The story of the version of the version 丨 Jin Yirui: The 10,000 -piece celadon screen fan turns gorgeously once

Zhejiang News Customer Reporter Zhu Dawen Trainee Tu Jiayu Correspondent Chen Yanyan

Editor's note: Hangzhou National Version Museum, namely Wenrun Pavilion, sitting on Liangzhu and letting the Jiangnan south. It is a brand new cultural landmark in Zhejiang. Since opening the museum, it is amazing. The height it shows brings together the majestic power of Zhejiang to build a new era of cultural highland, and it is also the brilliant fruit of the inheritance of the eternal context of Jiangnan.

Behind this contemporary handed down from Song Yun, the affectionate investment and dedication of all parties are full of people. They interpret the historical responsibility and cultural mission of contemporary Zhejiang people. This group of "Wen Run Zhejiang -The Story of the Edition Museum" reported by this end, telling their wisdom and passion, glory and dreams.

Stepping into the gate of the Hangzhou National Version, it comes from the huge "Meizi Qing" screen fan. The gentle green seemed to pour down, like a distant mountain, like a clear water, opened a wide -screen version of Wenrun Pavilion entrance.

The Hangzhou National Edition Pavilion uses a total of 251 樘, which consists of 70,000 pieces of purely hand -fired celadon pieces, all from Longquan kiln in Zhejiang. In the history and art history of celadon, it is difficult for us to find such large -scale applications.

From daily utensils, they are transformed into grand buildings and moved from life scenes into the handed down project. The vein of celadon has been stretched for thousands of years in the south of the Yangtze River. At this latest cultural landmark, a gorgeous turn was completed.

A few days ago, we made a special trip to Longquan to talk about Jin Yirui, the inheritance of Longquan Celadon Intangible Cultural Heritage -Southern Song Geyao Porcelain Co., Ltd., which he created, is one of the three celadon screen fans. Feel the inheritance and innovation in culture.

Breakthrough scale limit

The celadon screen fan of the Hangzhou National Edition Museum uses a special new kiln. Jin Yirui's company has produced a total of three. From April last year, it has been fired and fired daily, and it has achieved this thousands of celadon.

We saw these unstnovable kiln at the scene, but we couldn't think of so much mysteries.

All of this starts with a quite mysterious meeting from Jin Yirui. In July 2020, the team from Hangzhou recruited enterprises in Longquan, saying that it was necessary to do a large project, which was a large celadon plate that could make about 30 cm × 80 cm.

More than 20 local manufacturers have gone. "At that time, we thought it was impossible." Jin Yirui said.

Porcelain plates have different requirements for surface flatness. An ingenious craftsman can create a smooth arc with both hands under the centrifugal force of the pottery wheel, but a flat and flawless celadon plate, non -machine cutting is often difficult to achieve. They can't imagine what occasions will be used for such a large celadonboard.

Jin Yirui pointed to a tea tray on the table size and said, "Before, this size of porcelain plates was difficult to make."

When he came back to the meeting, he still pondered. Thinking about the deepness of the Longquan kiln in the Southern Song Dynasty, the deepness of the Longquan kiln was deepened, and the lightness of the world was stunning with the lightness of "thin tires like paper, and the glaze was thick as jade", and the peak of Daeng Peak made the pole. This was inseparable from the artisans at that time with lime -glaze with greater viscosity, and the technology of "multiple plain burns, multiple glazing" technology was inseparable.

Jin Yirui said: "One innovation is actually a certain limit of previous technical technical."

Without any shortcuts, he could only furnish and explore over and over again. The design team and engineering experts of the version of the hall also came to Longquan several times to discuss the plan together and gave Jin Yirui a great confidence.

After half a year, the burning porcelain plate gradually expanded from 15 cm × 30 cm, 20 cm × 40 cm small size to the maximum size of 30 cm × 60 cm that the kiln could accommodate at that time.

At this time, more than 20 enterprises withdrew in the test one by one. In the end, only Jin Yiru's Longquan Southern Song Ge Kiln Porcelain Co., Ltd., Longquan Minjiang Lisai Co., Ltd., Longquan Baoxi Xianming Porcelain Factory, Longquan Enter the final R & D and production link.

Jin Yirui realized that in order to further break through the limit, new large equipment must be tailored for the celadon board. The new kiln managed to do it, and brought other problems. Inside the kiln, more than 20 layers of distances with a distance of about 5 cm are stacked neatly. After all are installed in the celadon plate, the entire stove increases the weight of about twice as much as usual, bringing hidden load hazards. Jin Yirui had to redesign the track of the kiln car and reinforced the base with iron parts.

What should I do if the porcelain plate is intensive and the cooling is not fast enough? Jin Yirui once again came up with a trick, and opened several air holes on the side and front of the kiln.

More than this year, Jin Yirui pushed out other orders. When the first successful celadon screen fan was released, he couldn't help exhaling.

In this endless millennium kiln fire, how many innovations have been contained in the celadon artists who have ever been a generation of celadon artists, this kiln fire is still jumping.

Search for extreme green

Green is the color of landscape.

Longquan is located between the mountains, and the source of the water of the river, and the soul of the landscape is attached to the porcelain tire. Ceramic archeologist Zhu Boqian recorded: "Longquan kiln was created in the Western Jin Dynasty of the Three Kingdoms, and the history of the production of porcelain is 1600 years. It is the longest porcelain kiln in the history of Chinese porcelain."

Jin Yirui loves this green. Later, he knew that these products would be used as national projects and used as the main components of the national version, and felt a kind of inevitableness.

The plum green represents the "celadon glaze color and texture".

However, the second -fired celadon plate is cut and trimmed, and the white embryo is exposed on all sides, and the color of the screen fan is inevitable. To this end, in addition to the breakthrough of the size of the celadon fan plate, it has also changed the previous two burns into three burns. Breaking the conventional furnace burning is to make this centimeter wide edges hanging on exquisite glaze. Jin Yirui hopes that even if every hundred years later, every porcelain plate is removed, it is a handed down artwork.

This obsession with celadon was deeply rooted in the revival of Longquan kiln since the 1950s.

At the beginning, with the support of Premier Zhou Enlai, the sleeping Longquan kiln fire was re -ignited. The newly established Longquan State -Porcelain Porcelain Factory brings together a group of Thai -level figures of celadon art, including Xu Chaoxing, a national "non -heritage" Longquan celadon, and Xia Houwen, a master of Chinese arts and crafts.

The Jin Yirui family also caught up with this wave. In 1955, his father was only 15 years old from Wenzhou to Longquan to make celadon. Later, there were 6 brothers and sisters, and now 5 are all engaged in the celadon industry.

In 2009, the traditional firing technique of Longquan celadon became the "human intangible cultural heritage". Two years ago, Jin Yirui had officially divided the master from Xu Chaoxing. The relay rod of celadon art was passed to his generation. Today, Jin Yirui and elder brother Jin Yilin and Jin Yirong are already master of arts and crafts, and have become the backbone of Longquan Celadon blood.

This time the celadon screen fan is fired once, and the completion time will increase by 15 hours. Not only that, when the celadon is fired for the third time, it is extremely difficult to hang the glaze, and it is very easy to crack. "It is often pushed in one kiln and a kiln, and it is all cut into several times. The final finished product rate is only 50%." Jin Yirui said heartlessly.

This kind of simplicity is to be perfect for details, so as to maximize the celadon he loves.

In the middle of the version of the version, Jin Yirui came to Hangzhou and saw that only half of the screen fans were installed, and he was excited. Witnessing the porcelain pieces touched day and night, and the color of the Qianfan modulation is spreading in such a magnificent form, and he was used in a large area in national cultural engineering. His movement and pride were indifferent.

He emphasized with us over and over again: "Celadon is finally used as the main body, and it is no longer decorative, attached, and embellishment. It is the main body of 10,000 square meters!"

Imagine unlimited possibilities

"There is the deepest culture in the porcelain." Jin Yirui's words revealed his 36 years of experience in the production of celadon production, and also revealed the perception of the Hangzhou National Edition Museum.

The nearly 10,000 "waste boards" left by the trial burning, Jin Yirui was reluctant to lose. In his studio, there are various cutting celadon screen fans. From time to time, he rubbed them and imagined their various possible forms.

Southern Song celadon, flower bottle, tea drinking cup, burning incense furnace, pure and natural glaze, the so -called "gorgeous and bleak" is the ultimate display of the aesthetics of the Song people.

The gates door at the entrance of the entrance of the Gate of Hangzhou National Version. Photo by Wang Jianlong, a reporter from Zhejiang News Client Wang Jianlong

The Hangzhou National Edition Pavilion, the overall atmosphere of the celadon screen fan is spreading, like a layer of mountains and green waves. It turns out that celadon can also pass such a cultural self -confidence.

In Jin Yirui, it is a large size, three -time burning, and large -scale laying. This bold use of Longquan celadon, while pushing its artistic accomplishments to its peak, also opened a door for the future development of Longquan celadon.

Now, Jin Yirui and his accompany are willing to spend more time to find the humanistic meaning that communicates medium and modern in Longquan celadon, and touch the real temperature in classical celadon.

Once upon a time, Longquan celadon spread the world with the beauty of "Xuera Tong". It was not only utensils, but also China's wisdom and lifestyle. During the Song and Yuan dynasties, the top manufacturing technology of the world was concentrated, and it was called the "Silicon Valley" by later generations. Today's Longquan still has the spirit of "winning Qianfeng Cui", and still has the style of "rain over the sky".

The celadon screen fan of the Hangzhou National Edition Pavilion is not only the treasure trove of the version of the version, but also the infinite possibility of the Longquan celadon inheriting the thousand -year -old Longquan celadon.

【Zhejiang News+】

Wenrun Pavilion · Zhihu

The development of Longquan Kiln in the Southern Song Dynasty reached its peak. Two types of porcelain appeared: "Ge Kiln" black tire thick glaze, purple mouth iron foot, glazed film; , Bo Mei Qing and Pink Qing as the most. The celadon screen fan of the Hangzhou National Edition is a brothers' kiln craft.

The name of the brother kiln is based on the Zhang's brothers in the Song Dynasty. Lu Shen's "Spring Wind Hall Essays" in the Ming Dynasty recorded: "There are Zhangshengyi and two brothers in the Song Dynasty, all of them are in the state, the Lord of the Lord of Longquan. That is, the official kiln. A pottery has a faint color, so it is named Ge Kiln. "Now, the kiln people of Longquan are still served as the kiln god, and they must worship when they open the kiln.

The contemporary Longquan brother kiln has a very different distinction standard in appearance. Not only does the Ge Kiln works that do not open the film, but also the opening process on the brother kiln, and even an innovative product with the Ge Kiln and Di Kiln two as one, which fully reflects the creativity and craft level of the modern Longquan celadon craftsmanship masters. Essence

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