Nanyue Hengshan Beiye Painting and Bodhi Leaf Painting

Baya Luohan album

Part of the picture

In 1880 (six years of Guangxu) Zhong Qiuyue, then Chen Jinao, then the chief of Gannan, persuaded his friend Liu Peiyuan to dedicate the treasured "Baya Painted 500 Luohan Collection" to Nanyue Zhu Sheng Temple, which was collected in the treasure of Zhu Sheng Temple Town Temple. Wish Sheng Temple Luo Hantang. In 1954, the picture book was transferred to the Hunan Provincial Cultural Relics Department. "Baya Painted Five Hundred Luohan Books" is the "Baya Luohan Album".

On March 18, 2021, an exhibition entitled "The Character Images and Cultural Fusion of the Characters of the Sea -Ming and Qing Dynasties" opened at the Second Office of the Special Exhibition of the Hunan Provincial Museum. , The Baya Luohan album drawn in the Ming Dynasty.

Nanyue Hengshan Zhu Sheng Temple

Hunan Provincial Museum Special Exhibition: Congress returns to the sea

Baya Luoham Book Cover: The Ming Dynasty people draw the Baya Buddha Book. There are many postscripts after the book:

The first page of postscript was the title of Wu Jinzhang, the head of the Ministry of War; the second page was the title of Peng Yulin, a militaryist and calligrapher of the late Qing Dynasty; The fourth page of the post is the inscription of Chen Yan in Hunan according to the inspection.

Wu Jinzhang wrote postscript

Peng Yulin Titles Postscript

Wu Jinzhang inscriptions: "Beadelo tree has Buddha nature, producing India, etc., the leaves are fine and tough, and they will not be tough for a long time. , Ye Luo every year, people fight for treasures. This volume drawn 500 Arahant, or Yun is the South China Baye ...

Therefore, it can be seen that the album is drawn on Baya, and Baya comes from the Bedo Tree planted by the six ancestors of Nanhua Temple in Shaoguan. The view of Beiye has a strong color and vivid quaint, and it is a garden garden Hongbao. The album was originally part of the "Five Hundred Arahant" in Nanyue Zhu Sheng Temple.

"Ming Dynasty People Painting Beiye Buddha Book" first Baya painting

The first Beiye painted three Buddha statues, and the three statues were all sitting on the tangled lotus lotus Sumi seat. The head was painted with a round Buddha light, which is a symbol of light.

The central Buddha statue is based on its sitting statue and its meditation. The three Buddha statues were smiling, giving people a solemn and intimate feeling.

"Ming Dynasty People Painting Beiye Buddha Book" second Baya painting

The second Beiye is painted with Guanyin Bodhisattva, a good fortune boy and a dragon girl, and Hui An, a big disciple of Guanyin Bodhisattva.

The middle of the Guanyin Bodhisattva is right to the right of the picture, and the handprint of life; the lower left is a good fortune boy; the bottom right is the pearl girl; the top left is Hui'an walker. It is also the prototype of the second prince Muzha of the second prince of Tota Li Tian.

The third left: the king of the Southern Growth; right: the East holding the king of the country

The fourth left: the king of hearing the heavenly king in the north; right: Western Kings King

The third and fourth, the third and fourth of the "Book of the Beauty Painting of the Ming Dynasty"

The third bell leaves and fourth shell leaves are painted with the King of the East, the Growth King of the Southern, the King of the North, and the Western Kings of the West.

Growing the King of Heaven, holding the sword, and the style. Holding the king of the country, holding the pipa in his hand, and the tune. Hearing the king, holding an umbrella, and the rain. Hiroshima, holding snakes in his hands, and duty. The figures of the four kings are all generals. This is also after the Song and Yuan Dynasties, Buddhism is more Chinese, and the four great kings have a significant manifestation. In the process of Chineseization, they became the king of the nation to protect the people and take charge of the storm.

"Ming Dynasty People Draw the Baye Buddha Book" ninth left

"Ming Dynasty People Painting Beiye Buddha Book" ninth right

The leaves color of the leaves of the Ming Dynasty 16 × 20 cm × 2, Hunan Provincial Museum Collection

The ninth Baya is painted in the middle of the right. The cloth bag Luohan, also known as the Lord Yin Tuo, often laughed with a cloth bag.

There is a red bat on the top left of the screen. This red bat is the finishing touch of this album, which leads to the story of 500 Luohan.

Volume III Volume III of "Datang Western Regions": There are five hundred bats living in a big dead tree point, and a team of businessmen stay here. They ignited and heated, burned until the dead trees, and the bat was surrounded by fire. At this time, a businessman held the Buddhist scriptures. The bat was puzzled because of the Philharmonic sound, and he was burned to death. These five hundred bats are born as a person, and the sacred fruit has become five hundred Luohan.

On the right side of the ninth side, the three Luohan above Baya poured the lotus with the treasure bottle, and Luohan looked up at the top, and there was lotus on the ground. The story of the five hundred Luohan paintings is painted.

Twenty of the "Book of Draw of Bey Leaf in the Ming Dynasty"

"Ming Dynasty People Painting Beiye Buddha Book" 33rd

The 20th Baya is painted in the middle of the right. Lohan, also known as the Lord of the Cartoho, is one of the ancient Indian scholars. The master is good at talking about Buddhist speakers and arguments. When speaking and debate, he often smiled and celebrated his hand, so he liked Luohan or Luohan.

The 33rd in the middle of the right is a happy Luohan. Happy Luohan, also known as Lord Boga, is a disciple of Shakyamuni Buddha.

According to Nanyue's modern historical documents, the digital memory of the Nanyue Archives has been collected and repaired, involving 6 sets of Bodhi leaves and shell painting in Hengshan, Nanyue, 4 sets of color picture books, and 2 sets of ink picture books. They are the five major jungles of Nanyue Buddhism (Zhu Sheng Temple, Fuyan Temple, Nantai Temple, Dashan Temple, and Shangfeng Temple) Tibetan. Today, the treasures of Bodhi leaves and bell paintings, mostly, are mostly painted from the fifteenth century to the 19th century (in the middle of the Ming Dynasty to the late Qing Dynasty). In Cao Dongzong's Zongmai Department, Cao Dongzong Dongdu, and Cao Dongzong, Japan (including: Japanese Buddhist Rites Ancestral delegation records: In 1907, all 5,700 volumes of "Iron Eye Monk Minding Ben Tibetan Scriptures" were presented .) Related literatures are recorded in detail in the Tibetan Tibetan Temple of Nanyue Nanyue Temple of Cao Dongzong:

The theme of "Prajna Paramita" and "Vajra Prajna Paramita" are used as the theme, and Bodhi leaves are used as the medium of drawing material. The whole book of silk books contains thirty pieces. The left is painted by the left painting.

Silver Fan Written Heart Sutra

Golden Fan Write King Kong Sutra

Book Book Trip: Wuliangshou Buddha. These descriptions are highly consistent with the eighteenth century Bodhi leaves (painted) collected in the British Book Hall.

For example: The first paragraph of Bodhicitta's "Bodhi Leaf Painting" and the first entry of Zhu Sheng Temple "The Book of Baye in the Ming Dynasty". Whether it is the layout of the Buddha statue, the attitude of gesture, and meditation, etc.

I wish the Sheng Temple "The Book of the Beauty of the Ming Dynasty" first

"Bodhi Leaf Painting" first, painted, Da Ying Book Collection

The 30th of the British Book Hall "Bodhi Leaf Painting" is compared with the second bell leaf painting of the "Ming Dynasty Painting Bey Leaf Buddha Book" in Zhu Sheng Temple. The sea of ​​clouds, whether it is the overall layout, details, facial energy, and gesture.

"Ming Dynasty People Painting Beiye Buddha Book" second Baya painting

"Bodhi Leaf Painting" 30th, painted, Da Ying Book Collection

The Bodhisattva Bodhisattva Painting (Painted) album of the Eighteenth century is highly consistent with the key features of the Tibetan (lost) Tibetan Temple (lost) of Nanyue Hengshan Temple. The content has a close relationship.

Let's take a look at these exquisite Bodhi leaves.

"Bodhi Leaf Painting" No. 2, painted, Da Ying Book Collection

"Bodhi Leaf Painting" 13th, painted, Da Ying Book Collection

"Bodhi Leaf Painting" 17th, painted, Da Ying Book Collection

"Bodhi Leaf Painting" 22nd, painted, Da Ying Book Collection

"Bodhi Leaf Painting" 26th, painted, Da Ying Book Collection

"Bodhi Leaf Painting" 30th, painted, Da Ying Book Collection

Global museums are only 20 volumes (Bodhi leaves). The Baya Buddhist paintings in the Tang and Song dynasties have long been gone, and today's hidden in the Ming and Qing dynasties, such albums are limited. First, the Bodhi leaves only produced in Guangzhou or the inner court of the Qing Dynasty at the time, and it was not easy to obtain; the second was that the painting carrier was organic substances, and fewer people were preserved to this day. Many of the remaining people have lost overseas, and boutiques are very rare in China.

Fix the fragments with the server frame by frame, and gradually presents the precious memory of Nanyue on the timeline. We have both the regimen of "Xiaoxiao Rain break", and the compassion of "too long to hide the nose"; there is also the "swinging chest and the cloud", and the true feelings of "leisurely my heart".

One side is fertile, and the Tianbao is full of vitality; a high mountain, magnificent and magnificent, stretching eight hundred miles.

Nanyue Hengshan

Nanyue Nantai Temple (Photography: March light rain)

Time is always like Lin Hua thanked Chunhong, and his footsteps are too hurried.

Back to the first thousands of years, the humanistic heritage of Yongzhang Nanwei is precipitated here. Overlooking the current earth, poetic inhabiting, the scenery of Wuyue's exclusive show is blooming here. Looking up at the vast stars, history and future, the blueprint for coordinated development is painted here. The sector crashed unexpectedly this unyielding land, Guangfu Ziyu's land, and connected to the good mountains and rivers of the motherland.

This is the most important mountain in the south of the motherland: Nanyue Hengshan.

Tribute: Teacher Lihanyu of Hunan Provincial Museum (author of "One Leaf Bodhi and One Incarnation"); Surging News "The Royal Bodhi Leaf Luo Han Painting of the Qing Dynasty" and so on.

Nanyue District Archives (Author: Xiaoshi; Editor: Kuang Fengliang; First Trial: Liu Huaiyu; Second Trial: Li Jing; Third Trial: Kuang Haiyan)

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