How to accompany your children to appreciate Chinese painting?Start from small details

"Watching Chinese Painting with Children" Tian Yubin China Children's Children's Press and Publication Headquarters

There are many handed down Chinese paintings in China, "Qingming Shanghe Tu", "Five Niu Tu" ... Why are these paintings good? What kind of traditional aesthetic thoughts do you contain? What kind of help can the child's growth be provided? Open "Watching Chinese Painting with Children", accompany the child into the ancient life, find the history hidden in the details, and explore the mystery of ancient paintings.

"Accompanying Children with Chinese Painting" Choose paintings to comprehensively consider classic and childishness, explain both professionalism, interest, and inspiration. There are both well -known national treasures such as "Qingming Shanghe Tu" and "Five Niu Tu". The ancient Dunhuang ancient rolls, both literati paintings and folk paintings, both palace mansion and pastoral shepherds.

The author Tian Yubin has written many traditional cultural books. He liked to read paintings since he was a child. He wrote in the book "Chinese Painting Beautiful". When he looked at the painting across the glass board in the museum, he often hit his nose or glasses because he was too focused.

The title of "Watching Chinese Painting with Children" contains a regret in the author's own growth. Tian Yubin said that the word "accompanied" is really important and rare. When he was a child, his father was not at home all year round, his mother was often not at home, and his sister was not at home. He was often a person who was at home. Sometimes he drilled into a dog hole to find a dog. He squeezed him out of the nest. He sometimes stood on the platform and knocked on iron tea pots. Below the platform is a yard, there are some trees. In the distance, there is the wall of other old houses in the distance. Therefore, he must have "accompaniment" in insisting on the title of the book.

In addition to the detailed introduction to the content of the painting, "Watching Chinese Painting", more importantly, to convey ideological methods and educational philosophy.

Tian Yubin said that first of all, we must look at the details in ancient paintings seriously and then, and then we can talk about knowledge and understanding. Everyone knows that "Five Cow Maps" is famous, but if you just memorize the historical background and do not really understand this painting, you may wish to condense the eyes of the cattle. "As long as you look at it with the cow The eyes. "

Secondly, accompanying the child is not eager to instill the children's painting knowledge and refine the theme thoughts, but to encourage children to observe and think independently on the basis of appreciation. He said, "I don't want to stand on the podium, I am willing to speak lightly next to the child and beside the child. The child wants to see wherever you want, and you don’t even see wherever you want. And no problem. "This is the meaning and value of companionship, which reflects the understanding and respect for children.

"Watching Chinese Painting with Children" also expresses the diversity and inclusiveness of art. The author believes that a classic art work has rich imagery and multiple interpretation space. Together with your children, carefully appreciate the details of ancient paintings and understand some traditional interpretations, you can make your own interpretation. For example, in "Watching Chinese Painting with Children", the details and creative backgrounds of "Five Cows" are analyzed in detail. It also introduces the theme of tradition that this painting is to express her hidden or praise farming, but Tian Yubin believes that this painting is a narrative The story shows a person from freedom to disobedience, and parents may wish to discuss the relationship between responsibilities and freedom with their children.

It can be seen that "Watching Chinese Painting with Children", this "accompaniment" is a high -level growth companion and cultural companionship, nourish the soul with the selected classical aesthetic templates, and conduct high -quality and deep parent -child communication.

"Watching Chinese Painting with Children" is full of graphics, and each picture is specifically enlarged. Edit also made some small details. Outside the text, there was a kitten, a puppy, and a teacher in the family.

The book also presented the small volume of "Qingming Shanghe Tu" and "Geng Weaving Pictures". The so -called small long rolls have no original volume long, but the details are still clear. In order to increase the interaction, each painting also refines small details, inviting children to play the game they are looking for. For example, at the beginning of "Qingming Shanghe Tu", let you find a boat. The author wrote in a poetic language: "Compare the" Qingming Shanghe Tu "to a magnificent movement. This boat is a special symbol. It is quiet. Stop stopping, quietly set off the act of the little donkey team, and also echo the noise of Hongqiao and Bridge in the middle of the picture. "

If it is a journey of life with children, "Watching Chinese Painting with Children" is a beautiful invitation letter to push the door to classical aesthetics together.

"Bingcuo Night Tour"

When it comes to Oriental Aesthetics, Bingcuo Night Tour is a unique literati taste, so the book introduces a picture of "Bingcuo Night Tour". The content of the picture is based on Su Dongpo's poem, "I only sleep in the middle of the night, so I burned high candles to take red makeup." The ancients appreciated the begonia flowers, and they couldn't see enough, and they dared not sleep, lest the Begonia in front of the eyes reduced the color when they felt the color.

Tian Yubin analyzed that "Bingcuo Night Tour Map" created a special artistic conception, and used the quiet picture of the flowers to realize the narrative of time flow, giving the viewer deep imagination. In this painting painting, we can experience the lingering mood of the Song Dynasty. Cherish the youth, the fear of the passage of time, ancient and modern. However, the whole picture of "Bingcuo Night Tour" has a classical aesthetic control. The artist carefully controls his emotions, sads and is not sad, melancholy and not sorrow. This painting has transformed staying up late to enjoy the model of time aesthetics. "Wind and Rain Return to Mu"

Tian Yubin also brought us from a unique perspective to us and we appreciated some unknown ancient paintings, such as "The Storm and Rain Back to the Map". Tian Yubin believes that this painting is seriously underestimated. He said: "If I let me choose ten must -see Chinese paintings for the Chinese, then I will definitely choose it."

He particularly prefer "The Wind and Rain Return to the Map", so that when he said the name of the painting, his palms would sweat slightly.

Why is this painting important?

He believes that there are at least three points: First, the ancients painted children's children, but the children of this painting are accurate and realistic, both in shape and spirit. Second, this painting is very fine, the willow leaves are fine, and every beef hair on the cow body is meticulous and faint. "Such fineness not only comes from the maturity of techniques, but also from the devotion of life and the respect for art." 3. It shows the artistic tension. The content of the picture is windy, and the rain hasn't come yet. The two shepherds ride the cattle and hurried back. It reflects the power of the power of nature and the power of life represented by trees, people, and cows.

"Qiu Ting Opera Baby Map"

"Qiu Ting Opera Baby Map" part of the part

Bingcuo Night Tour is an adult's game. So what do children play in ancient times? "Watching Chinese Painting with Children" specifically introduced pictures with the theme of children's games. Among them, "Qiu Ting Opera Baby Pictures" is a classic painting describing childlike heart in the Song Dynasty, which portrayed the game of the sisters and brothers to play jujube. The production of jujube grinders is very simple, consisting of three fresh dates, three short sticks and a long stick. This is a kind of homemade toys that children often play after the ancient northern autumn dates mature. There are many other commercial toys behind the children, but the sisters and brothers are focusing on making their own toys. Tian Yubin lamented: "The two sisters and brothers are focusing on pushing jujube and throwing a bunch of commodity toys behind them. Live, and care about freshness and purity. "

The image of the two children is highly realistic, the pupils are realistic and vivid, and the younger brother's smile is clear. Like the stones in the stream, you can't hide the water of the water. The younger sister's hand is really the best -looking little hand in ancient paintings. There are also flowers and Taihu stones behind the children. The classical aesthetics passed by are clear.

Tian Yubin reminded readers to pay attention to the details. For example, a small insect appeared in this painting, which is very inconspicuous. Some people think it is a small mosquito, but if you carefully enlarge it, he thinks it is a thin waist bee, which is a fine waist bee, which is a thin waist bee, which is a fine waist bee. Increased interest, the viewer seemed to smell the fragrance.

"Qingming Shanghe Tu"

"Qingming Shanghe Tu" local

How to watch the "Qingming Shanghe Tu" with your children? First of all, we must look closely. The second understands how the traditional view is said and how researchers explain it? The third step is to bravely make your own explanation, so that the ancient paintings have glowing vitality. For example, the beginning of "The Tu Tu of the Qingming River", seeing the donkey team walking in the mist, a teenager in front of the donkey team. Tian Yubin specially reminded the readers to pay attention: the teenager and the leader donkey walked to the side bridge, the teenager was still moving forward, and the donkey next to the donkey had automatically turned his head to the small bridge, indicating that this road had gone through many times. Knowing that you are going to turn.

Tian Yubin introduced a "inside story": there is a view that the beginning we see now is not the original beginning. After 500 years of "Qingming Shanghe Tu", some wear appeared at the beginning. The damaged part is cut off. What is this damaged part? It is speculated that it may be distant mountains and trees. There is no way to know what it is. However, Tian Yubin believes that the beginning of the beginning is the best. He also put forward a point: "The great works do not have to start with the grand scene. On the contrary, from the beginning of the small details, it will achieve the extraordinary temperament of the great work. Picture, starting with a teenager and a donkey's turn, it can't be better. "

(Original title: How to accompany your children to appreciate Chinese painting)

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