Gongda Yisi Forty -three

▲ Fanfang, basic strokes are straight paintings, horizontal paintings, left and right arcs, and circles. The Yunfeng wrapped in the Tibetan, and the pen can make the pen flat flat. To achieve reality, palm fiction, straight tube, heart round. The writing must be stable, and the pen must be strong, so that the stable person is astringent, and the healthy person is full of muddy. I think the word "astringent" is very important. If not astringent, it is thin, and the vulgar pen is now. However, "astringent" is not "late". I like the strokes of astringent, astringent, and the pen must be inverted in one painting. The ingenuity is clumsy, taking the circle to the square, the depth of the macro, and the obsession.

▲ Bingbi must be rounded, reviewing the word, looking at the four sides, the eight sides have, and then the pen is used to make it. Reverse, astringent, tightly harvested. The speed is appropriate, the lines are heavy and the ancient style. There is a saying, "篆 有 有 有, Li Yi's illness" (Yao Mengqi). The pens are also used to stay together, with the beauty of the shares. The twisted pen made the pen like a rope, and walked slowly, and kept the pen and kept the pen. The pen should not be too fat or too thin, the fat is turbid, and the shabby is dry; it should not be too light, not too heavy, too light, too heavy, and too heavy; The weight of the borrowing is heavy; it is not only the energy of the sky, and the calmness of the old monk to make up. Although the pen is not as good as the grass, it must still pay attention to the start and end, the loop, the partial, the severity, the illness, the illness, and the falsehood. Do not blindly stagnate, and have no vitality; you still have to take off the simulation paths, come out of the machine, gradually become familiar, but it is bland.

▲ Popular, uniform, coherent, movement and changes are the basic rules of the scriptures. It is flat, horizontal and vertical, and upright; its uniform and cleansing, each character's pen drawing is short and moderate; its coherent is in accordance with each other; its movement, point painting to each other to make the belt, the denseness is equivalent; the change, the word in one word The same strokes or the same calligraphy and painting also need to change to avoid a rigid board. Therefore, the tabbed body is white and precious, straight and stable, horizontal and vertical, and bright and bright. At that time, people simply understood the static beauty of the scriptures, but they did not know that there was a connotation of movement and quiet in the movement. Xiaoyan's words should not be pulled too long, it is advisable to use Fang Kai. The precious structure of the scriptures is compact, with rigidity in softness, with sparseness as the gods, and denseness. Wuqiu Yanyun: "The best ones of 扁 are the best." The exquisiteness of the cricket must be used to use the desire. It is advisable to tighten it, and the middle palace is tightened, and stretching around is a characteristic of the writing. Bao Shichen proposed the "Nine Palace Story" and led the "Eight Palace" with the "middle palace". "Eight -faced paintings are all arch centers." The surrounding structure of the scriptures appears to be gathered. One of the patients with Xi, one is "scattered". In the knot words, the word "let" is very important. The left and right are inferior to the left and right, and the layout stops evenly. Due to the decoration of the decoration of the script and the static beauty, the rules of the symbols must not be like an icing or like ink pig. Rough look arranged, Su Su is like a team of male soldiers, paying attention to changes in the size, smoothness, ups and downs, dryness, dense dense, dense density, back, back, severe weight, gathered, and other changes. Good at dealing with inter -fabrics, due to the trend of the object, avoiding stacking, and promoting the back. In particular, it is necessary to clarify the mystery of "being strange", "receiving as" indulgence "," 欹 欹 ".

▲ The white cloth of ，, one is white in the word, and the second is verbatim. At present, you can do it, and the realism of unknown truth is born of the truth. The ancients had an exquisite discussion of "articles, calligraphy and painting, and painting and calligraphy. From the perspective of false view, the realization of the truth, seeking the realm without pen and ink, you must not understand the aesthetic meaning of the blankness of the scripture in the surface of the surface alone. Often, the neat and clean and natural scattered white works in large and small works are two sense of beauty and enrichment.

▲ Therefore, Xi Yan also has to follow the dense place to stuff the world, the principle of extremely empty places, the reality of transportation is the virtual, and it is implemented; with the false as the truth, the break is connected; The preciousness is quaint. Lao Tzu said, "Knowing Bai Shou Hei", the realism is easy, leaving deep and quiet. People do not know that the virtual person is not familiar, and the painting is difficult to achieve. The Buddhist cloud "vacuum is not empty, there is no wonderful." When writing deficiency, you must be taught in the virtual, light in the middle, see the light, the dry pen is not withered, the wet pen is not rotten, and the bones are thick. The book must be "heaven", and it will not be wonderful before the change. However, if you do not enter, you cannot change. This is the hardest to prepare for the Fa -God to find the law outside the law. The ancient people's "pole decoration" ("Book of Changes"), the color reaching colorlessness, is the highest state of art. Between the clutch, the sophisticated source, this is the false and reality.

Yan Gongda

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