Open for the first time!The reporter from the Yangtze River Daily visited the National Edition Pavilion, Hubei and other places in various places made a stunning appearance

Author:Changjiang Daily Time:2022.08.13

The Yangtze River Daily Da Wuhan Client August 12 (Reporter in Beijing) Inherited the ancient and present, the new Chinese version of the Chinese version of the National Edition has attracted much attention. On August 11, the National Pavilion Central General Museum held the first media open day event. The reporter from the Yangtze River Daily was invited to visit the national version of the general database and the Chinese cultural seed gene library.

The Central Pavilion of the National Pavilion is located on the north extension line of the central axis of Beijing and at the foot of Yanshan. Reporter Ke Li Photo

The reporter from the Yangtze River Daily in the basic display "Swenzzz -Ancient Chinese Civilized Version Exhibition", seeing a number of cultural relics such as Qin Jian, Cai Pain, and Wu Wangfu, many national treasures from Hubei Cultural relics are presented in different "versions". There were also replicas of Chongyang copper drums, Yue Wang Gou Jianjian, and huge pictures of Zeng Houyi.

The National Edition Hall exhibited huge photos of Zeng Houyi unearthed from Hubei. Reporter Ke Li Photo

Rise of Chinese Culture SPD under the foot of Yanshan

Starting from Tiananmen, driving more than 50 kilometers into the foot of Yan Mountain. Qunfeng Gongwei.

This place was originally an abandoned quarry. Now a Chinese building complex is born and built on the mountains. The feelings of the name of the Tibetan, the passage of the world ".

According to reports, as a cultural handed down project with great significance, the national version of the museum aims to "continue the Chinese style, strengthen cultural self -confidence, show the image of a great country, and promote civilized dialogue." Its construction lasted 3 years, and the architectural design and exhibition layout complemented the unique charm of Chinese culture everywhere.

After picking up the level, Qu Yuan asked the sculpture of the sky, as opposed to the astronomy Zhang Hengli, as if the flashes of the ancient Chinese civilizations that flashed back and flickered by the stars.

Qu Yuan sculpture. Reporter Ke Li Photo

The relevant person in charge told the reporter of the Yangtze River Daily that the "version" in the national version of the museum is a broad concept. In addition to the well -known book version, all resources in ancient and modern Chinese and foreign, Chinese and foreign, can be called "version". In addition to collecting various publishing versions since the founding of New China, at the same time, it absorbs ancient Chinese books, revolutionary literature, religious documents, carving picons, inscriptions, coin stamps, film and television dramas, and foreign boutique versions with historical and cultural heritage.

The national version of the hall building highlights the traditional Chinese cultural temperament. Reporter Ke Li Photo

At present, the number of versions of the museum reached more than 16 million copies, and tens of thousands of exhibition exhibits opened, covering the ten types of versions, while highlighting the combination of exhibitions, setting up the "Four Treasury Books" Wen Han Wen Han The "Ancient Books Real Estate Exhibition, the first display of Wenyuan Pavilion, Wenshuge, Wenjin Pavilion, Wenlan Pavilion Four Pavilion Shinben and simulation shadow prints on the same stage; In the middle of the rolling, interpretation of the development of Chinese history and the evolution of civilization.

Show rich and heavy Chinese civilization heritage

The National Edition Pavilion is a Chinese version of the Chinese version of the Chinese version of the Chinese civilization mark. It is based on the development of Chinese history and the evolution of Chinese civilization, creating a "1+2+3" pattern, including 1 theme exhibition, 2 basic display, 3 special exhibitions, integrating libraries, museums, art museums, archives, etc. A variety of venue functions are integrated.

Entering the front hall of the national version of the building complex, Wenxing Building, the reporter from the Yangtze River Daily saw three large -scale special exhibitions, showing a rich and heavy Chinese civilization heritage from different perspectives.

The version of the craft exhibition shows the version of the Neolithic period to nearly modern. The ancient books are full and fixed. The production of comic comic and laser photos allows Chinese printing to bid farewell to lead and fire. The 3D printing of the ever -changing day makes the audience shout "Raise Knowledge".

The China Stamp Show showed the first Dalong stamp issued by China in the late Qing Dynasty to Zhenyou during the Republic of China and more than 1,600 sets of more than 5,000 stamps issued by New China. The national version of the theme post office was also set up at the scene. The exquisite national version of the museum commemorative stamps and postcards were very popular.

Stamp exhibition. Reporter Ke Li Photo

The Chinese Monetary Show exhibited from the earliest bone shells and Shiba, to the knife coins from the pre -Qin period, to the emerging digital RMB, and vividly demonstrated the development and changes of Chinese currency.

Currency exhibition. Reporter Ke Li Photo

Wenhua Hall is the main building of the version of the hall. It enters the Wenhua Hall of the Central Hall. The two -story and 1350 square meters of the national study room is magnificent.

The seal of the "Qi Continuation" in front of Wenhua Hall is by far the largest stones in my country. Reporter Ke Li Photo

National Study Room Bookcase. Reporter Ke Li Photo

A group of central Jiugongge theme bookcases and a total of fourteen groups of unit bookcases are the main body of the study. It also reflects the essence of traditional Chinese architecture.

National Study Room Bookcase. Reporter Ke Li Photo

Focusing on the national study, the first floor of the Cultural Hall is also the basic display "Witness the Great Professional -the Chinese National Revival Edition Exhibition". Through various versions and literature, review the history of the great rejuvenation of the Chinese nation, including major national strategies such as the development of the Yangtze River Economic Belt Essence

On the second floor of the Wenhua Hall, the "Sven in Zezi -Ancient Chinese Civilization Version Exhibition" was basically displayed. Through many national treasures, it showed a long history of Chinese civilization. The height of the National Edition Pavilion is Wenhan Pavilion, which is located at the northern end of the axis. It is located above the foundation of the Taiwan base.

Wenhan Pavilion draws on the charm of the building of Mogao Mo in Dunhuang. Reporter Ke Li Photo

In the Wenhan Pavilion, the theme exhibition "The Light of Truth -The Classic Edition of the Sinicization of Marxism" was unveiled, bringing together more than 2,000 classic Marxist versions to fully display the glorious journey of Sinicization of Marxism.

Different versions of "Capital" attract audiences to stop. Reporter Ke Li Photo

A reporter from the Yangtze River Daily saw the translation of Marxist literature with Li Da, an old principal of Wuhan University at the scene. Reporter Ke Li Photo

In the Court of Wenhan Hall, the precious ancient books were displayed, and they focused on the display of "Siku Quanshu", "Yongle Ceremony", "Ancient and Modern Book Integration", etc. Reporter Ke Li Photo

National Treasure Cultural Relics shows the splendid Jingchu civilization

One of the basic display of the National Edition Pavilion, "Swenzzhz -Ancient Chinese Civilized Edition Exhibition", many national first -class cultural relics run through the exhibition line, such as the golden iron core copper dragon, Tang Sancai Tao Ma, Jin Houyu, terracotta warriors, etc. The national treasure -level cultural relics and ancient books from Hubei are shining in the national version.

Director of the Exhibition Department of the Hubei Provincial Museum, Zeng Pan told the Changjiang Daily reporter: In 1975, the bamboo slips unearthed from the Qin tomb of Yunmeng Sleeping Tiger in Hubei in 1975 were written in the late Warring States Period and the Qin Shihuang period. Documents, medical works, and books about the time of good luck and badness provide informative information for the study of the development history of Chinese calligraphy and the political, legal, economic, cultural, and medical aspects of the Chinese calligraphy and the Qin Empire.

Cultural relics experts copied some of the bamboo slips unearthed from the tomb of the Qin tomb of Yunmeng, Hubei, as one of the basic columns of the version of the hall. Reporter Ke Li Photo

The "First Sword of the World" exhibited by the National Edition has attracted the reporters of the Museum to stop. According to reports: Wu Wangfu and Yue Wang Goujian was a life and death enemy during his lifetime. After 2000, Yue Wang Gou Jianjian and Wu Wangfu were quietly lying in the same display cabinet. The "first sword in the world" Yue Wang Gou Jianjian was unearthed in Jingzhou, Hubei. According to experts, this sword was one of the accompanying partners of King Chu Hui's mother (Gou Jian's daughter Yue Ji) to marry King Chu Zhao.

Wu Wangfu, unearthed from Hubei, and Yue Wang Gou Jian Sword (replica) at the national version of the museum. Reporter Ke Li Photo

The national version of the ancient civilization version exhibitions have gathered treasures from all over the country. Reporter Ke Li Photo

The audience is drawn by the world map drawn by Matteo Ricci. Reporter Ke Li Photo

The version of "The Song of Youth" on the spot was played by the film heroine Lin Daojing, played by Xie Fang, the original Wuhan Opera Opera, Xie Fang. Reporter Ke Li Photo