There are newcomers in non -heritage ｜ Yuan Ying: Dialects sing Jinling affairs

【Open Language】

General Secretary Xi Jinping emphasized that "we must strengthen the protection and inheritance of intangible cultural heritage, actively cultivate the inheritor, and let the intangible cultural heritage bloom more charming glory." Litchi News launched the bilingual micro -documentary "Non -Heritage" of the "Youth Shouteller" series, through thousands of years of context, trek thousands of mountains and rivers, recorded the traditional non -heritage renovation story, and listened to the voice of youth inheritance. After a while, the images retain memory, cultivate spiritual contexts, cultivate cultural self -confidence, and present a gorgeous and continuous Chinese civilization to the world.

The pink walls are deep in the courtyard, and the former residence of Ganxi, located in the south of Nanjing City, is commonly known as "ninety -nine and a half". It is the largest and most complete ancient residence building in large cities in my country. On the holiday holiday, tourists are woven, and they can always hear a few songs and melodious singing words between the horseshill walls and lattice windows, that is, the authentic Nanjing native music — Nanjing White Bureau.

As the only dialect rap art in Nanjing, Nanjing Baiyu uses the original Nanjing dialect rap stories, known as the "dialect warehouse" of the old Nanjing, has a history of hundreds of years. Yuan Ying, who has just turned twenty, has sang the Nanjing White Bureau in this courtyard for five years. With many young people, she has added new vitality to this national intangible cultural heritage.

Dialect rap: a record, a mission

The birth of the Nanjing Bai Bureau is inseparable from the prosperous Yunjin industry. In the Qing Dynasty, Yunjin workers sang some Jiangnan small songs while weaving the brocade in order to send boring workmanship. In addition to leisure, the workers who did not sing and enjoyed them sang on the streets of the river. They did not charge for a bureau. The "white bureau" was named and spread. From Jinling beauty, Qinhuai cuisine to historical legends, festivals folk customs, Nanjing Bai Bureau uses characteristic dialect slang to depict all aspects of Nanjing people's life, and is known as the encyclopedia of Nanjing folk culture.

Times are changing, and the white bureau also fluctuates with Yunjin Industry. Until the 1950s, the establishment of the Nanjing White Bureau Theater Troupe preserved this art. In 2008, following Nanjing Yunjin was included in the national intangible cultural heritage list, this local characteristic song art created by the brocade workers also declared as a national intangible cultural heritage. opportunity.

In 2014, the twelve -year -old Yuan Ying saw the performance of Nanjing Bai Bureau on TV. The beautiful and gentle tone quietly planted seeds in her heart. Three years later, she learned that there was an elective course at the school. The first one was registered, and five years passed in a blink of an eye.

"The white bureau is generally a form of sitting. The performance is divided into single -port, counterpart and group mouth. The accompaniment instruments include erhu, three strings, pipa, board and drums, and small percussion instruments composed of discs and keys. The unique performance instrument. "Speaking of the Bai Yu, Yuan Yingru was a few treasures," Our first class is to learn to play discs, and girls have to play discs on the stage. For two or three months, Yuan Ying was practicing every night, "I was annoyed by my parents."

This small plate and key is the vivid display of the grassroots of the white bureau of Nanjing -the brocade workers hundreds of years ago picked up the soy sauce discs and chopsticks around them, and sang from the machine room to the vastness. The folk world. "The white bureau sings the local life of Nanjing, which can represent Nanjing. I think I feel a sense of mission as a Nanjinger." I have myself.

Oral Chuan Chuanxin: One kind of tempering, a experience

In the five years of studying the white bureau, Yuan Ying basically participated in the rehearsal and performances of the White Bureau every holiday. The old city was performed, which made her master Xu Ru and the mother -in -law Huang Lingling praised.

Huang Lingling was the first generation of professional Bai Bao actors trained by the Nanjing Bai Board Theater Troupe. In the 1980s, the old artist Nie Shaoting of the Bai Bureau entrusted the heritage to the Bai Board to Huang Lingling and several same door. In the past few decades, Huang Lingling ran around for the Bai Bureau, and her daughter Xu Ru also resigned from a high salary position and set up the Nanjing Jinling Wind Baiyi Quyi Troupe with her.

Recalling the scene where Yuan Ying raised her hands in the classroom, Huang Lingling's first impression of her was "white and pure, sweet and pleasing." After trying for a period of time, Yuan Ying did not find the tone, "I was nervous when I sang." However, Huang Lingling did not give up. She thought that some children were inherently accurate, and some needed training for the day after tomorrow. Correct it over and over again.

For Yuan Ying, the journey of learning is not easy. "Qin Huaiyou" was the eight boards at the beginning. It is a small charm and charm. However, Yuan Ying, who is primary, can't hear what she sings. Maybe it is just a small transposition. This takes a long time to explore. Now Yuan Ying listened to the original recording again, and found that some of the singing sections were too green. At the beginning of study, Yuan Ying also experienced a lot of confusion and setbacks. She repeatedly grinded a subtle vocalist. In the winter, she recited her words alone in the study. Sometimes she was difficult to break through in the bottleneck. "Teacher Huang, they all know that I love to cry very much, but sometimes crying is not because the teacher is severe, but I feel that I have not even achieved their own standards." Yuan Ying described himself as a strong man. Since he learned It is necessary to learn the best, "Teacher Huang said that we are not good, you need to give the audience a better experience and the best experience." The spirit of excellence is passed on to the new and old training.

His mind and his bones, these training finally gave back to Yuan Ying with applause. "Twenty -eight minutes of" Smart Dou ", I practiced for a year and a half before I came to power, but when the audience applauded, the positive feedback touched me particularly."

With the deepening of learning, Yuan Ying's understanding of Baiyuan has become more profound. "The first stage was that I felt that the melody was good, and later found that its singing was very charming." Now she has a new understanding in the process of playing different roles. The second girl of Huaichun in "The Second Girl His Acacia", the little chrysanthemum who married the woman in "Zhidou Rat" ... Through the White Bureau, she has more life feelings. The old girl, this is a rare experience.

Endless life: one transmission, a movement

Five years ago, Yuan Ying, who was still studying, became a learner of the Baiyu Art through the opportunity of "elegant art to enter the campus". Five years later, she stood in front of the student and became a bond to spread downward.

With the efforts of Huang Lingling, Xu Ru, and other members, there are more than ten schools before and after the Quyi Troupe. Kindergartens, primary schools, middle schools, and universities have their figures. "The art of white bureaus cannot be lost. Our students can not only play in Taiwan, but also teach, so as to pull the chain inherited from the white bureau to the end and pass from generation to generation." Huang Lingling hopes that more fresh blood will join in the White Bureau teaching. After Yuan Ying and her schoolmate Dou Keyu reached a certain level, she began to follow the teachers into the classroom teaching white bureau.

"Actually, I was also panicked when I was in class at that time, because I was not sure if they would listen to me. I was not much older than them." When I walked into the classroom, Yuan Ying was not full. Confidence, until she demonstrated for a while, the students looked at the gaze. At that moment, Yuan Ying seemed to faintly understand the meaning of inheritance.

In addition to entering the school to spread the white bureau, the members of the Quyi Troupe are still seeking more performance opportunities, so that more people can understand the Bai Bureau and be familiar with the White Bureau. "May 1st" small holiday, World Museum Day, Dragon Boat Festival ... They seized each holiday organization performance, allowing this authentic Nanjing Quyi to return to the people of the city again.

"Non -heritage may not only stay in the exhibition hall. It is like a white bureau. It is ancient but young and dynamic. It has an ancient charm. Our life. "In addition to adhering to tradition, people who are determined to inherit the white bureau will also innovate on the track, singing, and form, hoping to closer the distance with the audience.

In the early May performance, Yuan Ying played the young girl who missed the people on the stage. She raised her eyes and saw a little girl in Hanfu in the stage shining. "I looked at her, she looked at me, as if she knew the emotions of the second girl's heart." The traditional paragraph resonated with the audience in contemporary times. Overlapped in different time and space.

(Director of this issue/Li Ai Wang Weijie's Manuscript/Wang Weijie Camera/Li Hui Peng Chao Zhang Runsen Summer Quan Lian Dungeon Editing/Liu Xiangnan)

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