"Hidden" in the old craftsmanship with new stories

Jimu Journalist Kang Xuyang

Jingchu's land bred a gorgeous intangible cultural heritage. Under the adherence to innovation of non -genetic inheritance, the non -heritage culture showed a vibrant. On August 3, the "renovated non -heritage" collection operation initiated by huge engines and bytes walked into Wuhan, Hubei to experience the charm of Jingchu's intangible cultural heritage.

Nine -way process square cream

In the early morning of the 3rd, many citizens came to register in the medical hall in Thailand. Master Ye Kaitai's work room, copper pot and other medicinal materials are neatly lined up, and Zhang Xinhua, the inheritor of the nine secret cream, is brewing the patient's special ointment in front of the furnace.

Jiu secret creamy skill inheritor Zhang Xinhua

Ye Kaitai has a traditional Chinese medicine brand with a history of nearly 400 years. He once called Tongrentang, Chen Liji, and Hu Qingyu Tang as the "Four Medicine Numbers of China". The nine secret cream prescriptions are one of the core techniques of Ye Kaitai's Chinese medicine preparation method. Zhang Xinhua, who has worked for more than 40 years, has been handy.

"The production of ointment is particular about it, and every step is to be in place." Zhang Xinhua said that he often stood and boiled for a day, pay attention to the situation in each pot at any time, and mixes from time to time.

Handmade pan -pills are also Ye Kaitai's traditional stunts. Every step of mother, increase, cover, dry, and coated, etc.

Last year, the "Ye Kaitai Traditional Chinese Medicine Preparation Method" was selected into the fifth batch of national intangible cultural heritage representative project list. For the traditional non -heritage culture, Ye Kai's Thai Medical Hall has established various technical studios. Through the form of a famous Chinese medicine teacher and non -genetic inheritance, Ye Kaitai traditional Chinese medicine diagnosis and treatment techniques and traditional Chinese medicine processing skills are taught.

A pair of clever hands pinch out a hundred states

The majestic Guan Gong, the Zhong Yan who cut off the demon ... In the studio of Liu Jie, a master of arts and crafts in Hubei Province and the representative inheritance of Wuhan Noodle Plastic Plastic Plastic Plastic Plastics, the dazzling plastic works are bright and lifelike.

Wuhan Noodle Plastic Representative Liu Jie

Noodle plastic is a traditional color pinching art with flour as the main raw material, and is known as the "living fossil" of folk traditional art. For more than 20 years, Liu Jie insisted on inheriting non -heritage skills with a pair of clever hands.

"Wuhan, as the central city of the nine provinces, the noodle plastic artists from the south and north are integrated and compatible with the director of the north and the south, forming a unique Wuhan face plastic process." Liu Jie introduced that the plastic artist does not need to draw a manuscript. The characters are in their hearts, the most difficult is the characters, and the most difficult for the characters is the head.

Liu Jie showed the process of Guan Gonglou on the spot. The dough was rubbed several times in the hand, and gently, cut, and engraved with a small plastic knife. After a while, a lifelike Guan Gong's head plastic was completed.

In the studio's window, Zhong Rong's noodle plastic "" Sutra Demon and Demonstrate · Tianshi Xiangfu "created by Liu Jie's at the beginning of the epidemic was also displayed, as well as noodle plastic works created by the four seasons of non -heritage culture. In addition, he also created noodle plastic works reflecting Jingchu culture, such as "Zhao Jun", "Qu Yuan", "West Chu Bawang" and "Qintai Meeting", and participated in the domestic and foreign art exhibitions many times, so that the Non -Heritage of the Ninjin is going. world.

"The inheritance of face -plastic skills needs innovation and discovering a new market." Liu Jie said that he opened his account on Douyin. When he was free, he would share face -plastic works and creative experiences. He hoped that more people would fall in love with plastic and join in.

Regain the skills to restore the old name

"I do oil paper umbrellas do not treat it as a business, but a feeling and inheritance." Su Feng, the fifth -generation inheritor of Su Hengtai's oil paper umbrella, said.

Su Hengtai oil paper umbrella production skills, the fifth -generation inheritor Su Feng

Su Hengtai Oil Paper Umbrella is Hubei old -fashioned and provincial intangible cultural heritage. In 1864, the "Su Hengtai" umbrella shop was founded at Lao Hankou Hanzheng Street and is known for its high -quality durability. However, with the popularity of modern umbrellas, oil -paper umbrellas slowly withdrew from the market, and the old name "Su Hengtai" also disappeared into people's memory. Su Feng's father left the last wish of Fuxing oil paper umbrella before his death. In 2005, Su Feng began to learn the umbrella technology and studied hard, and passed the craftsmanship.

"Su Hengtai oil paper umbrellas not only have the firmness of Hunan umbrellas and the exquisite Su Hang umbrella, but also combine the wind resistance of Hubei umbrellas, practical and beautiful." Su Feng introduced that the production of umbrellas must go through more than 70 processes and choose Hunan Changde's Tong oil, persimmon paint in Luotian in Hubei, meteorite paper in Shaanxi, and bamboo in Chaling in Hunan. Generally, the umbrella's umbrella bone is 8-12, while the Su Hengtai oil paper umbrella has 64 roots, which can carry the six-level wind.

"Basically, oil paper umbrellas are basically not used in life, but it carries family memories and cultural memories of the millennium, and must be done." Now, every oil paper umbrella Su Feng personally selects materials. Due to the complicated process, one year is complicated. You can only make about 30. He also explored and innovated in traditional craftsmanship, and the umbrella surface painting was integrated into modern popular elements, and the story was passed down with umbrellas as a carrier.

Non -heritage culture needs to be seen, activated, and inherited. Since the end of last year, huge engines combined with byte welfare, today's headline history and history channels, etc. to launch "renovation of non -heritage" public welfare operations, through linking the government, media, merchants, and the public to jointly help the non -heritage protection process, promote the process of non -heritage industrialization process. Essence

(Giant engine source engine)

- END -