Painting drama | He Haixia: The magnificent mountains and rivers swallow all

"Painting" is a cultural column of the Chinese original brand of cultural tourism. It integrates calligraphy, painting, drama, and opera. While listening to the drama, the painting is rewarded. As Su Shi's "Chibi Fu" said: It is the endless collection of the Creator, and it is the endless collection of the creator, and the concentration of my and the son.

Qinqiang "Ma Youxian" selected section

Shanshui painting Almighty Holy Hand He Haixia

He was born in Zhang Daqian's Greater Hall, became famous in the Changan School, and was flourishing in the "decline reform". He is He Haixia, a giant in the history of modern landscape painting in China -He Haixia.

Personal profile:

He Haixia (1908-1998), Beijing. In his childhood, he learned "The Biography of the Mustard Garden". The post -division studied from Han Gong classics and Zhang Daqian, and studied traditions; and Zhao Wangyun and Shi Lu were well -known as "Shaanxi Sanjie" and were one of the founders of the "Chang'an School".

Chinese painting qi charm in the bones 的

"The real Chinese landscape painting, He Haixia may be the last big painter." - Jia Pingwa

As one of the representatives of the "Changan Painting School", He Haixia combines his deep traditional landscape painting techniques with the painting thoughts and techniques of the "Changan Painting School" to depict the mountains and rivers of the northwest, making his works full of strong strongness Time and natural atmosphere.

His landscape painting creation has deep brushes and ink, but also full of modernity; it is true and kind and highly summarized; it contains both Western painting elements and traditional blood.

He Haixia's green landscape draws the artistic achievements of ancient and modern Chinese and foreign and other available arts, making the vitality of traditional colors and the spirit of modern art. His works are magnificent and high, showing a high degree of spirit and unique personality in the era of ethnic style, which is a model that combines traditional Chinese painting art with modern spiritual style.

Pursuing Chinese Wenli in the landscape 在

"I lost tradition in the exploration of time, and rich traditions."

As a millennium ancient capital, Xi'an has a stronger king. He Haixia has lived here for more than 30 years, and the most precious year of life gave Xi'an, and Xi'an also achieved him. During the northwest, He Haixia particularly liked to paint Huashan, and also went deep into the mountains several times.

Huashan is known for its danger, and it looks like a natural barrier. When He Haixia painted Huashan, he liked to use blue and green, so that Huashan had a trace of "playful". Proper use of color can shorten the distance between the work and the admirer. In traditional aesthetics, landscape painting must have a sense of substitution. After He Haixia devoted himself to studying, he drew the little -known side of Huashan.

He is good at improving the creation works from life and feelings, and combines solid and heavy traditional skills and passionate life feelings. The sense of glory, thus creating the paradigm of the Hepai golden landscape. Has made great contributions to the innovation of traditional Chinese painting.

Outside the number 外

Qin Qiang, one of the oldest dramas in the Chinese Han nationality, is also a local opera in Xi'an. It is the treasure of the Chinese nation's culture. It is known as the "Chinese Xunzi Opera". It is the first batch of protection and inheritance projects in the national intangible cultural heritage list. After hundreds of years of historical inheritance, Qinqiang has become the imprint of Shaanxi that is difficult to erase in the blood.

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Responsible editor: Hao Gongzi

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