Haopin Shandong ｜ Qingyun Jinshan carved porcelain craftsman Shi Hailiang: "embroidery" flowers on the knife and porcelain

In the work room of the Jinshan Temple Scenic Area of ​​Qingyun County, the 55 -year -old Shi Hailiang packaging appliance was sitting at the wooden table as usual, and the porcelain plate was engraved locally. I saw his left hand holding a knife, a hammer with his right hand, and began to create porcelain paintings entitled "Fushou Deer".

The carved porcelain craftsmanship started during the Qing Dynasty Daoguang period. It combined painting, calligraphy, and carved in one body. Whether it is cylinder, plate, bottle, bowl, cup, stationery, porcelain plate, as long as it is porcelain tire, it can become the carrier of porcelain.

"Draw the outline with a pen on the white porcelain, and then engraved the layer with different shapes of the knife to complete the color of the pigment after the carving." The humanistic landscape of the home is perfect.

The studio shows porcelain plates, porcelain plates, and tiles, which is completely different from hand -painted porcelain in the general sense. Because the pattern is not drawn, but it is carved, and there is a pen and ink, touching the feel.

The wooden table is a hammer, a knife, and an unfinished work. "These knife are specially made, and the hardness of ordinary steel is not enough, so tungsten steel is used in the front end." Shi Hailiang said that according to the strength and the sword method, the sound of the sound is different. The number of taps has achieved the expression of the picture, and the expression is not enough. Then the layer of knocking is then tapped thousands per square centimeter, so it is very expensive, and sometimes it will be changed in two days.

The carving line is the basis of porcelain painting, but it is also the most difficult and boring link. Porcelain's glaze is thin and crispy, with a certain curved surface. If you want to run the lines, you want to run as you want. Shi Hailiang said that the engraving line cannot be easily written, and it must be highly concentrated. The fingers and wrists cooperate with force to make the engraving knife slowly advanced on the glaze, and the soft and slender lines are made with extremely fine dots.

In Shi Hailiang's view, carving porcelain is a carefully crafted process. It must not be a little bit tiger. Even if the strength is slightly deviated, the dots or lines carved will be different. The color is inherent, it can be changed when it is added, but the carving is different. If there is a knife, the previous kung fu will be wasted. Therefore, the "subtraction" tests a person's skills.

Bend over, bow your head, knock hammer, and carefully polish and focus on each picture and every process. Shi Hailiang's works have been recognized by everyone. In particular, the "Qingyun Eight Scenery" series of porcelain paintings combined with Qingyun's local scenery, through the different size and thickness of the glaze to express the light and dark relationship of light. During the production process, the work has been pre -ordered.

Source: Dezhou Evening News

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