"Art China" focuses on recommending contemporary outstanding artists -Ma Taichang

Ma Taichang, Qianli, Hengjian, No. Tongoma, descendant of Chengxingtang, born in January 1948, Wen'an, Hebei. In the 25th year of the army, he served as the head of the army, the rank of colonel, and the director of the Central Enterprise after transferring to the industry. He has successively served as Deputy Secretary -General of the Chinese Couplet Society, executive director of the Calligraphy Art Committee of the Chinese Couplet Society, a member of the Chinese Calligraphy and Calligraphy Association, and Dean of the Chinese Institute of International Religion and Culture and Art. China Calligraphers Association, director of the Central State Organ Association, member of the Chinese Fan Art Society, executive director of the Chinese Painter Association, chairman of Tiandi Huayi International Cultural Development (Beijing) Co., Ltd. In 2003, he was rated as "the first Top 100 Calligraphy of the first contemporary contemporary 100 contemporary 100 best calligraphers" by the Chinese Calligraphy Herald. 5000/square feet.

Jane and Yayi -shaped God have both gods

Calligraphy is the essence of traditional Chinese culture, with a long history, unique form, rich charm, and wonderful charm. It has been popular for thousands of years, and it condenses the wisdom, perception, humanistic connotation, and poetic and artistic meaning of the Chinese nation. It reflects the aesthetic taste and philosophy of the Chinese people, creating a deep cultural connotation and mature art system. In the contemporary book, Mr. Ma Taichang is an artist in the calligraphy world with knowledgeable and moral arts. In terms of calligraphy creation, he has its own pursuit and value orientation; his calligraphy works have rich connotation and cultural meaning of life, focusing on expressions and reflection of understanding and understanding of life, and conveying the experience and perception of their lives through artistic creation.

"Champions" ("Knowing Ru Post") Cursive: Knowing Ru Shu, and it is better. The champion is temporarily released, and it should not be extremely track. I hate my illness.

Cursive content of the work: Han Zhangzhi's story "Ponds Try to Ink"

Cursive content of the work: couplet "Article Shi Han has the method of mind, Jinshi Zhou Qin Sheng is ancient.

The content of the work is the grass: with Linghe Yueyue invincible and small gardens, sitting and width

Works Yangxin's "Leisure and Aquarius" local cursive: Under the feet, it is interested in leisurely and the evil summer.

Cursive content of the work: Book Saint

Xiao Sihua's "Closer Post" content cursive: January 3rd thought, closer, closer,

The content of the work: Shou (Fu, Shou, Kang, Ning)

Cursive content of the work: Guanyuan

Cursive content of the work: It is not easy to use the pen through the ages.

Cursive content of the work: Wang Xizhi's "July Post" "July 1st, Bai Zhibai, suddenly autumn moon, but sighed. Instead of faith, I have to go to the month and July, and I will win the illness. It's not possible.

Cursive content of the work: Tang. Wang Wei's "Deng Hebei City Tower" "Jingyi Fuyan, the guest pavilion clouds and mist. Gaocheng overlook the sun, Jipu Ying Cangshan. Guangchuan Xian. "

The content of the work Zhang Xu's "Late Post" cursive: Late at the end of the feet, I do n’t know how to hurt? Deep problems, so on.

Cursive content of the work: Taishan does not allow the soil, so it can become large;

Cursive content of the work: Calligraphy creation process is the perfect manifestation of the art of book writers

Lu You Shi "Book Angry" cursive translation:

In the early years of age, the world was difficult, and the Central Plains was like a mountain.

The building at the night of the snowfall, the iron horse autumn wind dispersed.

The Great Wall is over, and the decline in the mirror has spots first.

When you make a teacher, who is really famous, who is a thousand years!

Cursive content of the work: high mood

The content of the work is grass: Dong Qichang's "Shu Su Tie" partial: Zengcheng's love book, and good Manan Palace book, Yu in Changan got Shu Su, who tasted and made Zeng Mi Shu, but hated the truth.

Cursive content of the work: Who is Wu Huiyin last night, the wind sounds the empty forest. Long Jing didn't dare to lie in the water, and when the ape sarrass, he heard the sound of Yan Yan. I stayed with Huangshan Biyue, but listened to the piano. Chao Lai Guo is Cangzhou Yi. The half -hearted Jiang Hai Sheng was sent to the cup.

Cursive content of the work: Road is long and far away, I will ask for up and down

Cursive content of the work: My book does not make a benefit to the teacher, the teacher is my teacher

Mr. Ma Taichang's unique historical heritage, with distinctive aesthetic style, deep aesthetic composition and the humanistic connotation behind it, creating a new difference in modern calligraphy. With a deep traditional foundation, distinctive style and unique artistic language and aesthetic calligraphy works, they will be further recognized. Calligraphy has always been the development and reconstruction of the continuous tradition. Modern Chinese calligraphy pen and ink can only talk about inheritance, development and change on the premise of respecting the essence of Chinese calligraphy art. This requires us to rebuild the traditional Chinese calligraphy language and structure. Project the traditional pen and ink language to the present level so that it has modernity, fully express modern consciousness and spiritual content in the form of Chinese calligraphy freehand language, so that the form and content can be unified on a higher basis. These are all reflected in Mr. Ma Taichang's calligraphy works.

Editor in this article/Liu Qingli (Famous Director)

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