Grass -roots writers actively pay attention to the "New Era Mountain Township Giant Change Creative Plan" - "Back to the villagers to create a true and credible literary image"

In order to truly reflect the life of the people and the vivid writing of the era, writer Liu Qing penetrates into rural experience life, and has collected creative materials extensively. It has been in Huangfu Village, Chang'an County, Shaanxi for 14 years. In rural towns, industrial and mining enterprises, school agencies, and marketing markets, "labor like cows, dedication like land"; in order to tell the new era story of poverty alleviation, writer Li Di went to Eighteen Dong Village to interview in depth, tolerate huge huge Completion of "Eighteen Stories of Eighteen Cave Village" ... Countless cases in the history of literature show that life is the source of living water for literary creation. Without a solid and profound life experience, it is impossible Doctrine.

In the vast literary practice of writing the huge changes in the new era, grass -roots writers are undoubtedly the most important and most important literary power. They have lived in the first line of rural areas for a long time, and have the most in -depth understanding and experience in the historic changes that are happening in the new era. The proposal of the "Great Change Creation Plan for Shanxiang in the New Era" is to summon the writing forces that are at the grassroots level of the mountains and the creative passion, and launch a group of new literary newcomers with vitality, potential and innovative spirit, and write it with mountain township people. The way of changing the mountains and townships to tell the Chinese story in the new era, and continuously expand the new power of Chinese literature.

Write the joy and sorrow of the masses of the people

"Whether it is poverty alleviation, rural rejuvenation or agricultural and rural modernization, every time the history of history is a milestone feat." Shanxi writer Jinyang said that China is a large agricultural country, and agriculture, rural and farmers are artistic works. theme. "When I am in the hinterland of Luliang Mountain in the northwest of Jin as the first secretary of the poverty alleviation in the village, it can be said that I have fully participated in this great historical process. What they thought, attracting investment for the village, helping farmers grow apple trees, and develop the animal husbandry breeding industry ... I feel that my body and mind have the most authentic flesh and blood in the peasants. During the poverty alleviation, I heard that many party members and cadres dedicated themselves to poverty alleviation. The touching deeds of career also let me know the arduousness and complexity of rural poverty alleviation. "

Jinyang introduced that the reason why he created a long novel about the changes in mountains and township is because in the process of poverty alleviation work, the most authentic and vivid rural life, and the other is because of his related life experience. There is a natural intimacy. "Starting from the older generation of yam eggs represented by Zhao Shuli, Shanxi has the vivid writing and portrait of the new appearance and new image of the rural farmers of New China. The excellent tradition of a generation of writers return to the country, get close to the earth, stay away from the hustle and bustle and impetuousness, and use the rapid development of mountains and towns as the background of the times, facing the countryside to the countryside, write the joy and sorrow of the people, and write that they are facing the countryside. The excitement, joy, pride, and pride of revitalizing and the great changes in the mountains and township are the glory and dreams of our grass -roots authors, and the requirements and mission of the times. "The journey of literature is also the sea of ​​stars. Writing for the people and singing for the huge changes in mountain township should become the eternal pursuit of grassroots authors.

"The China Writers Association launched the" New Era Mountain Township Giant Change Creative Plan ", and many writers participated enthusiastically, which made me feel excited when I saw the news, and gave me many writing motivation." Henan writer Ding Zhenyu said The main grass -roots writer provides a high -quality platform for realizing the dream of literature, so that the works of more grass -roots writers have the opportunity to be pushed to the society. Talking about how grass -roots writers can better write the countryside, Ding Zhenyu said that first of all, we must go deep into the front line of the countryside to collect materials. Secondly, the selection of the entry angle and enhance the standing and height of the work. , Shape the flesh -and -flesh character image. "My own works are created on the basis of absorbing many lifestyle prototypes. The focus is mainly on the village -level grass -roots poverty alleviation cadres and poor households. , To form a love of fish and water with poor households and all villagers, lead the masses to get rid of poverty and embark on the road of rural rejuvenation, so that the original poor and backward villages have changed in a few years. " More and more realistic works that spread the positive energy of society.

"Passing" is the best posture of literary creation

Sichuan writer Zhang Ni mentioned that today's rural China still exists important topics such as rural modernization, the difficulty of modernization, the spiritual construction of contemporary farmers, and the growth of new spiritual individuals. It is urgent to write and explore literature. Writers need to consider how to make the humanistic care of literature not only reflected in the revealing of social maps, and also in the deep observation of the human mind. "When we observe, study, and express a object, the best way is to integrate it with it. Polish female writer Olga Takarchuk said that literature is based on the tenderness of others to others. Above, 'gentleness' may be a kind of feelings that we should always have when we are creating such subjects. Gentleness gives all the personalization related to it, so that these things have the possibility of making sounds and the possibility of being expressed. When creating novel creation, I often have such a warning and expectation to myself. Opening the hard shell of social life, I tried to describe the mottled and clear inner mirrors under the magnificent wave with a special texture. "

In Zhang Ni's opinion, writing a new era of mountains in the new era is an important opportunity to rebuild literature and society in the past. It is a aesthetic creation in the context of the new era. "We need to use aesthetic ideals to view the current actual experience, while constantly through speculation and provincial inspection, to implant the spiritual energy of literature into the bloodline of the works, and use the simplest emotion to drive our writing." She also mentioned that the writer's writing Strategy requires revolutionary innovation. "Although grass -roots writers can better understand the vigorous vitality of the mountain township in the new era, if they always hover from a inherent perspective, along the usual understanding of agriculture, rural areas, and farmers, they cannot provide brand -new new. Literary experience. "Only in the process of writing, explore and consider multi -dimensional exploration and consideration of the current historic and magnificent practice can we have deeper insights and expression. "I live in a small town in the coast of the Yangtze River. It is an ordinary civil servant. The content of daily work is inseparable from the country's vigorous promotion of rural revitalization. Writer Zhu Chaomin believes that "present" is the best attitude of writers to pay attention to the current countryside and create. She said that after the current village has experienced poverty alleviation, material life has been greatly improved, but this is far from enough. Ecological environmental protection, mental health, and bright spirit are the inherent requirements. Promoting the development and improvement of farmers' spiritual life is the connotation of rural rejuvenation in the new era, and it is also the endless driving force of the people in the new era. "To write the healthy integration of the countryside in inheriting traditional culture and the development of civilization in the new era, this is also what I try to pay attention to and write in the creation."

Broaden writing vision, extend writing path

Gansu writer Wang Xuan said that China's roots are in the countryside. Only by understanding today's villages and only seeing the villages in the huge changes today can we understand China and China. The Chinese Writers Association launched the "New Era Township Giant Change Creative Plan" to the whole society. First of all, the writers clarified a creative direction, that is, the mission and responsibility of literature in the new era to focus on the historic changes in the current Chinese countryside; followed by It provides a vast platform for the majority of grassroots writers to promote more new people and new works of grass -roots levels and new works; the third is to promote a spirit of deep life, rooting people, unremitting efforts, and hard work. In order to integrate the spirit of spiritual creation, we can perceive the pulse of the times and the meaning of literature.

"Grass -roots writers are on the front line, the most closely connected with the countryside, and has a richer living experience and creative foundation. But literature is not simply hearing, nor can it be achieved by a few times. Writers need to go deep into it and return to the folks. In the middle, listen to, watch more, go more, and live themselves as part of them. The character and persistent creative spirit of loved ones further expand and extend the path they come out. "Wang Xuan said. Talking about future creative plans, he said that he pays more attention to the topic of talent revitalization. "People are the foundation of everything. The writing attitude of the people who pay attention to ordinary people will not change."

Jilin writer Zhai Yan said that the "New Era the Great Change Creative Plan of the Shanxiang" echo the voice of grass -roots writers, helps the launch of more outstanding writers, and encourage more experienced and capable writers to invest in this writing. From different perspectives to interpret the huge changes in mountain township. "To write a huge change in mountain towns in the new era, you must be in it, and you must fully experience and experience from top to bottom. We must fully understand the past villages, understand the efforts of the country's efforts during the tackling of poverty, and the country's efforts during the revitalization of the countryside. For hardships, we must also fully understand the changes of rural people in the huge changes. "In her opinion, the writing of the writer's writing cannot be limited to the village itself, but to establish a big historical view and the view of the great era in the heart. The vision of the work will not be itchy. The new era is the era of mutual integration of urban and rural areas. The writing of writers must also reflect the interaction of rural and urban integration. Finding the collision of literature between the countryside and the city will inject new forces into the new era, which fully reflects the new era of mountain township. The "giant" and the "big" of change.

"Since writing, I have been paying attention to the countryside of the Northeast. The novels I have created are based on my work with me. He has worked at the Poverty Alleviation Office, and has experienced very difficult 5 years as all poverty alleviation cadres. From the perspective, I know that this huge change is not easy. "Zhai Yan said that he will continue to pay attention to the changes in the Northeast countryside and the anxiety of the rural people. It can reflect the changes in rural areas, reflect the inner, temperature, and highly literary works of rural characters.

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Content source: Literature and Art News August 12, 2022

Edit: Deng Jiezheng

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