The opening ceremony of the "2022 Jiangsu Stage Art Achievement Exhibition" was held
Author:Intersection Time:2022.08.10
On August 6, 2022, the "2022 Jiangsu Stage of Fine Arts Achievement Exhibition" co -sponsored by the China Stage Art Society, the Jiangsu Grand Theater and the Jiangsu Stage Society jointly sponsored by the China Stage Art Society, the Jiangsu Grand Theater, and the Jiangsu Stage Society jointly sponsored by Jiangsu The opening ceremony was held. This is also one of the fifth anniversary of the opening performance of the Jiangsu Grand Theater.
▲ From left to right: Ye Baorong, Cao Lin, Xu Ning, Zhang Jianhua, Liu Xudong, Qu Feng
This exhibition is the largest stage art professional exhibition organized by Jiangsu Province, with a total of 482 designers participating in the exhibition. Among them, 175 sets of graphics, 40 stage models, 5 theme scenes, 64 character -shaped physical objects, 207 sets of stills, 2 virtual VR works, and 26 stages of hand -painted stage effects on the older generation of stage artists, 68 art works, 68 art works A total of 482 designers participating in the exhibition.
The opening ceremony was chaired by Gu Ping, deputy general manager of Jiangsu Grand Theater. Guests invited to attend the opening ceremony include Cao Lin, president of the Chinese Stage Art Society, professor of Shanghai Academy of Drama, Zhang Xu, vice chairman and secretary general, Zhang Qingshan, deputy chairman, director of the Dance Department of the Central Academy of Drama, Vice President, Chinese Opera Director of the Academy Dance Department, Mu Sen, a professor at the Chinese Academy of Fine Arts, Director of the Media Exhibition Department of the School of Cross -Media Art, Xu Qi, former director of the National Grand Theater Taihu Wumei Art Center, Liu Jianzhen, technical director of the Guangzhou Grand Theater, and Secretary of the Chinese Stage Art Society Chang Sun Haifeng, editor -in -chief Zhao Yan. Zhang Jianhua, chairman of the Jiangsu Literary Federation, Liu Xudong, vice chairman and secretary of the secretary, Xu Ning, secretary of the party committee and chairman of Jiangsu Wendou Group, and Ye Borong, deputy secretary of the party committee. Li Le, President of the Provincial Stage Art Society, Zhu Min, Secretary of the Party Branch of the Jiangsu Grand Theater, Zhu Min, general manager Liao Yi, deputy general manager Xu Xi, as well as provincial and municipal performing arts groups, outstanding designers in the province, and colleges Guests and colleges.
Since the fifth anniversary of the opening performance of the Jiangsu Grand Theater, it has always been deeply cultivated in stage art and other fields. This exhibition has also fully demonstrated the exquisite stage devices of many self -made dramas produced by Jiangsu. From the exquisite stage costumes in "Dream of Red Mansions" and "Tsing Yi", to the stage devices of "Chaotian Palace" and "Red Sorghum Family", there are also many minimum -reduced scenes at the scene. In the second floor exhibition hall, the contributions of the old and middle -aged artists to the drama stage covered them.
Highly recognized, high hopes
At the opening ceremony of the exhibition, many leaders and guests expressed their evaluation of this exhibition.
▲ Cao Lin, President of the Chinese Stage Art Society, delivered a speech
Cao Lin, president of the Chinese Stage Art Society, expressed his high recognition of the content and academicity of the exhibition: "The exhibition co -organized by the Jiangsu Grand Theater and the Jiangsu Dance Society has opened a good start to the development of stage art in the new period, and has played an active. Function! From this exhibition, you can clearly see in recent years, especially in the past ten years, the basic routes of stage art we have taken have left very clear marks. In the traditional sense, not only lighting, clothing, makeup, shape ... but also involved the foreigner for the future. "
▲ Zhang Jianhua, Chairman of the Federation of Literary Federation of Jiangsu Province, delivered a speech
Zhang Jianhua, chairman of the Jiangsu Provincial Federation of Literary and Art Federation, explained his views on the development of stage art from his own work experience and experience, and hoped that stage art exhibitions can continue at the Jiangsu Grand Theater and make brands. He pointed out: "Dance beauty is an important part of stage art. It is not supplemented, affiliated, without stage workers, and stage art cannot achieve such high achievements. Stage art has been improving and developing with the development of science and technology, society, and art. In the middle; the art of stage art must move from the top three and three highs to cultural modernization, and the literary and artistic art must also be modernized, and the three combinations of innovation and development must be achieved: first, the combination of tradition and modernity. The combination of tradition and modern dance beauty There must be new concepts and new means; the second is the combination of realism and freehand. Reality can bring audiences and plots into limited space -time. If you are too realistic, it will fall into limitations. Combining. How to integrate sound and photoelectric and real -life production is a point that we need to think and pay attention to further development of Jiangsu stage art in the future. "
▲ Li Le, President of the Stage Art Society of Jiangsu Province, delivered a speech
Li Le, president of the Jiangsu Stage Art Society, introduced the detailed situation of this exhibition: "The exhibition is an independent display of the important part of the stage art '' stage art ', so that the unknown stage art workers come from behind the curtain to the scenes to In front of the stage, show the unique artistic charm of stage art! "
This exhibition will last until August 30 (closed every Monday). Experts and scholars and stage art enthusiasts are welcome to come to communicate, visit, and punch cards. While enjoying the feast of visual art, they also fully experience the speed of the stage art on the Jiangsu province. develop.
Explore the present, look forward to the future
Following the opening ceremony of the exhibition, on the afternoon of August 6, the Dance Forum with the theme of "Aesthetic and Enlightenment of Contemporary theater Art" was held at the Multi -Function Hall of the Jiangsu Grand Theater. The first stage art and cultural exchange platform created by colleagues.
Zhao Yan, the editor -in -chief of the Chinese Stage Art Society, served as an academic host of the forum. She said: "There have been too many changes in contemporary dance beauty. One of them is science and technology. Such as a variety of new media, new materials, new machinery, and virtual technologies in the stage design and future applications. The second is creative concepts. Various contemporary art, film and television industries, and even the lifestyle of today's society are fierce in stage art. The stimulus and blending. The third is the aesthetic of the audience. What a huge change in the thinking habits and aesthetic demands of contemporary audiences? This is a problem that every drama is thinking to cater to or the confrontation. It directly leads to the innovation of stage art, the change of the director's technique, and the change of the screenwriter's narrative. This is a set of Domino. " Thinking that after a few centuries, the concept of the theater and performance in traditional Chinese culture may have been converted. In the face of contemporary theaters, in addition to a large number of artistic practice, we must also establish our theoretical system. This is not easy , But we must have the goal of confident struggle. "
Zhang Qingshan, vice president of the Chinese Stage Art Society and director of the Department of Fine Arts of the Central Academy of Drama, spoke to "Classic of Stage Art": "When talking about classic, I think the classic of stage art creation comes from creators from the drama and drama performances Basic cognition and understanding, I think: it is the basis for creating any classic works. At the same time, due to the comprehensive characteristics of the drama performance, the content covers is widely covered. It is possible to present classic art works in the end to put forward 'high standards'. This is also the new requirement of cultural and artistic works at the moment,' there is a plateau and a peak. "
The Vice President of the Chinese Stage Art Society and the director of the Dance Department of the Chinese Academy of Opera's School of Dance, the "Chinese Aesthetic Concept in Contemporary Dance Beauty" made a speech: "Today's Chinese dance beauty is not just aesthetic, etc. Expressing that in terms of creative display and the development needs of life, everyone's creative exploration has greatly innovated the business category of Wumei, and many valuable experiences that can produce can be studied and worth promoting. "
Professor of the School of Chinese Academy of Fine Arts, Director of the Media Exhibition Department of the School of Cross-Media Art, and the person in charge of the Institute of Narrative Engineering, Professor Mu Sen said the title of "Method Scenography — Viewing the Stage Arts": "Cross-media giant as a practice-teaching- teaching- Paradigma. Use the curatorial way to perform. Use the performance to display the design. Cross -media giant, as a narrative comprehensive installation medium category, is based on the current art world situation, connects different disciplines, explores new new ones Art production method. "
Professor Gong Shengming, vice chairman of the Jiangsu Dance Society, said: "The theater has the importance of unlikely for the development of drama culture. The theater is an important place for the development of drama culture. With the form, we are more and more aware of: freehand art will provide unprecedented development prospects for future theater development. "
Sun Zongjian, deputy secretary-general of the Jiangsu Stage Art Society, gave a wonderful speech for everyone, entitled "Aesthetic and Enlightenment of Contemporary theater Arts-Theater Art Thinking in the Visiting of Yuan Cosmic," 5-W Virtual Transport Experimental Plan " Global release: "Dance design under the virtual theater of the Yuan universe will no longer complain that the theater space limits the imagination of the artist. It should be built for the performance of the performance of the performance of the performance. You can achieve a drama and one space. The dance design of the Yuan universe should be the "perceptual media space", which may be the future direction of the drama dance in the Yuan universe. "
Finally, Liao Yi, general manager of Jiangsu Grand Theater, spoke on behalf of the organizer: "In the five years since the opening of the Jiangsu Grand Theater, it has always adhered to the purpose of" people's nature, artistic, and international nature ", and always adhered to the platform for Chinese and foreign art. In the Jiangsu Grand Theater, everyone will explore and look forward to the development of Jiangsu stage art and the prosperity of national stage art! "
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