Go to see!Go to see!Fu Shan’s Feng Bone and Angry: This goes to the rivers and lakes, and I am not old.

▲ Fu Shan portrait

Go to the rivers and lakes here,

I am not old.

Being in chaos,

Inaction of heaven and earth.

Fu Shan (1607-1684),

Shanxi Yang Quren,

The word green master.

His life is like encyclopedia bags for all:

He is a giant in the book world, and the real grass is omnipotent;

He is a wonderful hand of Dan Qing, and all the students are in the painting;

He is Hua Yan's re -life, helping the crisis to rescue the Ji Shi hanging pot;

He is a master of studying the sea, and through Shi Zibo and group books.

His thought,

Not only affects Fu's descendants and disciples and disciples,

It is even more popular in cream,

Flowing photos.

In the era of the Dingge of the Ming and Qing Dynasties,

Facing the crushing mountains and rivers, the difficulties of the country and the country,

Still thinking of the country and proud;

He went to the rivers and lakes,

Roar:

"It is not enough for the mountains, I will come to Tianer Yifeng!"

he,

It is a colorful peak with a colorful and colorful,

He is the master of Qingshan!

On the morning of August 18th,

I am the master of Aoyama -Fu Shan Special Exhibition

The exhibition hall on the second floor of the Taiyuan Museum is officially launched.

This is a comprehensive exhibition showing the life of the celebrities of Shanxi.

The exhibition is hosted by the Taiyuan Cultural Relics Bureau,

Hosted by Taiyuan Museum.

▲ The opening ceremony site

▲ The exhibition site

This exhibition,

A total of 105 groups were displayed in 83 groups

Fu Shan boutique calligraphy and painting, good books and other cultural relics,

Divided into three units:

Han Mo Jianghu I mad — Fu Shan calligraphy and painting art

Wu Shan's thoughts and academic achievements

Today is still drunk frost red -the summary and inheritance of Fu Shan thought

The exhibition is based on Fu Shan's calligraphy and painting art,

While leading us to appreciate the unique charm of the Ming and Qing culture,

Perform the spiritual quality contained in Fu Shan's ideology,

Feel the internal essence of traditional culture.

The first unit

▲ The exhibition site

The first unit "Han Mo Jianghu, I am crazy -Fu Shan's calligraphy and painting art", four screens including "Tianquan Dance Bai Tu", cursive "Jin Gong Everbright", and other paintings of the Children's paintings are on The boutique cultural relics lead the audience in the stroke of Fu Shan's calligraphy and painting art to find the freedom, wild, unruly, chic and elegant, and straightforward Fu Qingzhu; The unique charm of the Ming and Qing culture.

▲ The exhibition site

Second unit

▲ The exhibition site

The second unit "in Wuwei Heaven and the Earth and the Earth -Fu Shan Thought and Academic achievements", through the exhibition included "The Gong of the Provincial Gongsheng", "Li Yushi and Fen Erzi Biography", feel Mr. Qingzhu Shangzhi Gao Feng and Ji Ji. However, Ru Shi's patriotism feelings; through cultural relics such as the name rhyme of the two Han books, the cursive Du Fu poetry axis and other cultural relics, the generation of Wen Zong's blooming and glittering style; through Fu Shan's men's and women's works, explore Fu Shan's great achievements in medicine; through "Fu Fu "Shanbaiquan Post", "Fu Shan Bei Tie", a glimpse of Fu Shan's deep skills in the field of inscriptions in the inscriptions; eventually, through Fu Shan's cultural relics such as "Tao Te Ching" and "Lianhua Sutra", he explored the turbidity In the red dust, Mr. Mo Weng, free and free.

▲ The exhibition site

Third unit

▲ The exhibition site

The third unit "is still drunk frost red -the summary and inheritance of Fu Shan thought", here, from the family learning of Fu's full door to the stroke of the Taiyuan section, from Liu Fanghan ink to frost in the blue master suicide note The birth of the red altoscopic collection is precisely in the generation of ancestors and persistent inheritance summary, and we are fortunate to accompany Fu Shan in the misalignment time and space of the rising red leaves. Total drunk cream red.

▲ The exhibition site

Although Fu Shan is far away,

It has already become a legend,

But his story is still an eternal topic.

You are not difficult to find through the exhibition,

Fu Shan has never gone away,

The ancient and good books, the ancient books, the ancient books, the ancient books,

It has long been infiltrated by the light of his thoughts.

Exhibit appreciation

▲ Four screens of cursive script "Jin Gong Everbright"

Qing Fu Mountain

▲ Qingfu Shan Xiaokai King Kong Sutra

▲ "Three Books of True, Grass, and Fang"

Qing Fu Mountain

▲ "Bamboo and Berbit"

Qing Fu Mountain

▲ "Qiu Yan Lei Map" Qing Fu Shan

Silk album color

Tianjin Art Museum Collection

▲ Fu Shan's "Zhencao Yili" four -body calligraphy

▲ Qingfu Shan Shi Yan

▲ Zuo: Qing Fu Shanyin

Right: Clear frost red niche seal

▲ Qingfushan Stone Statue

▲ Taiyuan Museum Outside Scenery

Source: Wenbo Shanxi

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