Tree root carved "Chicken Family Family Family" Shandong woodcarving inheritor Shu Mingxing: Let the dead wood every spring again

Qilu.com · Lightning News August 14th Woodcarving is a traditional Chinese folk craft. The woodcarving craftsman uses a knife as a pen, with wood as paper, fine carved and carved, and engraved with unique woodcarving works. Historical allusions, religious Buddha statues, landscapes, and birds and beasts. In the hands of non -genetic inheritance Shu Mingxing, Vientiane Seno jumped into "wood".

Shu Mingxing is the fourth -generation inheritor of the provincial intangible cultural heritage woodcarving (Boxing Wood Carving). He has been studying woodcarving for more than 40 years since he was 18 years old. Shu Mingxing said that he has loved painting since he was a child. Basis and woodworking.

As the representative inheritor of Boxing woodcarving, Shu Mingxing's works are delicate and exquisite. Twenty years ago, Shu Mingxing made ordinary plane reliefs. A special opportunity, Shu Mingxing accidentally acquired a batch of camphor wood rescued after the fire was purchased. Due to being burned by the fire, the shape of the camphor wood was different. , Shu Mingxing has since tried to set up carving.

"These things are thought about it by themselves. At this moment, Dharma, engraved with his gourds on the back, and his crutches. The difficulty is great. Without three -dimensional paintings, the carving needs to think. Not to the requirements of Li Diao. "Shu Mingxing said.

Adhering to the craftsmanship of generations, Shu Mingxing's woodcarving craftsmanship has matured. Entering his woodcarving display room, ebony, rosewood, rosewood ... the aroma of wood permeated in the air. This is a skill of subtraction. The wood chisel, engraved knife, and saw, the craftsman used the hard wood of 100 tools, fine carved and finely carved.

Shu Mingxing told reporters: "My biggest feature is that after seeing wood, its pattern is a pattern, which is a pattern I imagined. For example, in this work, the white epidermis on the back is engraved with waterfalls and squirrels, but but The thickness of the white epidermis is uneven, and it needs to be understood by its thickness. This is a ingenious carving, which is more meaning than the carving. "

Shu Mingxing was hard -working and lonely. He has created more than 500 woodcarving works and won many awards, enjoying Rubbe. In addition, Shu Mingxing followed current affairs and created woodcarving works such as "Belt and Road" and "Zhongzhi Chengcheng".

"I look at the wood and want to engage in what, the model pattern comes on it." Shu Mingxing himself would choose the wood himself. During the selection process, he saw the wood shape and material, as if he had seen the pattern to be engraved. He also said: "Inspiration is critical. It is fast to engrave a piece of work, but you have to complete a overall work.

"My works are unique. If you go to buy this piece, you may not be able to buy it. Even if you buy this material, the idea of ​​the idea at that time is a new idea." Shu Ming Xing told reporters.

The presence of the pen is the first, and the form of the object is the characteristic of the Boxing woodcarving. In the history of Boxing, there are many counties, Xingluo, ancient county. The temple ancestral halls, pavilions and pavilions are all over the wood carvings, and they can be clever. During the late Qing Dynasty, Hubin Town in Boxing County was famous for wood, and the Boxing woodcarving one was here. Its transition was mainly based on the internal inheritance of the family and the inheritance of the teacher and apprentice. Currently, it has been passed to the fifth generation.

The fifth -generation inheritor Shu Guoqing said: "This is a kind of inheritance of culture. I must inherit it. I like woodcarving very much and hope to make it well."

Each generation of non -genetic inheritance is a new encounter. In the spring, the creation of woodcarvings not only rely on the vitality of the fire, but also the ingenuity of the moonlight.

"Everyone said that the rotten wood should not be carved. It does not exist here. A piece of wood is blowing through the wind and the baptism of the wind and rain, the pattern of nature gifts to this piece of wood is exactly the pattern I want. It may be useless dead wood in my eyes, but when I saw them, I saw what it looked like after the carving. The trees of the mountains and rivers, no matter how many years I died, passed me in my hands. The carving, this dead branch of life has been re -given a new life and new glory. "Shu Mingxing told reporters.

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