[Art Say China] Contemporary Artist -Tang Xinjiang's works appreciate

Tang Xinjiang, graduated from the Fourth Chinese Painting Masters of the Academy of Fine Arts of Southwest University and the Fourth Chinese Academy of Arts. National first -class artist and professor. He has successively served as director of the China Art Research Institute's landscape painting creation work studio, researcher of the China International Calligraphy and Calligraphy Research Association of the Ministry of Culture and Tourism, Executive Dean of the China Arts and Fine Arts Institute, experts from the Cultural and Creative Think Tank of the Cultural and Resources Committee of the Beijing Municipal Government, researcher of the China Art Education Research Association, Saint President of Quan Academy, director of the Chinese Lei Feng Volunteer Art Committee, and director of the Art Committee of the World Public Welfare (Communist) Economic Organization (WPEO).

Throughout the history of Eastern and Western art, nature has always been a love theme of artists. Compared with Western traditional paintings, more and more objective and natural paintings are mainly based on the spiritual realm of Chinese painting and pursuing my two forgotten spiritual realm. This also reflects the Chinese view, world outlook and aesthetic taste. To this day, the civilization of the East and the West has accelerated the collision and blending, and traditional Chinese paintings are facing unprecedented difficulties and challenges. In the face of mature and solidifying themes and the peak of the art of ancient people, the space that future generations can exert are not large. Therefore, it is precious to draw nutrients from the ancients of the ancients and use it for my own artistic practice path. It is very precious that Mr. Tang Xinjiang is one of them.

"Tea Lan Sali" one by one Tang Xinjiang is the theme of the third UN International Tea Day and the second World Tea Paker (APEC) Summit, and has been collected by the United Nations Art Foundation and the World Public Economic Organization.

The lobby of the Central Committee of the Ministry of Foreign Affairs Collection "Cloud Volume Thousand Peak Collection.

The Inner Mongolia Military Region's hospitality collection "Zunyi Chenxi"

"Bashan Red Leaf Red" in the Art Museum of China Art Research Institute

Recipe, Shining. Chunyan returned, Wuhan was picturesque.

-When the morning waving the ga with war crown poison

Acknowledging the breeze, supporting the war. Everyone's heart, Chunming gathered!

"Yellow River Song"

"夔 姿 姿"

"Wuxia Yunfan"

Watching Mr. Tang Xinjiang's landscape paintings, a quiet, ethereal, serene, and mysterious breath, with a strong book of books, while retaining the taste of Chinese literati brushes, it reflects his contemporary aesthetic interest. The pigment is light and the taste is high. His paintings have a sense of relaxation and joy. They seem to be inadvertent, but they are pursuing preciseness everywhere. Although there is no bamboo in the chest, there is a hill in the chest. Yes, although casual, but not casual. Painting Chinese painting is extremely valuable to be free. Freedom is the cause of sex to be a high state of artistic creation. Only in this state can the human mind be fully played.

"Cuiwei Family"

"Mountain Hu Song"

"Echo of Jiangshan"

"Mountains and Founds Exotic Wind Moon Same Day"

Landscapes are gifts from human beings, and they are also the breeding of human beings, and they have evolved, mature life cradle. Therefore, in the history of human culture, as a natural symbol of landscape, it has become the theme of eternal singing -in Western painting, it is a different manner of landscape theme. In Chinese painting, it is the endless landscape poetry. The theme of landscapes in Chinese painting has formed a specific aesthetic quality and aesthetic orientation under the scope of ink and ink materials, forming style characteristics and aesthetic performance characterized by water, ink, pens, and lines.

Mr. Tang Xinjiang uses the theme of landscapes to explore the relationship between man and nature, and the resonance of nature and spirit. Analysis of the works, we found that the painter was looking for his own artistic direction and artistic positioning in the future and the future. His landscape paintings clearly reflect the traditional symbols, the deep influence of the pen and ink, especially the modern sense and modern spirit of Huang Binhong in modern times. It was his spiritual revelation.

"Xishan Wu Dao"

"Jiangcun Wu Dao"

"Shan Mountain Fishing"

"Fruit Harvest Song is also sweet"

"Bashan Qiu Nong"

"Wind and Qi Zheng Daolong"

Mr. Tang Xinjiang also has a lot of love for flowers and birds. We can feel the magnificent artistic conception of Chinese painting in his works. What you appreciate is not only the artistic sublimation of Chinese paintings for our reality, but also You can feel the character charm of the artist's own personality. These incorporated into the paintings make painting works more full of artistic value. Mr. Tang Xinjiang's Chinese painting flowers and birds are agile with pen, elegant lines, vivid and easy image, and have the temperament and style of famous masters.

"Fruits"

"The First Branches of Dongfeng"

"Good Bird Bamboo Blessing"

"Unknown Cold"

It is practiced by theory, a scholar and a scholar. In Mr. Tang Xinjiang, the deep heritage of the humanistic realm is first played, and then the art form of calligraphy is used to naturally develop the spiritual creative activities of modern scholars. Naturally, with the depth of the spirit of Chinese culture and Chinese art, so as to trace the source and re -rooted, on the basis of the deep understanding of the essence of traditional calligraphy, and then through the integrity of the daily life and practice, the integrity, the integrity of the practice -style practice, and the integrity, and the integrity, and the integrity, and the integrity, and the integrity of the practice -style practice, and the integrity of the spiritual practice. The process of development and mutation across traditional procedures, integrates ancient and modern books, seeps into talent, and has accumulated a lot of modern writing, which has become a modern writing that has a Chinese cultural style and full of spiritual and artistic personality.

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