Chinese culture gathers elegant collection: the road to seeking traditional culture "hug and keep the truth"

China Net, August 15th "Being an excellent traditional cultural inheritor" -The retaining historical root and inheriting Chinese civilization is the time of the era of cultural workers. On the morning of August 14th, sponsored by the Cultural and Art Committee of the China Public Relations Association, the China Internet News Center (China Network), the China Net Cultural Development Center, Yide Painting and Calligraphy Institute, Reading Times, and China Gold Culture " True -Chinese Culture Meeting Elegant Collection "Art Symposium was held in Beijing. The seminar is based on the theme of "Talking about Culture Confidence from Chinese Traditional Culture", inviting research scholars, industry experts and many other guests to promote the excellent traditional culture of China, the continuation of cultural genes, and "telling the Chinese story" in the new era of international communication. In -depth exchanges and discussions at different perspectives, promote the integration and innovation of theory and practice, further strengthen historical confidence and cultural self -confidence, and promote the construction of cultural power.

Xia Jixuan, vice chairman of the China Public Relations Association and chairman of the Academic Committee, Wang Xiaohui, Chairman of the Cultural and Art Committee of the China Public Relations Association, Wang Xiaohui, editor -in -chief of the China Internet News Center (China Net), Vice Chairman of the Chinese Artists Association, and the National Sinica of the Chinese Artists Association Xu Li, director of theme Art Creation Committee, deputy director of the Academic Committee of the National Museum of China, Secretary of the Party Committee and Deputy Director of the National Museum, Dan Wei, the president of the Chinese Poetry, famous poet, and writer Li Shaojun, and the Ministry of Commerce of the Ministry of Commerce of the People's Republic of China. Song Heping, the former investigation commissioner of the Bureau, Professor of the School of Arts of Peking University, Dean of the Academy of Culture and Industry of Peking University, and deputy director of the Ministry of Social Sciences of Peking University, Chen Ping, Dean and Professor of the Creative Industry Research Institute of Hengnan University, former Chinese Pictorial Publishing House President Tian Hui, Wei Guangjun, Director of Calligraphy and Seal Carving of the Chinese Academy of Painting, Feng Linggang, Director of the Member Working Office of the Chinese Artists Association, Qin Hui, Deputy Secretary -General of the China Public Relations Association, Li Xinyu, Deputy Secretary -General of the China Public Relations Association, China Internet News Zhan Haitao, director of the Center (China Network) Cultural Development Center, Deng Yan, director of the Painting and Calligraphy Channel News Center, Ma Jingrong, general manager of Beijing Yicheng Mo Industry Co., Ltd., Wang Xiaojun, general manager of CICC Culture, Zhu Zhu, general manager of Tibetan Friends, Experts attended the seminar and expressed their views. Ma Tingting, the director of the Museum of Art Museum, presided over the event.

(Actively exploring Hu Jun by "talking about cultural self -confidence from traditional Chinese culture")

Holding the truth, making articles around Chinese characters and culture

At the meeting, Xia Jixuan first delivered a speech. He explained the theme of the "Holding the Truth -Chinese Culture" activity, and introduced the basic situation of the Chinese Public Relations Association in cultural and artistic activities. He pointed out that Chinese characters are the cultural symbols and wisdom of the Chinese nation, and it is also a valuable spiritual wealth that China contributed to the world. It should understand Chinese character art with higher standing positions. The reason why Chinese characters become Chinese characters is because people have given a specific cultural meaning to write, and Chinese characters have become a cultural symbol. Since 2016, the China Public Relations Association has jointly launched and held the "Belt and Road" annual Chinese character release activities on joint authoritative institutions, experts and scholars, and explain the deep connotation of the "Belt and Road" initiative in one word. He said that the value of calligraphy lies in the cultural meaning of excavating symbols. From this point of view, calligraphy is not just a specialized science, but also the mission of promoting the integration and development of the relevant public relations areas.

Wang Xiaohui mentioned in his speech that the essence of the era of calligraphy and the artistic border of expanding Chinese characters is of great significance to inheriting the excellent traditional Chinese culture. Essence In recent years, a number of cultural variety shows and cultural and artistic activities planned by China Net have been committed to promoting the creative transformation and innovative development of the excellent traditional culture of China, and showing the era of "keeping innovation" in terms of theme mining, aesthetic expression, form innovation, etc. charm. This time, "Holding the Truth -Chinese Culture" is also a useful attempt to place traditional culture in modern context. He introduced that the China Network Cultural Development Center planned the new media communication column of "Daily Book" based on Mr. Xu Li's calligraphy works, focusing on "why China" and "China" and "in China". Picking gold in sand has broaden the theme of Chinese civilization to the broad realm of the world's Datong and heaven and earth. "One Book of Daily" is "historic sites, ancient people, antiquities, and ancient books" as a clue. Baiyun, mountains and rivers, and grass and trees become "token", which records the endless history of Chinese civilization and the humanistic process of "hugging the truth".

Xu Li welcomed and greeting friends from all walks of life to all circles to participate in this event. He emphasized that Chinese characters, Chinese calligraphy, and Chinese lines are full of charm and magic. The 5,000 years of Chinese civilization relies on calligraphy and culture to maintain the cultural tradition of China. Chinese culture is the soul inheriting Calligraphy's calligraphy art, and it is also the development of the development of Chinese art and the lifeblood of humanistic spirit. To promote the Chinese spirit, we must carefully study, understand and inherit our own traditional culture. Chinese characters are a communication bridge connecting modern scenes and traditional culture, and it is also an important way to implement the implementation of aesthetic education. The strokes in the depth of Wen Mo convey the Chinese spirit deep in our hearts.

Subsequently, the seminar was issued by the appointment, and Xu Li was hired as a consultant to China Culture International Communication and the Ambassador of International Cultural Exchange.

(Photo by Hu Jun)

The technique is almost the same, and the foundation of the times and scenes

During the seminar, the guests of the participants shared their experience and exchanged wisdom, and expressed their insights on topics such as inheritance of historical context, enhancing cultural self -confidence, and helping the construction of a strong cultural country. Feng Linggang pointed out that the traditional Chinese culture itself pays attention to emptiness, not full, such as the "distant mountains and a scene" is very beautiful, giving people a lot of room for imagination. We should visually and from the mind to accept aesthetic education. Not only are the calligraphy shape itself, just like the process of calligraphy creation, we must focus on improving our inner cultivation.

Xiang Yong analyzed from the perspective of the cultural industry, and pointed out that it is necessary to use Chinese character art to do a good job in the connection and transformation of traditional Chinese culture, traditional art and contemporary life. For example, combining traditional calligraphy and traditional Chinese characters with contemporary life, using creative designs to split every word and every line as elements, and then transform into various cultural and creative products to achieve design and empowerment of design and empowerment. Essence Chinese characters can be combined with the image of the city, the brand of the city, and even the various industries of the city, leaving more room for development for traditional culture. At the same time, the top priority of cultural workers should make a good digging and finishing of the book body from the connotation, form, materials, and scene perspective of calligraphy, establish a database, and lay the foundation for the next step to achieve various creative extensions.

Shan Wei said that art is a very effective tool to communicate with human soul, and it is also a purpose. The progress of the times highlights the longing of the people's longing for a better life, and a better life includes the appreciation of culture. At the same time, the construction of the community of human destiny is first to form a common rule for economic and trade relations. The basis of this rule is that human values ​​tend to be consistent. In the end, it is not just a community of economy, but also a community of culture. It is a community that humans pursue beauty and consistent values. Some of the simple feelings in Chinese characters are becoming an important carrier of international cultural exchanges.

From a poetic perspective, Li Shaojun pointed out that Xu Li's calligraphy was "technical". The grace of calligraphy has become a "Tao", which is the natural distribution of "Tao". It is the original face. It can also be said that this is the highest state of Chinese art and Chinese characters -the realm of life and the realm of heaven and earth. Chinese characters are pictographs, the most important feature of pictographs, the essence of copying all things, the Taoism is natural, and it is integrated with nature. Calligraphy is the description, description, and copying of all things we see and all we see. When we look at the words, we will think of farther, larger, and higher content and realm.

Xiangxiang crossed the river, surrounding inheritance and spreading

Wei Guangjun quoted the allusion of "Xiangxiang Crossing the River" to explain the grasp of the efforts in the calligraphy. He evaluated Xu Li's calligraphy creation as "interception, and it was undoubtedly stagnant." He mentioned that the kung fu on the writing is reflected in the schematic of the structure itself and the character. If there is no good grasp, you can't do this kind of freedom, practicality, and rigidity.

Ma Jingrong talked about the continuation of Chinese culture from the historical development of "One Pavilion". He said that Chinese ink, Chinese characters, and Chinese culture are not separated from each other. After more than 150 years of ink, ink -making skills have been inherited to the present, and the master of ink has been inherited to the fourth generation. Among them, the "truth" of traditional Chinese culture is long, and the source is long and has never stopped.

When Song Heping shared his feelings, it was mentioned that life cannot be artificial. The nation needs excellent artists. Painting and calligraphy are the carrier of culture, and the core of culture is values. Feel the author's passion and love life from the work of the exhibition. The pursuit of art is the promotion of excellent cultural traditions and serving the people with art. This is the foundation of the most solid cultural self -confidence.

The perspective of Chen Ping's standing world cultural heritage emphasizes that Chinese calligraphy is a typical representative of Chinese traditional culture, which not only belongs to China, but also all humanity. But we have a long way to go to promote our broad cultural heritage to the world. The use of the elements of Chinese cultural heritage and telling the story of Chinese is the responsibilities of all our arts, cultural, educational circles, and news media here. When we are born, we should take on such a responsibility -the art carrier including calligraphy, from the spiritual to the material level, realize the conversion of contemporary culture through cultural and creative design, so that more people can talk about Read the Chinese story.

Tian Hui elaborated from content dissemination. Showing the real three -dimensional China is a comprehensive and multi -dimensional publicity promotion to promote the development achievements of all aspects of China. In terms of communication, the greater the communication power, the more audiences, the higher the acceptance, and the better the natural social benefits and economic benefits. Whether it is a literary creator or a news media, including publishing and distribution, or now multimedia, self -media, you must pay attention to the carrier and expand the communication power. Using culture and art to tell stories is the best way to spread international communication. We need to work hard to cooperate with the charm of traditional culture, tell the story of the Chinese dream, tell the story of Chinese people, tell the story of Chinese excellent culture, tell the peace of China peaceful The story of development.

(Photo by guest photo Hu Jun)

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