the rapid development of archeological causes to the public cultural experience? The archaeological space exploration cultural program "China Archaeological Conference" created by the Central Radio and Television Station is presented by the public in the way of television.

Since the appearance of the "China Archaeological Conference", the cultural relics and archeological circles have been inspired. It is widely believed that this program has set up an unprecedented stage for China's century -old archeological discovery, setting up a powerful bridge between the public and archeology.

In addition to the literary exhibition and cultural interpretation of TV programs, based on the characteristics of archeological work and the pain points of the public needs, it focuses on the experience of experiencing, scenario, and immersion, especially the cutting -edge technologies such as VR, AR, AI, 8K, and naked eye 3D 3D. The vivid features of reproduction of major sites lead the audience again and again to the historical scene again and again, and expand the intimate contact with visible, listening, and accessible.

In the unprecedented "site expo" of the "China Archaeological Conference", the elements of science and technology are extremely rich and exactly serving the content expression everywhere.

The first is the "wide -angle mirror" function: the program "moves" the site into the studio, so that the audience can "visit" the southeast and northwest without leaving home.

In the first season, the "China Archaeological Conference" carefully selected the Liangzhu Site, Jiahu Site, Zhoukou Store Site, Yinxu Site, Haiyun Hou Tomb, Sanxingdui Site, Zenghou Grand Tomb Group, Chengtou Mountain Site, Qin Shi Emperor's Mausoleum, Zhouyuan Site, Site of Zhouyuan, 13 "star sites" of the Jinhou Cemetery, Erlitou Site, and the Tomb of the Western Han Dynasty have a major academic significance in China's centennial archeology.

These sites are used as a concentration of the "Millions of Human Human history, 10,000 years of cultural history, and more than 5,000 years of civilization in the history of Chinese" on the land of my country. Essence

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With the help of technical means, the "China Archaeological Conference" breaks through the limitation of the space -time show in the shed, so that each stage will become a smart carrier of the concentrated site and present life.

From the design of the atmospheric dance design inspired by the "compass" as the inspiration, to the mechanical lifting seats from the perspective of the real simulation archeological site, to the "Vision+Listening+Touch" XR scene set for each archeological site ... the program The method of modernization, technology, and mechanization has given the stage strong expression ability.

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When the stage lights lit up, looking up at the "Star Fighting" like a Chinese civilization like a starry river, looking down at the "mountains and rivers" like cultural relics.

The audience moved to the scene, sometimes "crossing" to the historical situation of 10,000 years ago, and sometimes "transmitted" to the archeological scene of thousands of miles away, and the audiovisual experience was greatly extended.

The second is the "microscope" function: From the perspective of ultra -deep scenes, the crystallization of several generations of archeologists is reflected in the whole generation.

Archaeological work is an important task to display and build the history of the Chinese nation and the treasures of Chinese civilization. The "China Archaeological Conference" integrates the advanced concepts of science and technology and archeology and the empirical spirit of scientific exploration into content creation, and the hard work of the archeology of several generations of archaeological people and the unremitting efforts has been reflected.

For example, the third episode of the program visual presents a 40 -meter -thick "wordless book" in the ape -man hole of Beijing Zhoukou store, and shows the audience how to decipher the "land book". With the support of the support, a precious video was shot to let the audience see the true appearance of the "Beijing" specimen.

For another example, in order to restore the tomb of Qin Shihuang, the ninth episode presents the six independent exquisite scenes: there is a magnificent perspective overlooking Qin Shihuang's Mausoleum, the vivid simulation of the distribution of Qin Shihuang's tomb and the surrounding landforms. Qin Shihuang Terracotta Warriors and Horses Pit 1, as well as the magnificent Qin Shihuang Mausoleum Palace, which was reproduced according to the existing information ...

Archaeological excavations have confirmed or supplemented some vague or missing records in the literature, making historical puzzles more abundant and three -dimensional. Under the blessing of technical blessings of the Chinese Archaeological Conference, the archeological results are allowed to enter the academic research Historical and cultural nourishment.

The third is the "telescope" function: the source of the source is "daily use without consciousness". Seeing the precious wealth of the ancestors of hard work and wisdom, I feel that civilization is like water, endless, and moisturizing.

Entering every site, the show can sort out a lot of things that are related to the present. Under the empowerment of technology, the stage intuitively returned the production life, aesthetic taste, and even spiritual world of the ancestors, allowing the audience to see the sprouting state of the Chinese civilization and the moving buds, and how the creation, innovation, and initiative of the ancestors influenced and shaped We today.

Jiahu Bone Flute, the earliest seven -tone tube instrument in the world, is the ancestor of the flute today, called "龠". The second issue of the "China Archaeological Conference" recovered the bone puppet with 3D printing technology, and reproduced the melodious flute sound of eight or nine thousand years ago. The audience lamented that our ancient musical instruments were so developed and so beautiful!

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After the "Archaeological Congress" cracks the mystery of the Terracotta Warriors and Horses through the "Archaeological Lab",#has a kind of purple called China Purple#to the hot search."China Purple" evokes the audience's amazing wisdom and national aesthetics. There are many colors that are exclusive to China. It is them that they dyed the romance and elegance of our bones.This magical stage broke the time and space barrier of the audience and the ancestors, no longer far away from history, cordial civilization, and strive to talk about the cultural characteristics, national spirit and the value of the times carried by Chinese archeological work.

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