Why is the source of Hongshan civilization

Before

The Xiliao River civilization is one of the three major sources of Chinese civilization. Hongshan Culture is a glorious representative of the prehistoric civilization of the Xiliao River.

As the key project of "two creations", the "why Hongshan" Hongshan Culture All -Media Communication activity lasted for several months and made a result. From now on, the entire media of Caozan has launched 6 entire version of the report- "The Source of the Red Mountain Civilization", "Red Mountain Heavy Instrument's Controversy", "Tianyuan Local and People", "Mountains and Rivers Refining Water Milk", "Hundred Years of Hundred Years" "Archaeological Culture Department" "Inheritance of Fire".

Let's launch the first one today

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In late July 2022, the archeological excavation project of the Hongshan Cultural and Archeological China project and the Grand Pottery Site was fully launched.

In late August, Hongshan · Liangzhu Cultural Cultural Relics Exhibition was held at the Inner Mongolia Museum.

People focus on Hongshan again.

Hongshan Culture, the glorious representative of the prehistoric civilization of the Xiliao River, provides important physical examples for the origin of Chinese civilization.

Let us walk into Hongshan, with awe and pride, to find the genes and blood sources engraved in the bones of the Chinese nation, witness the development of the Chinese nation community, and consolidate the ideological foundation of the consciousness of the Chinese community.

Red mountain

The sun and menstruation, rivers and rivers. The river, the flowing flow is endless, and the world's Xuanhuang and the universe are flooded.

Even millions of years ago, between the west of the northeast of the northeast of China, between the Daxing Anling Mountains and the Yanshan Mountains, the West Liao River flowed anciently.

The prehistoric ancestors, which welcomed many sunrise and sunset on the banks of the West Liao River, and looked up at the pursuit, creating an orderly prehistoric culture of nearly 10,000 years, and reflected with the mountains and rivers.

Among them, the most shiny star bucket is centered on the Sla Mu Mu and Laoha River Basin, with an area of ​​200,000 square kilometers. Hongshan culture.

Archaeologist Mr. Guo Dashun believes that Hongshan Culture is a symbol of 5,000 years of Chinese civilization, and it is also an empirical evidence of Chinese civilization. It is a historical foundation for the formation of the diverse pattern of Chinese culture.

Tao Jianying, a member of the party group of Chifeng City Culture and Tourism Bureau, Dean and researcher of Chifeng Cultural Expo, believes that "the Red Mountain Culture should be studied as a node."

At the beginning of Nongzhi He Shengyufeng

Mr. Su Bingqi pointed out that the birth of agriculture has already marked the origin of civilization.

In the showcase on the first floor of the Aohan History Museum, there are several black millet under the microscope. The curator Tian Yanguo said: "This is the carbonized Xiaomi 8,000 years ago in 2002."

According to Wang Dafan, vice chairman of the Inner Mongolia Cultural Relics Society, in 2002, Zhao Zhijun and Liu Guoxiang of the Institute of Archeology of the Chinese Academy of Social Sciences adopted a floating method when discovering the Sixou Site of Xinglonggou, and found more than 1,500 black millets and carbonized carbonization. The granular specimen, the annual identification year of the Peking University team C14, belongs to the era of Xinglongwa Culture, 2700 years earlier than the Guzi found in the Central European region, 500 years earlier than the militon of the millet unearthed from the Rich Mountain site in Hebei Province. The earliest grain of the times.

"Compared with the Xinglongwa period, the drought agriculture during the Hongshan Cultural period has been further developed." Wang Da said.

Sun Yonggang, dean of the History and Cultural College of Chifeng College of Inner Mongolia, is committed to plant archeology. "The results of plant archeological research show that Chinese agriculture originated 10,000 years ago. After domestication of crops, the ancestors gradually improved production technology, laying a solid foundation for the formation and development of Chinese civilization." Crops and production methods in China have spread to other parts of the world, which has promoted the development of world civilization. "

It is, with nearly 10,000 years of He Shengfeng, only the endlessness of the Chinese nation and the long history of Huaxia civilization.

The art of the art is beautiful

If you use a symbol to represent the Chinese nation, then it must be: Dragon!

If you use a material to represent Chinese culture, it is jade.

If there is a culture that lays the solid foundation for the continuous development of China's jade culture, it is Hongshan.

The C -shaped jasper dragon, known as the "first dragon of China" in Hongshan, has long been known at home and abroad.

Dragon, the most intimate identity between Chinese people, found that it was confirmed by archeological research that it originally originated in the Liaohe River Basin.

"Actually, the pottery of pottery worship was found during the Xinglongwa Culture period. The Zhao Baogou culture period had a 'translucent artistic dragon'." Tian Yanguo said, "This is Xinglongwa A pair of pig heads unearthed in the site, the head is two wild pig skulls, and the body is placed with stones and pottery slices, which are generally S -shaped. "

Dong Jie and Zhu Chengjie believed in the "Astronomical Reading of the Dragon Culture in the 8000 Years of the Liaohe River Basin" that this was of great significance to the pig's head dragon. From the beginning of it, the concept of "dragon" was artificially regulated. It is a single animal, but as a artistic pattern that is abstracted abstract, fixes in the concept of human beings and inherits future generations.

On the wall of the Weng Niute Banner Museum, a "Chinese dragon -shaped development and evolution exhibition board" hangs on the wall. I saw that from the Neolithic era to modernity, the dragon was portrayed as a beast that was compounded by several animals. The multi -ethnic integration of China echoed.

The Weng Niuteqi Museum also collects a yellow jade dragon, which is yellow -green, like the vitality when the grass and trees are germinated in spring; Mr. Deng Cong believes that Huang Yulong, especially the dragon head, has a high mood, giving people a sense of being empty and talented. "Hongshan Cultural Jade Wares contain the concepts and spirit of Chinese art aesthetic aesthetics from the subject selection, modeling design, carving technology to use function, that is, from 'viewing objects' to 'to the elephant to determine", and then pursue' The pride of the elephant and even 'elephant invisible', and finally reached the realm of the 'device' to carry '. "Cui Yanqin, an associate professor of the School of History and Culture of Chifeng College.

The archaeological community generally believes that the idea of ​​"only jade" in Hongshan jade culture has a decisive influence on the ideas of "Shangyu" in later generations, and it has also opened up the precedent of jade ceremony.

Surprisingly, "Xinglongwa Culture and Hongshan Culture have unearthed a large number of exquisite jade articles, but the source of jade materials is not local, but Liaoning Xiuyan." Sun Yonggang said.

As one of the main artistic achievements, the colorful pottery begins to appear in the early and late period of Hongshan culture, and matures in the middle and late development.

The chief Lin Yang of the Hongshan Cultural Museum pointed at the black red pottery tube tank (model) unearthed in the Arukorqin flag and said, "You look at its decoration, there are dragon scales, rose patterns, and diamond -shaped patterns at the same time."

When the distant jade moves thousands of miles, it is polished by the Red Mountain people into exquisite jade. The diamond -shaped square pattern in China and the rose pattern of Yangshao culture and the dragon scales of Hongshan culture together together, we can draw conclusions: "Five thousand thousand A few years ago, the ancient culture of Asia and several vitality in the north and south of China gathered in western Liaoning. This has become a melting furnace that is compatible with the world's north -south culture and one of the origin of Chinese civilization. "

The origin of rituals is the preface of the ritual order

The glowing jade dragon solidified for a long time. We seem to be able to see, alpine, Taiwan, altar. A little starlight and the bonfire in the bear. Wang Wu held a jade dragon in his hand, and he thought of his words in his mouth, slowly moving towards the center of the altar. The Redshan people worshiped the world with awe and hope.

Li Mo is greater than respect for the sky, and Yi Mo is greater than the suburbs.

The magnificent scale of the Nihe Liang site and the orderly layout of the orderly and orderly layout of the altar, temples, and graphics are the highest achievement of the late Hongshan cultural construction industry.

"The front picture of the altar is like the Qiuqiu of the Temple of Heaven in Beijing, and the rear is like the Prayer of the Temple of the Temple of Heaven in Beijing." Su Bingqi once said.

This three -story building concept, which is deployed by the three -story altar, Tianyuan place, and along the central axis, together with the tradition of the northern temple south and the ancestors of the heavenly Fa, all are similar to the Beijing Temple of Heaven, Taimiao and the Thirteen Tombs of the Ming Dynasty.

In May 2012, the "Chinese ancestor god" unearthed at the Xinglonggou site of Aohan Banner was the most popular, most realistic, and most rich man in Hongshan Culture known to be known. "It created the precedent of the ancestors of the ancestors of the Chinese nation, and confirmed the objectivity of Hongshan Culture to respect the concept of the ancestors of the heavens." Tian Yanguo said.

"The respect of courtesy, respect for its righteousness."

Tang Qinfu and Ge Jinfang mentioned in the "Internal Value and Modern Conversion of the Chinese Traditional Rites and Modern Conversion" that the Chinese ancestors do not just pay attention to the external form of etiquette "advancement and retreat, prestige and restraint" Essence

This spiritual essence is what Mr. Qian Mu said "historical origin" and "life qi pulse". It is moral, norm, and "harmonious" and "harmony". It is a unique cosmic view and world view unique to the Chinese nation. For thousands of years, crossing tens of thousands of miles, the genes and blood in the bones of the Chinese nation have been passed down for a long time and from generation to generation.

"Bei Hongshan, Nan Liangzhu."

Liangzhu culture found that Mr. Shi Xinzhi once asked: "Our ancestors in ancient times, persevered in this vast land, and created a brilliant culture. We traced back today, how should we continue to continue the life and glory of our nation. What about culture? "

In the past century, generations of archeologists have been in the awe of history and ancestors, both wind and rain, and unremittingly seeking the spirit of Hongshan culture and the beauty of art gradually revealing the world. In 2012, the Hongshan Cultural Site entered the "Chinese World Cultural Heritage Preparation List" and set foot on a new journey.

"It must be promoted to the world as soon as possible," said Hua Yubing, a professor at Liaoning University.

"Shen Yi is always on the road. We have to take every step solidly." Tao Jianying said.

"We must increase the investment in archeological excavations, protection and research, strengthen the integration of the cultural tourism industry, and let Hongshan culture walk into the public vision and public life with a new attitude." Said Meng Xiaobing, deputy mayor of Chifeng City.

"It is necessary to further inherit and carry forward the innovative factor and exploration spirit contained in Hongshan culture, tap and talk about the evolution of the multi -in -one pattern of Chinese culture, promote the whole society to enhance historical consciousness and firm cultural self -confidence, and add bright colors to prosperous Chinese culture." Wan Chaoqi, Secretary of the Chifeng Municipal Party Committee.

We have reason to believe that in the future, through continuous excavation and research on Hongshan culture, we will definitely provide a more confidence for the spiritual appearance of the Chinese people in today's era and the spirit of self -reliance!

General Planning: Wu Hailong Liu Jing

Executive planning: Jiang Xinhui Gili

Supervision: Wang Jingyu

Coordinating: Wei Na

Drawing: Su Hao

Copywriter: Li Qian

Reporter: Xu Yue Jinquan Liu Mo Mo Wang Tana

New media presentation: Dagulla

Source: grassland all media

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