"Autumn Water Yuehua -Liu Delong Painting and Calligraphy Works Exhibition"

Author:Music club Time:2022.08.21

Qiu Shui Yuehua -Liu Delong Painting and Calligraphy Exhibition

preface

The autumn water is clear, and the moonlight is bright. It is my favorite mood.

Jiangnan is full of tenderness and water, and my painting is also centered on water. There are fish, grass, mountains, stones in the water, all on the land under the rippling of the water waves, compression, stretching, twisting, deformation ... A gust of wind, everything has no traces.

The book is painted by the heart. In daily writing, it is often affected by this or that, and the lines are faithfully recorded. What is present here today is also a trace left on the process of seeking the truth.

One to forty always sighs too fast. I often feel that my soul is pure, the picture is clean, and the days are simple; my daughter rushed across my belly and dragged my shoulder to perform the monkey on the tree, and I felt that everything was fine.

Introduction to Liu Deelong

Liu Delong, an associate professor at the School of Art of Changzhou University, a master instructor. Wuxi Painting and Calligraphy Institute, a special artist of Changzhou Painting Academy. The works are selected as the 11th and 12th National Art Exhibition, and the National Art Fund winner.

The smoke and rain in Jiangnan

—— Guan Delong's books and paintings

Text/Ding Jianping

The water is the soul of Jiangnan. She created the smoke and rain in Jiangnan, moisturizing each piece of leaves, and washed every inch of mountain peaks. Even the Wu language of Jiangnan was afraid that it would be softened by the rain. At the same time, she also gathered a small pond in the middle of the hospital. Tao casting Taihu stone with different forms, stirring the tea fragrance of the Jiangnan, and breeding a unique bowl of lotus. Essence

With water, Jiangnan is Jiangnan. With water, Delong's paintings are Delong's painting, Delong's word is Delong's word, and water in his calligraphy and painting is the carrying of everything.

Liu Delong Yoyou, paper ink, 70x70 2017

Water

The water symbolizes the highest wisdom of Taoism philosophy. There is such a sentence in the Tao Te Ching: Tao is a thing, but it is just a bad.有, there are elephants, Xun Xi, there are things. This sentence can almost be used as a note for Delong's early flowers and birds. Almost all of the works of the Big Flower and Bird Series are very hazy and chaotic as the core of the picture. At first glance, there is almost no specific image, but you can feel the huge tolerance in this chaos. Sexuality and hair sex, this vague state is as the initial state of chaos that Taoism says.

Looking at this chaotic again, the chic and indulgent pen is very much like abstract Taihu stone, and it is also very similar to the state of naturally spreading in the water. In other words, it is the most natural water flow. The water is colorless. When she is still, the rhythm you can't see, but the wind blows, and the water is pregnant with countless rhythm lines. And this ink is just the most graceful body of the world to help the world.

Delong's words also have the spirit of water, just like the water flows naturally on the paper, there is no hindrance, there is no astringent stagnation. Use less withered pen, one point of the mountains and corners, and more moisturizing like water.

Wind lake paper color set color 68x68 2017

Water shadow

The reflection is the wonderful gift of nature to human beings. She is an artist of nature, so that the rhythm and hazy lines that were originally stereotyped and hard, so that the architecture made the flowers and the aura and vividness of everything. Delong painted the lotus love and the reflection together into the painting.

The original traditional programming screen immediately formed a two -level comparison of flowers and shadows. Huahe Ying was originally a classic configuration in classical poetry. He Shaoji, Painting and Calligraphy in the late Qing Dynasty, has a poem: "Sitting and watching the reflection soaked in the Tianhe, the wind passed through the column and the water is not waved."

Painting the lotus and adding the lotus not only broke the rigid composition, but also added different poetic. On the road of innovation of Chinese paintings, Delong can be described as illegal, and his paintings often make people poetic association.

Shaanxi Gansu Ningxian 2 138x68cm

Water soul

Water is in a classic image in classical imagery. It can be a river in the space or the long river of time. The water in Delong's painting sometimes plays the role of time. He ingeniously uses the reflection in the water to show time to wash the classical fragments. Essence Today, our inheritance of classical inheritance cannot be copied by the whole, but can only be refined by the essence of a corner and one corner.

In this sense, Delong's reflection series has excavated the real and appropriate position of classical in this era. He used the strange visual language of inverted to highlight the most beautiful moment of the increasingly disappeared classical. When we occasionally walk in the streets of the ancient town, how can we be familiar with every facade like living here every day? It is not exactly the eaves of this corner after walking the horse to watch the flowers, is it the moment when the tower shadow?

Water is really the most important composition in Delong's writing. It is infiltrated in the smoke and rain of Jiangnan, and Delong understands everything that it is. He used his brush to show us the soul of the water of the water's muscle water. And water has become a different spirit of Delong's paintings.

Autumn Shui Yuehua -Liu Delong calligraphy and painting works appreciate