Deng Bin's "Golden Mo: Depend on the disabled with tenderness"

Author:Music club Time:2022.08.17

Deng Bin was born in Hunan and currently taught at the School of Design of Jiangnan University. His specialty in college was printmaking. In 2003, he was selected as the 16th National Printmaking Exhibition of the National Sixth National Printing Exhibition. In 2004, he came to Jiangnan University in Wuxi to teach. He began to like ancient furniture and disassembled more than 60 ancient furniture. Repairing ancient furniture was a special way for him to study and understand ancient furniture. In ingenuity, he believes that only when you do it like a craftsman, he will think about the problem like a craftsman. He found that many books have no knowledge in books. Ancient furniture will use lacquer technology, so he learned the lacquer skills and learned the art of Jin Yong in the process of studying lacquer skills. It is reflected in his repair work, his work has a restraint and restraint, never concealed the temperament of the original utensil itself, but he can also be glorious. He also carried out theoretical construction. In 2014, his paper on Jin Yong was published in the "Art Watch" of the Chinese Academy of Art. Through Jin Yong, he came into contact with a large number of ancient porcelain sent by the country. He used the identity of a doctor to study a large number of ancient porcelain as a close -ties. Deng Bin has used the net name "Shi Weiyun Gen" since 2013 to promote the promotion of golden art on Sina Weibo. It has quickly had some influences. Heilongjiang Satellite TV, Youku video "The Great Craftsman", "The Great Craftsman" documentary, and the well -known media such as Phoenix Satellite TV and Sanlian Life Weekly, Ruili, Lehuo and other well -known media have reported and interviewed.

"Golden Mo: Respect the disabled with tenderness"

Deng Bin

Jin Yan strictly speaking, it is not our local craftsmanship. It is actually born in Japan. The general information is displayed like this. It is said that in the ancient books of the Tang Dynasty, the description of silk was used as a tire and then applied gold powder. However, there is currently no physical information that can be proved to this. Therefore, the more credible statement is still born in Japan.

However, the core of Jin Yi's craftsmanship is the painting in lacquer art. This technology is available in China, but the Chinese have never used this skill to repair porcelain. In ancient China, lacquer was used to repair the utensils. For example, the ancient piano passed on to today is almost all over the history of the paint. The ancient lacquer wares, wood, and tablet can be repaired with paint.

The Longquan bottle of the Southern Song Dynasty is low -key restraint. This cyan is generally considered to be the color of the sky, but I think it is the color of the southern water, the lake, river, and ponds. Essence There is a red spring water in front of the eyes, and there is a little drizzle in the air. This is the Qingming season of Jiangnan.

The application of natural tree paint has a wide range of applications in my country. In November 2013, it was discovered at the glow of lacquer bow for more than 8,000 years at the Xiaoshan Cross -Lake Bridge site in Zhejiang. The lacquer on it was still strong and stable. Paint is a very sticky substance, very stable and stable amount, has good plasticity, porcelain is very smooth, and generally material is difficult to attach on its surface, but there is a secret porcelain bowl in the Famen Temple Palace. The outer wall is decorated with gold and silver flat technology in lacquer art. For more than a thousand years, raw paint is still attached to it. In this way, the viscosity and fastness of raw paint can be seen. A piece of porcelain combined with paint.

Blue Dream

According to the current data research, Kim Mo first appeared in Japan. In the "Locust Tea" in the Edo period of Japan's Edo period: a Longquan kiln tea bowl in the Southern Song Dynasty was passed to Japan, it has been being passed on to Japan. Be as a national treasure collection. During the Muromachi era, the shogunate generals received this bowl. He liked it very much and worshiped as a treasure.

This teapot was repaired for five months. At that time, I did not know the depth, and it was more and more discovered that it was a difficult task. Fortunately, it was finally over.

But once, this cherished porcelain was still broken. It was very distressed, but at that time, Japan could not find the second tea bowl again, so he set his sights on China. So the generals sent messengers to follow the caravan to come to China. He hoped that the messenger could find such a bowl in China. However, it was a long time since the Song Dynasty, and the messenger could not find a similar tea bowl anyway. In desperation, I had to obey the suggestions of China. Please ask the craftsman to push the bowl and bring it back to Japan, because the sawing nailing shape looks like a locust. Therefore, the Japanese called this bowl "Locust" and existing the Tokyo National Museum in Japan.

There is one of Japan's Tibetan Temple Jianzhan. Because of the small changes, it is better to attract more attention than the other two. I personally prefer this kind of low -key and restrained one. The black lacquer snails are treated, and the colorful snails are inlaid in the black background, like stars in space, universe in the bowl.

Because the generals are not satisfied with such a repair method, Japanese craftsmen began to ponder the repair process of Jin Yong, which can complete the porcelain complete and satisfy its practical attributes and take into account the aesthetic taste. Essence

It took me a long time to repair such a fierce repairs, and the rare owner has not urged once. I really don't want to go, but the final effect is not bad. Japanese people like to Guan Tianmu as "the universe in the bowl". I don't know much about Japanese tea ceremony philosophy, but I know the "universe" in Japanese cartoons. With such a "cosmic bang". China's valuable porcelain, Japanese, is known as Tang objects. There is no way to produce in Japan, but what should I do if it is damaged? They were reluctant to throw away. Therefore, Japanese craftsmen fix it in a more suitable way. This is different from China's national conditions. There are two main ways to repair ancient Chinese porcelain. Silver leather is wrapped in cracks. This method mainly appears in the Song Dynasty; there is another way to porcelain, and the latter one lasted longer.

The Southern Song Meizi Qinglong Spring Bowl is like a flower, like a beautiful jade color.

However, the main purpose of these two methods is to reply to the use function of objects. Beauty or not is not the first to be considered. The audience is mainly the middle and lower levels, and the objects of the service in the golden service in Japan are mainly upper society.

These cups belong to different times. Our ancestors must love life and love nature. Daily use of objects will be inspired by flowers, make cups, hold them in their hands, and flowers.

The golden cymbal is used as a binder and a plasticizer to complete the damaged porcelain films complete, and finally decorated with gold on the surface of the damaged site. Compared to another traditional porcelain repair technology, Jin Xun is the least damaged to the utensil because he does not punch a hole in porcelain. In modern times, there is also a technique of repairing porcelain with chemical methods. It is difficult to see the traces of repair in a certain period of time, but this is just an eye -catching method. Porcelain is not really recovered as the beginning.

There are three principles of the restoration of cultural relics in the world. The first one is recognizable. The recognition refers to the comparison of the repair and the previous comparison. The repair part must be clear. The judgment of the viewer will not lose the "authenticity" of the cultural relics;

Today the so -called inspiration from life, often copying the work truthfully, making a cup into a real flower shape. This is not art, this is imitation. The ancients also loved life, but they paid attention to integration. This Longquan Southern Song ear bottle was soft, just like the girl in Yang Dechang's "Chasing the Wind", combed two long buns and cut shoulders. Very oriental figure, cute.

The second principle is the smallest intervention, which is what it was originally. Even if it is damaged, try not to do the subtraction to change it. If the porcelain is porcelain, you have to look at it. , I have intervened more;

The last one is reversed. After the restoration is completed, there will be better repairs in the future. Then the current repair part can be removed, it can be reversed, and the repair part is not permanent. Although Jin Yan is an ancient porcelain repair technology, it is in line with the three principles of cultural relics in the world, so many Chinese porcelain displayed in the International Museum now is repaired with Jin Yong.

Last year, my friend brought a Japanese top gold restoration of tea to me. It was extremely thin, and it also contained full elasticity and expression tension. I was very touched and worked hard at this goal. This time, with a little progress, I can barely talk about masturbation.

The reason why Kim Qian was born in Japan was related to the cultural background of Japan. Golden will eventually use gold to decorate the repair parts. The Japanese people use the original meaning of gold to face incomplete things with a perfect means. Although there are too many gold, gold represents a gesture, an attitude, and the most valuable material in the world to face the defects. There should be a Japanese cultural psychology. There is naturally a philosophical foundation behind such a aesthetic phenomenon.

If the traceability is related to the Chinese Zen, as far as Jin Yong is concerned, its philosophical basis is to say that Japanese people have a worship of incomparable. In a country, there are many natural disasters, but the area of many population is very small, and the war has a lot of war. Therefore, life is impermanent, and the world is changeable. How to maintain a yearning for beauty in this kind of impermanence? This is a cultural foundation generated by Jin Yong.

The lift beams in this potted flower are broken. I think that the repair of the beam is still not rashly carried out in the case of no reference. Therefore, the two fractures are wrapped with gold paint. This may also be a way to deal with it.

It is precisely because of the worship of the disabled that the goldenness of Japan does not mean to cover up the disability, but to highlight the disability. Facing the disability is to face the misfortune and treat it with a kind of attitude. This is important, not to abandon it, but to face it, and treat this disability with the most perfect means.

"Silence" is an important part of Japanese aesthetic consciousness. The silence depicts the beauty of incompleteness, accepting unavoidable situations, and the complete porcelain is accidentally damaged. The crushed fragments are "non -beauty", or "ugly", but "beauty can be seduced from ugly ... beauty is a dynamic event that happened between us and things, as long as there is proper appropriateness The environment, context, or viewpoint can naturally germinate. This Yaozhou Beast Foot Vulva is relatively rare. It is known that only the Shanghai Museum has a complete one, but the year of Shangbo was earlier. The highly difficult porcelain has many fragments. The key is that there is a large lack of abdomen, and there are also several bending of latitude direction. It is difficult to shape. Considering such a large piece of gold is too dazzling, so it is currently using such Zhu paint to describe gold. The method is used on porcelain for the first time.

Therefore, beauty is a state of consciousness, a special moment of poetic and elegant. "(Li Ouna. Cen) Jin Yan is based on the practice of this ideological foundation. Its philosophical foundation is this kind of worship of incompleteness in Japanese culture.

Gold is a well -known precious metal in the world. The major ethnic groups in the world have a love for gold since ancient times. It may originate from a kind of respect for human beings to the sun. Because gold is the color closest to the sun in the world, the meaning of gold decoration means In addition to using gold to decorate the disabled, in addition to incomplete worship of this metaphysical significance, from the visual effects of the golden itself, there are almost no second materials that can be replaced. Gold can be matched with almost all colors, and this "matching" is not to "smooth colors" with other colors, but just to deliberately maintain a sense of distance.

Red and gold

Second, in terms of visual effects, the color of gold can be well coordinated with the color of all utensils and materials, and keeps a certain distance. It is not the color of purple sand, and there is a gap with the color of purple sand, but this gap is just right, but it is not unusual and maintains a very suitable distance. This is a feature of gold.

The worship of the disabled means that you cannot excessively excessive play when you do gold. The originally incomplete form was actually disliked by incompleteness, thinking that it was not beautiful, so it was necessary to change its form. The processing deviates from the original intention of Jin Yue.

This is almost one of the most difficult tasks. A total of 24 pieces are broken, which is very difficult to repair. Orders around May did not complete until recently. If you do n’t use the paint to stick to chemical glue, in fact, it can be used for a few hours, but the raw paint is very slow and the fragments are difficult to stick together.

The incompleteness of objects cannot be predicted. It is "impermanent". It has very restrictions on the incomplete artistic performance. It cannot be "cross -border", but there is restricted space to stimulate the freedom of creativeness, because it will not waste energy to choose. It is already in the scope, but it will be very concentrated well. The restrictions will instead instead stimulate the ability. It also focuses on all the attention at one point and digs in depth.

The creator is not passively limited by "incomplete". Jin Yi's visual aesthetics still need human subjective initiative, the severity of the lines, frustration, thickness, etc. will directly related to the success or failure of the final performance. A line, a crack, its length and width are limited by the defects itself. So where is the role of a person? I think the role is very great.

This Northern Song Dynasty lake field kiln flower mouth bowl was rare, which was affected by the gold and silverware at the same time. The fetal soil was washed pure, and the glazed texture was almost jade. It is a pity that it is missing. Considering that such a large area of gold will be visually monotonous. I use the gold craftsmanship in the lacquerware to imitate the carving on the gold and silverware. The work is like a complex of the Song Dynasty porcelain and gold and silverware.

When Wang Xianzhi wrote a calligraphy when he was a child, he once wrote it and thought it was good to show Wang Xizhi. Wang Xizhi might be very busy to ignore him, so he took a pen under the big word he wrote and turned into a "Tai". The word, Wang Xianzhi didn't care at the time, and then showed it to his mother. After watching his mother, he praised him to make progress. The point below the word "Tai" was very similar to his father's words.

What does this story prove? There is no difference in the same point, but the artistic appeal he ordered by different accomplishments is different, and there is a difference in charm between the fine strokes. The calligraphy is particularly emphasized in the calligraphy, the severity of the line, and the vivid charm of the line itself. These are all emphasized in the aesthetic system. In fact, they are all related to the role of the artist themselves.

The first time it was repaired with a gold.

Different people write it up, this one will be different, the elasticity of the line itself, and the charm of the line itself must be passed out by your performance. Jin Yan is not simply based on the incomplete "filling the blanks". In the middle, it needs to be injected by the author's artistic spirit.

In essence, Jin Wan is not a simple repair skill. It is based on the incomplete "second creation". It is an abstract art based on porcelain as a canvas. It is based on the artistic expression form based on the maximum restrictions. The two sides of "impermanence" and "human nature", "restrictions" and "freedom" seem to be extremely contradictory, but take the spirituality of the opportunity to achieve harmonious coexistence.

Jin Yan is based on the incomplete "second art creation". The repair porcelain itself should be regarded as the artistic creation of the original author. Then repair the porcelain to respect the work itself and the original author. The repair part should not be too eye -catching and cannot change the temperament of the original itself.

This teasing tea has been broken with metal, but unfortunately it was broken again. This time, the mixed paint wrapped in Xia Bu, although the solid problem is solved, but because the objects are already thin, the gold paint wrapped in the package is a bit thick. In order to reduce the visual dullness, I depict the pattern on the gold surface, and learn from the reference. The method of "literary and gold" in the lacquer art is not bad, and the first attempt is smooth.

This requires the author to grasp the score. It must not have artistic actions, and it is completely reduced to repair skills and loses artistic appeal; we cannot blindly highlight themselves, excessively perform, and cover up the original appearance of the utensils. Chinese art pays attention to restraint and restraint, and artistic creation must have false minds. In addition, in terms of use, utensils must serve others. This is the duty of an utensil. The eye -catching is uncertain that the user is uncertain and cannot be integrated into the tea table.

As a means of repair, Jin Yue has only recently entered the field of people's vision, and quickly attracted people's interest and attention in a short time. People are curious about a breaking thing through the hand of art to rejuvenate a chic beauty. Since ancient times, the Chinese people's understanding of repair is fixed. For example, when the home was a kid, the family may not be rich in economy. The patch or pot is broken. This repair is based on simple and moral constraints.

Lying a willow in horizontal

We have always believed that repairing is actually helpless, but Jin Yan provided us a new possibility that the original restoration can be beautiful. The well -known objects are continued to be used because it will be used. This repair does not reduce the value of the object itself. On the contrary, it seems that in another state of Phoenix Nirvana. It is an impermanent beauty such as "uncertainty" and "uniqueness". Its aesthetic attributes have "modernity", and many young people like goldenness. And the repaired utensils have a chic aesthetics. This situation is too dramatic and exceeds the previous cognition.

In recent years, the tea ceremony has begun to rise in China. The Japanese tea ceremony that inherited the Chinese tea ceremony in Tang and Song dynasties in China has naturally become one of the sources of channels for our learning to follow. Many Japanese tea props flow into China, of which a considerable number of Jin Yao repaired objects, so Jin Yi has a certain audience foundation in China; the natural attributes of the materials used in the technology of the goldenness process make Porcelain used daily, such as tableware, tea cups, teapots, etc., do not have to worry about the safety of use after repairing.

Cheng bite gold

A perfect porcelain was broken and became a pile of rubble. In the face of such unfortunate encounters, people can do their best to repair it. Therefore, the utensils can be reborn. Essence

Jin Yan not only repaired a piece of porcelain in a physical sense, re -interpreted a kind of "impermanence" in the aesthetic sense. He regained the broken and dignified dignity.

The more important significance of Jin Yan is to give us the inspiration in life. If you are not good in life, you can treat it gentle, or you can do not have a lifelong face.

Art comes from life, and sometimes art comes from art. This kiln tea cup is actually the secondary product of the year. The mouth is sticky along the mouth of the kiln, but the glaze color is similar to purple -like, which is very beautiful. When repairing, refer to the paralyzed clock in the painter Dali's work of the surrealist representative painter Dali.

This cute Zhu Ni pot has been stunned, and the long time of local nails is loose. This is a very small and thin purple sand pot, which tests the craftsmanship of porcelain. The owner thinks that he can try the goldenness during the second repair, and use an ancient repair technology to continue the life of the utensil again.

The tea ceremony of the two Song Dynasty prevailed, and many kiln mouths were produced in tea sets. There were kiln mouths specializing in tea cups, such as built kiln. The inner and outer glazed in the northern Tianmu cup is fat. At first glance, the glaze is black. The glaze is rich in color.

The small tea in the shape of melon is in the shape of a small tea, and the color is extremely cucumber. Although it is small, it is very broken. At that time, I was worried that gold would not look good in such yellow -green, but it still felt good after completion.

The Jianzhan mouth was sticky along the large kiln. Before that, others accidentally injured the glaze next to the place when they polished the place, and there were scars. If such a large piece of gold, it may not look good. Therefore, I decided to make a solid color of the kiln sticky position, and the position of the grinding marks for ticking. This difference is therefore the interest of "stacking clouds".

There is only a little left along the Longquan Vog in the Southern Song Dynasty. This is almost the only basis for me to try to compare comparison repeatedly in a few months. I think that the particularly simple shape is actually done to know that the head and tail of Chinese utensils are extremely important. Just like the ups and downs of strokes in calligraphy, it is not necessary.

The flowers are red, but this is blue. Probably there are no blue flowers in nature, so the ancients used glazed to achieve it, adding color to nature.

One crystal vase that obtains a unique temperament due to damage.

Chinese people love jade eight thousand years, and Chinese people have eight thousand years of history. China is both the country of jade and the country of lacquer. Fix the jade wares with gold, and apply it properly.

Longquan Paper Bottle in the Southern Song Dynasty. After repairing it for a long time, it is mainly the edge of the folding edge, followed by the smooth connection of each part, and has a full texture and integration.

This piece of Yulong's broken part has a piece of meat, so the pattern is missing. I think I still make up this pattern as much as possible, so that it will be more consistent visually. There is a kind of "pile lacquer gold" in the golden gold in Japan. I have no chance to try it. This time, I tried it. It took a long time to accumulate some experience.

The jade bracelet often carries family memory. It is very regrettable that the objects that have been inherited for many years have been accidentally broken. Although Jin Yan cannot let the bracelets completely reply to the beginning, such a sincere repair method can soothe people's hearts.

The glaze color like Longquan in the Southern Song Dynasty is more special. The Japanese call it "beige dragon spring". Unlike today's Xinlongquan, I want to please you as blindly. It always has a distance from you, but not far from you.

Stay on the cold winter plum blossoms.

Silver beauty.

This is a pupae, saw a small gourd from the middle, intertwined up and down, with tooth buckles, and exquisite production. Unfortunately, the lid had a collapse, and it had been sticky with glue before, but unfortunately it was not sticky. Re -glue with raw paint, because it is extremely thin and crispy, so such small objects are not available at all. The lid was re -crude by the black paint, so it looked like a "gadget".