The post -90s calligrapher, entered the national exhibition with regular script, this word is really "abnormal"!

Some people say that writing Tang Kai is difficult to enter the country. This is actually a gap between calligraphy and calligraphy enthusiasts deliberately. At the twelfth calligraphy engraving exhibition nationwide, there are many Tang Kai -class works.

12th National Exhibition, Kaishu Show Hall

Du Yang, a post -90s calligrapher in Xuzhou, was entered in the style of regular script with a face -style style. In the copy of Huang Tingjian's postscript, a discussion of the calligraphy of Yan Zhenqing's calligraphy can be said that the content of the text and the style of the calligraphy is quite fit.

Du Yang 12th National Exhibition Entry Exhibition

Why can Du Yang's regular script be entered at the national exhibition? What are the problems, let's do further interpretation:

The so -called "pervert" here is not the abnormal psychological occurrence, but the change of things. Tang Kai is difficult to be accepted by the national exhibition. It refers to those too honest Tang Kai, and the transformation of Tang Kai can still enter the National Exhibition.

Yan Zhenqing regular script

Du Yang's regular script is the "metamorphosis" Yan style regular script. In terms of pens, Du Yang's lines are more refreshing and direct. It is simply a simple and excessive lift.

Learning Yan Zhenqing's regular script, most of them copy the inscriptions on the inscriptions. Many people describe the effect of inscriptions, so the more rigid writing. Du Yang's regular script is to restore the monument to writing. At this point, many people are "invisible."

Du Yang calligraphy

In addition, Du Yang also made many changes to the regular script of Yan Tuan. Yan Zhenqing's regular script, strong, strong, dignified, dignified, and righteous in the words.

Du Yang's regular script, the stiff recipe and flattening of the stiffness of the face; the contrast of the upper and lower structures is increased; the strokes are more short, which makes the space in the characters look comfortable and transparent.

Du Yang regular script works

These methods make Du Yang's regular script look stupid, clumsy and fun. There is an obvious law of sorting out the history of calligraphy: the shape is flat, and it has more ancient meaning; the situation is long and more beautiful. Therefore, Du Yang's regular script also gives people a strong ancient meaning in addition to fun.

Du Yang's work is very interesting, but the writing of "heart" and "design" -the word of the word is deliberate, and the arrangement of the rules is deliberate, and even the money is deliberate.

Du Yang regular script works

Du Yang's regular script uses a line of arrangement, and the words are closely linked, forming a dense and rich visual perception. But the change of the word is too strong, so that it seems that it is not harmonious.

The hesitation of some strokes proves that Du Yang's writing is not yet mature, as if changing for changes, lack of nature. If you want to write naturally, one is to be proficient in writing, and the style consciousness is carved in the heart, which is based on the pen, that is, the so -called "hand -handed"; the second is to eliminate the deliberate and do not arrange it too much.

Du Yang regular script works

Du Yang's regular script has its own aesthetic characteristics, but it exceeds the regular script specifications of general understanding. To put it simply, the glyphs in his writing are all strange -there are shadows with regular script, as well as the shadow of Lishu, like hodgepodge.

The hybrids of a variety of books are not impossible, but it must be harmonious and harmonious. Du Yang's regular script was slightly stiff, a bit of overlord. Of course, through a lot of practice and adjustment, this is a problem that can be solved.

Du Yang regular script works

As a post -90s, Du Yang can write a slightly personal regular script on the basis of taking the classics. It is quite difficult and worthy of encouragement. However, in the context of contemporary calligraphy exhibitions, do not blindly perform the so -called "innovation" because of the exhibition and award.

As the saying goes, to what extent the foundation of "thick accumulation" and "thick accumulation" determines the height that "thin hair" can reach. Therefore, what we have to do next is to root the tradition and consolidate your foundation.

Du Yang at the opening ceremony of the 12th National Exhibition

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