"Salvation of China" in the "Leopard Youth Universe"

China Youth Network, Beijing, August 10th (Reporter Mu Haozhang Correspondent Tang Jiangdong Wang Peiwen Intern Liu Yiyi) Imagine the future is a trend of trend. Looking back at the past is also a trendy.

Once upon a time, the museum was synonymous with "high cold" in people's minds. The cultural relics and collections of the collected collections were hidden in the glass cabinet, and there was always a layer of cold gap with the public. But now, the museum has become a paradise for digital innovation. New scenes and new models such as digital collections, cloud exhibitions, and cloud experiences not only enrich the museum's "opening method", but also let cultural relics truly "live".

China Youth Daily "Leopard and Leopard Youth Universe" digital collection platform released on the first cultural blog digital collection "Qinqi Calligraphy and Calligraphy -Life Elegant in Copper Mirror" has been sold out for a while. Some commentators believe that such figures The popularity of collections means that no matter in the real world or the Yuan universe world, more and more young people are starting to get close to cultural and cultural innovation, willing to enter history and consciously spread traditional culture.

A few days ago, China Youth Daily · Zhongqing.com reporters interviewed Zhao Hao, deputy curator of Qingdao Museum, Wang Ruihua, the curator of Wuhan Museum, Huang Ke, the director of the Weifang Museum, and Shang Dingshan Museum Director Shang Bin. The creation and operation of the Yuanshi Community expresses their opinions. They believe that in addition to giving tourists a sense of "repairing the old", they must also bring a "innovation" vision.

Start at the face value

In the digital collection "Qinqi Calligraphy and Calligraphy -the Elegant Life in the Copper Mirror" released by the "Leopard Youth Universe" digital collection platform, the collection of boutique bronze mirrors from well -known museums is selected. , The Fourth of the Han Dynasty, the bronze mirror of the Four Shenbo Bureau, the "Doda Chinese People's Rich" five breasts beast mirrors, Tangbao Xianghua bronze mirror. Let young netizens pass through the ancient and modern times of "mirror" in the Yuan and modern times, and enjoy the classical charm.

"I used to see the cultural relics across the glass across the museum. I did not expect to watch it on my mobile phone." "The bronze mirror with a high face value is stunning time, and the years are gentle" "The wisdom of the ancients + the technology of modern people. ！”……不少网友在“豹豹青春宇宙”看到这几面铜镜后，被铜镜上精美的图案、充满古代哲思的文字所吸引……通过数字藏品，让大家看到， In the era without modern equipment, these ingenious cultural relics were amazing, and the rich imagination and superb technology of the artisans were also amazing.

The Tang Bao Xianghua bronze mirror, which pinnaches the beautiful auspicious meaning, presents the symmetry beauty between the superb skills and the clever composition layout. Flowers, petals, buds, buds, and leaves such as the decorative patterns based on radioactive symmetry are re -combined. Shang Bin believes that it is a rare good product in the copper mirror of the Tang Dynasty.

Tang Zhenzi Flying Frost Copper Mirror with a sunflower is decorated with auspicious clouds and moon patterns. The next person on the left side of Eguan Bo Belt, sitting on the piano, the phoenix birds under the tree stepped on Xiangyun, looking back at the dance, "This contains the good vision of 'concentric person, heart love, and carelessness to protect Qianchun' '' ' ","

"The new form of digital collection has broken the images of the dark and cold in the past, giving it temperature." Huang Ke believes that with the charm, the public's attention to cultural relics will naturally increase.

The decoration of the bronze mirror is sophisticated on the recovery of traditional Chinese patterns. It is a bit warm. The beautiful shape and gorgeous discs reflect the weather between the square inches. It is still dazzling because of its superb craftsmanship and unique charm. For example, a string of beautiful footprints and dazzling golden light left by history, so that the traditional artistic charm of ancient Chinese in ancient China has made a new vitality , Reflecting today, letting many young people stand in front of the bronze mirror, and feels like a thousand years.

Respect to philosophy

The copper mirror book is "full -faced face, Xiuer Fa, Zheng Er crown", and because of its "exquisite portrayal, the magnificence of text, the tenderness of the words", it has the beauty of craftsmanship, text and language beauty, so it has become extremely very beautiful, so it becomes extremely high -quality Cultural relics of exhibition, viewing and collecting value. Taking copper as a lesson can be used as a crown; based on history, you can know the replacement;

The bronze mirror has been stored from ancient times. It not only carries not only the aesthetic value that conforms to the characteristics of Chinese traditional cultural characteristics and today's aesthetic taste, but also contains the social moral standards and wisdom of life pursued by the ancients. The concentration of civilization and the concentration of people's spiritual appearance is also a valuable wealth left by history to the people today.

Huang Ke introduced the "rules" to reporters based on the blog pattern used in the Bronze Mirror of the Four Shenbo Bureau of the Han Dynasty. Legend has it that "rules" and "torque" are controlled by Fuxi and son -in -law, which means that they have made rules for human beings. All things in the world are restricted by rules. The universe concept is fully reflected. The outer edge of the back of the mirror stretchs the clouds and water patterns, symbolizing that the universe is around and it is not exhausted. The inner groove -style box outside the center of the back of the mirror represents the earth. The Quartet is guarded by the four gods of Qinglong, White Tiger, Suzaku, and Xuanwu, respectively.

Today, the philosophical thinking of "no rules and unresponsiveness, awe to know the way", or the inscription "good mirror is really good, there are immortals who do not know the old" in the mirror It is the "Four Gods" portrayed by the mirror body to eliminate evil and avoid disasters, pray for blessings and wishes, or the yearning for people expressed by the treasures on the bronze mirror; Go, the classical love of the back mirror is re -entered, or the Zhou Dynasty Yin Boqi exiled in the wild that he was exiled in the wild and adhered to the filial piety ... It reflects the ancient people's understanding of the time and space of the universe and the wisdom in daily life, and reflects the spiritual beliefs and customs culture of different regions and regions. "As the tools of the ancient people's face -to -face tools, the bronze mirror has a close relationship with people's daily life. In ancient times, the generation and popularity of these mirror back decorations and inscriptions had a certain relationship with the political, economic, ideological and cultural times of the time. . Because the backing area of ​​the mirror is small, the themes selected by the decoration are more typical and representative, providing us with reliable physical information for us to understand the ancient society. "Wang Ruihua believes that through the new form of digital collections, with the help of digital communication methods, it can be used by digital communication. Further to closer the distance between young people, museums, and collections, and enhance people's awareness of physical collections.

The young people approached the cultural relics and looked at the bronze mirrors. While appreciating, they also appreciated the vivid stories and heavy history behind the skills of clever work, realizing the time and space dialogue with the ancients, and forming a connection to the long history of history. These cultural relics are like stars. Every time you know one more cultural relics, the young people have a lot of light in the sky connected to ancient times. The ancestors and today's people observed the same cultural relics, and the soul and emotions spanning for thousands of years.

Loyalty

Now, through the new form of digital collections, the bronze mirror spanning the millennium history uses modern technology to show the ancient charm and traditional elegance of cultural relics, so that more value symbols and cultural products that carry Chinese culture and Chinese spirit are like " The historical scroll that lives up further, further shorten the distance between young people, museums, collections, and enhance people's awareness of physical collections, making people seem to be able to cross time and space, come to the past, and immerse in cultural elements that are immersed in different eras. In the crashing classical aesthetic artistic conception.

According to Ding Yan, director of the Information Department of the Wuhan Museum, in order to make the distinctive copper mirror collections really "alive", the Wuhan Museum carefully created the "Bronze Mirror Story -Wuhan Museum Collection Bronze Mirror Exhibition". As a characteristic exchange exhibition, this exhibition has been exhibited in more than ten cities such as Jiaxing, Ma'anshan, Fuzhou, and Langfang in recent years. The lectures on bronze mirrors knowledge experts at the same time have been carried out at the same time, showing the regional characteristic culture contained in the copper mirrors of the museum.

In recent years, the Qingdao Museum has also carried out a large number of cultural relic digital innovation projects relying on superior resources. "Qingdao Museum actively integrates into the museum's Yuan universe construction trend during expansion, and carry out digital cultural and creative R & D and promotion. Mirror digital cultural and creative products. With the technical capacity of new cultural and creative technology, limited cultural relic resources can create unlimited possibilities in the Yuan universe, hoping to make cultural heritage splendid. "Zhao Hao said.

Zhao Hao believes that in the Yuan universe community, each audience will be a "player". The interests of the story behind the cultural relics will be more intense, and they are more willing to discover and learn. The boring exhibition experience and one -way output Wenbo public education model. At the same time, creating a museum in the universe community, making knowledge sharing is possible, and gives the museum a richer "opening method", and truly integrate the "shopping museum" into everyone's daily learning and life.

In Wang Ruihua's eyes, "Wenbo Hot" played an important role in inheriting the excellent traditional culture. "Innovation and opening up is the fundamental path of the museum's future development. While fully relying on the advantages of digital technology to achieve transformation, the museum must always pay attention to internal cultivation and adhere to the inheritance of cultural heritage as the fundamental task. The creation and distribution of variety shows, or the success of the IP, is the ultimate goal to better inherit and develop traditional culture, rather than just the advantages of the museum. "Wang Ruihua said.

As some young netizens said: "Thousands of years ago, the glorious chapters written on this land should be known by more people." Now, the ancient books of cultural relics are realizing the span of time and space in the past, presented in the form of digital collections, and presented in the form of digital collections. In the face of contemporary youth, let the history of Yao go into modern life in a new gesture after thousands of years, so that the essence of the excellent traditional culture of China came to the youth in a more attractive way, evoking the cultural self -confidence and aesthetic consciousness of young people's constant awakening. , Make its cultural life and spiritual world a true fullness and enrichment.

Wang Ruihua also believes that Cultural Bo's digital collections should not be satisfied with "fire", and the cultural awakening of the people is the main goal. "In the development of the Cultural Boic digital collections, we must pay more attention to the explanation of the value of cultural relics, strengthen museum cooperation and resource integration. Love and sincere dissemination, the spirit of traditional culture is not 'living'. "

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