International students read "Scenery"

In the eyes of foreigners, what kind of city is Jingdezhen? Why can it attract so many Chinese and foreign "scenery"? From July 20th to 27th, Li Xiang (Muheet), Nazif, Yonas, and Patrick came to Jingdezhen for social survey practice. They asked the Russian University of Jingdezhen Ceramics to study for a doctorate Tagaya, visit friends from different industries, and understand the city from different perspectives, and understand the "scenery" living in this city.

International students pick tea in Shizi Garden

Shi Ziyuan: The net red punching land built by "Scenery"

"Well -off and well -off, the key depends on the villagers." Li Xian, a Pakistani student, was most interested in the countryside. On the first day of Jingdezhen, he inspected Chashan tea farmers. The place recommended by Tataya is Shizi Garden. There is a complete tea industry system. Tea Mountain has changed Jinshan, tea areas change scenic spots, and tea gardens are changed. Relying on the advantages of the tea industry, local villagers are rich.

As soon as I walked into the entrance of Hanxi Village, Fangliang Zangwan Township, Shi Ziyuan, the husband and Li Xiang were very proud. They recognized each Chinese character and read it with interest. After entering the garden, the green tea gardens were first seen. I saw that the continuous tea trees were layered, and the houses of houses stood quietly, and the sun was shining. The village was picturesque.

"Poetic Tea Mountain, Painting Village, Shizi Garden is a garden -style tea industry comprehensive park. There are tea companies that integrate tea -class packaging, sales, scientific research, culture, education, and tourism. It is mainly based on tea. The pure profit per acre of tea gardens can reach 3,400 yuan. The income of the tea industry can reach 60,000 yuan. " "Smell a smell, grade one grade, is the floating beam tea fragrant and high -flavored, tea is domineering?"

"Unique flavor, unforgettable drinking." That husband said humorously.

Hong Tao laughed, and he told Li Xiang, that Fu Fu, Shi Ziyuan was a pure immigrant natural village in Hanxi Village. In 1966, the country built Xin'anjiang Reservoir. The villagers responded to the national call and settled from Chun'an County, Zhejiang Province to Shizi Garden. Essence At that time, Shizi Garden was clustered. Everyone lived in thatched houses. The villagers reclaimed thousands of acres of tea gardens with a hoe and a pick. In the past two years, Shizi Garden has remedied the living environment. Nowadays, the environment in the village is also good, and the road to enter the village is also wide. The car installed with tea can be drove directly to the doorstep.

Hong Tao took Li Xiang and that husband visited Shiziyuan's organic fertilizer production base. Shi Ziyuan tea tea oil is all green foods, and the agricultural green fertilizers are applied. The tea branches and storage and fertilizerization of tea leaves in the village are mature by the production chain. After the rice is mature and harvested, the village recycled the clearing straw. After the tea seeds squeezed oil, the tea seeds will be recovered to the transportation center to form a field collection -centralized piles -product processing -sales production model chain. The green development path of waste into treasure ".

Standing on the observation platform in the tea garden, the beauty of the village and tea garden was seen. Li wanted to feel emotional, and said to that Fu Fu that it was really a nostalgic online red punch place.

International students visit the "Borderless Kiln" studio

"Yangjing Drifting": Promote the dialogue between Ceramics in Jingdezhen

Gada and Pat usually like to paint oil. In Sanbao's "Borderless Kiln" studio, the owner is a "foreign scenery" -Gao Liu Yixu. She taught them to try to draw patterns on the porcelain plate with a brush. The common hobbies in painting make the three of them get familiar.

Gao Liu Yuxu, from Japan, followed her husband Wen Minxiong in 2013 to Jingdezhen, opened the "Borderless Kiln" studio, and was produced in the porcelain of Sanbao who was engaged in the Jizhou Kiln of the Tang and Song dynasties (Japan's "Tianshi"). In the 9 years in Jingdezhen, he learned with her husband and made ceramics together, made friends, finds dreams, uses eyes, heart, hands, and art to make porcelain, pursuing the realm of porcelain with the Tao.

Gao Liu said that when training the Japanese tea ceremony, she was deeply attracted by the Jingde Gang utensils used on the tea ceremony. She fell in love with pottery. It was her dream to come to Jingdezhen. Jingdezhen has a strong tolerance. It has a good artistic atmosphere to accept artists who accept the four seas. She said: "At first we came to the field of Jingdezhen, there were no molds, porcelain soil, and mud. In the Sanbao International Pottery Village, we got comprehensive support and help. Local villagers shared them with their own vegetables and took us to pick wild wildly. Bayberry, teach us to make bayberry wine, let us quickly integrate into it. "

She said that the changes in Jingdezhen are huge, and the most impressive is the changes in the three treasure porcelain valleys. Sanbao landscapes are dependent on each other, accompanied by the rural areas, and the "scenery" ceramic artists at home and abroad come to the three treasures and build a house. The design concept is: bowing to nature, making "invisible" buildings, and allowing the building to grow with nature. Choosing long -term rooting here for "Jingfu" is a recognition of Jingdezhen culture, and also a love for the natural environment and living environment here. Gao Liu said that the atmosphere of respecting personality, release of life, and creative creation in Jingdezhen's cultural environment, people can "live in poetry." "These are the reasons for us to stay."

In Sanbao, Gada and Pat encounters Ryan Mitchell, a US national ceramic artist. In 13 years in Shenzhen, for 7 years in Shenzhen, the Jingdezhen International Studio has been created in Tao Xichuan, and the head of the international studio project. He has been committed to letting more foreign artists come to Jingdezhen. He has invited 45 outstanding pottery artists worldwide to settle in Jingdezhen, let them create here, and launch a series of contemporary ceramics academic seminars. Not only that, the coal ball also gained love, with a child, and became the son -in -law of Jingdezhen. His works explore the interdependence of the world in the form of porcelain soil, and express the thinking of history, culture, and art in abstract and symbolic expression. In the past, Jingdezhen was famous for expressing decorative ceramics and decorative techniques. Now Jingdezhen is more inclined to integrate art and life freely. Chinese and foreign "Jingfu" establish its own working platform and living space in Jingdezhen to achieve ceramic dreams and use their own way Express the respect of Jingdezhen porcelain culture. More and more pottery artists, craftsmen and craftsmen are willing to try new and methods to create new ceramic art, promote the dialogue between Jingdezhen ceramic art and the world, and make the city more and more vibrant.

International students and Jing Diao Gao Yongwang learn to make tea cups

Sanbao Taoxi Sichuan search for the source of "Jingfu"

Walking on Sanbao Porcelain Valley, that husband saw both sides of the road, on one side of the living area, Chinese and foreign ceramic artists sat on the street to chat with art, ideals, and life; on the other hand, the work area was divided into ceramic blanks, painting, painting, painting, painting, painting, painting, painting, and painting Boiled studio. For "Jingfu", Jingdezhen is not only a place for work, but also a space for life. Here, the "Jingfu" integrates the local life without any sense of disobedience, and has become a harmonious state of Jingdezhen culture.

The humorous Turkish student actively interviewed Yu Yingzi, "I won't I ask you, will I work hard? Do you have a big panda at home? I have been in China for 7 years, you follow I chat and talk about your daily life, 'Scenery Drifting ", can I support myself?"

Yu Yingzi laughed. After graduating from the graduate student of the Design and Art of Ceramics University in Jingdezhen in 2009, she worked with her husband Huang Haihong in Jingdezhen. Starting from the stall of porcelain, the "Wenxin Society" was founded in Sanbao the following year. Ten years of work together, the couple have their own stores and careers in Sanbao. Yu Yingzi said that "the unity of human body" is his own porcelain -making concept. Thinking of utensils, there are thousands of people, and there are thousands of instruments. Appreciating the Gao Shi series she created, the temperament of General Lang Hong was like an ancient literati, and the flower ware was like a graceful, elegant, graceful woman.

In Misheng Society, Shanxi pottery artist Gao Yongwang taught that Fu Fu's blanking, making blank, decoration, and kiln, and made a bowl of tea cups. The husband asked his wife Zeng Lijun to teach the origin of Jing Diao. She told the husband that "the craftsman comes, and the instrument has gone into the world." Jingdezhen attracted a large number of craftsmen after the Song Dynasty. During the Yuan and Qing dynasties, famous craftsmen in various places gathered in Jingdezhen, laying their porcelain capital status and ushered in the heyday. The ancestor of "Jingfu" is the famous "Zhu Mountain Eight Friends" in the Ming and Qing Dynasties. At present, the number of "scenery" is about 50,000 people per year, of which 5,000 people are "foreign scenery", which are divided into experience types, migratory bird types, and stationary types. "A thousand people come to Jingdezhen, at least hundreds of living methods." "Jing Diao" and local culture together created the rich diversity of Jingdezhen culture.

At the beginning of the night, the lantern at the beginning of the lantern, the night in Jingdezhen was lively. Everyone meets, tea narratives, enthusiastically communicate, and even at ten o'clock at night, you can knock on the door of a master of arts and crafts. Introduce their own porcelain works and creative concepts, and invite visitors to narrate.

Jingdezhen culture, as Chinese culture, has strong tolerance and openness, can encourage different cultures to follow their own characteristics, but also promote the development of human culture through dialogue, collision, and integration. With the integration of a large number of "Jingfu", today's Jingdezhen is changing from a traditional ancient town of ceramic crafts to modern and international creative cities. The integration of traditional craftsmanship and contemporary art and creativity allows Chinese culture to find its own coordinate positioning in the process of integration of local and worlds, and also make its own unique contribution to world culture.

International students on Taobao Taobao Taobao

Tao Yangli "Tao" historical story

For a few days in Jingdezhen, international students were immersed in the freedom and artistic atmosphere of ceramic culture. Watching the International Ceramics Biennale at Ceramic University, Gada said that it can capture the development of ceramic art here, feel the fusion of new and old elements and creative collisions, and touch the forefront of global ceramic art. Pat said, "The world knows China, starting from China; knowing China, starting from Jingdezhen." Today I did not expect that it is so open and tolerant here, becoming the dream gathering place of countless Chinese and Western ceramic artists.

Under Tagaya strongly, everyone came to Taoyangli to explore treasure. "Thirteen miles of Tao Yang, 100,000 fireworks", is the "living fossil" of Millennium Jingdezhen. The history of porcelain in Jingdezhen can be traced back to the Han and Tang dynasties. Li Joseph once called Jingdezhen as the earliest industrial city in the world. The road under our feet was the ancient road of the Song and Yuan Dynasties. The high wall next to us was ancient and Qing ancient buildings. Ceramic industry sites have historical and cultural stories. Under the tempered glass we stepped on, these broken porcelain pieces are the same as the Palace Museum, which are the same as the world's top collections, hiding the passwords of Jingdezhen in the world: 2000 in the history of the pottery, the history of the official kiln in 1,000 years, the 600 -year Royal Kiln history. This is the two generations of the Ming and Qing dynasties specializing in royal porcelain, representing the pinnacle of ancient Chinese ceramic skills. "Royal Instrument Sounds and Hua, the kiln is more than a thousand years." Look! This couplet at the gate of the Royal Kiln Factory is proof. Song porcelain east sales, Yuan porcelain west sales, along the ancient Silk Road to all parts of the world, Jingdezhen ceramics had a continuous impact on the life, aesthetics and technology of human society. In the 17th century, French missionary Perry called Jingdezhen as "a city without a city wall." The history of porcelain in Jingdezhen is a concentrated history of China. Tagaya took everyone to wear Li, walking the streets, and seeing the ruins in Taoyangli. The college's teaching base students rehearse and perform traditional drama, and the ancient porcelain has glowed with "young".

Jingdezhen culture has both a brilliant history and a splendid now. In Jingdezhen, every "Jingfu" life is carrying the "living culture" of ceramics. Their innovation and creativity nourish Jingdezhen ceramic culture, and promote the dialogue between Jingdezhen ceramic art and the world.

(Text/Yiqing's picture is taken by Ye Tianming)

Source: Jiangxi Daily

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