Time ｜ Wang Fuxiang: Coupled the poet Sha Ou listening to Lin Tao

Text/Wang Fuxiang

Haoyue. Breeze. After dinner, everyone walked to the back of Songlin on the ground. The wind from the forest branches from the flying forest blew through my hair ends. A group of young poets and I listened to the poet Sha Ou, Xun Xun and Tian Mingshu. This chat is a few hours. Until the sky was full of starlight, we reluctantly returned to the guest house along the traction of the wind.

This is a night in 1988. The sand gull was invited by the poet of the Daliangshan poet in Sichuan. From Chongqing to Mian Ning to see the Yihai. On the way to the return of Yihai, after the new generation of forest poet Tian Mingshu learned the news, he invited Sha Ou to fly to the forest area to collect the wind, and then had a poetic dialogue under the night.

In the 1980s, it was the most active period of Chinese poetry. The flag of "Forest Poet", which is headed by Tian Mingshu's "new generation poetry" group, is active in the poetry. At that time in the northern poetry scene, forest literature was extremely active. The iconic flag bearers include Guo Xiaochuan, sand gulls, etc. They all wrote a lot of poems based on the north forest area and Hongsong. In 2017, Guo Xiaochuan and sand gulls won the "Lifetime Achievement Award" of the Global Chinese Poetry Poetry of "Centennial Poems in China" at the same time.

As an important pulse of ecological culture, forest literature, in the 1980s, echoed, interacted, and blended with north and south. Daxing Aneling, Yichun, Yake Stone, Daliangshan, Lingnan, Xishuangbanna ... The green literary flames are at the potential.

Shaw was born in Chongqing in April 1922, published poetry debut in 1939, published the first collection of poems "Songs in the Countryside" in 1945, and published the last poem collection "Searios" in 1994. One of the most influential characters in Chinese poetry.

On that day, sand and Xun Xun and Xun Xun and came to the Yajie River Wood and Water Transport Bureau, were surrounded by a large group of literary youths and walked into the conference room on the second floor of the headquarters. In a friendly atmosphere, sand gulls teach you the theory and skills of poetry writing to everyone. Under the stage, Li Bo, Wang Konghua, Xun Ruoping, Song Guangyong, Song Gang, Pan Baohua, Deng Youhua, Pan Ting Army, and I often picked lamps after get off work and booked a literary journal. This rare lecture.

Pan Baohua, a young literary girl who has just entered the forest medical system, was fortunate to attend the lecture on the same day.

The "Yazhenjiang Daily" published in September 1988 published Pan Baohua's short poem "Gull of Sand": "The ladder of poetry built in the years/the sixty -seventh year of confession/embedded forehead/pen is a pen. You are not tired of paddle/help you wandering day and night. " Soon, Pan Baohua received a letter from sand gull, and sand gull encouraged her to read more books and practice more. In the "Sand Gull Talking Poems" (volume below), a number of signs of the letter between sand gulls and Pan Baohua are included.

For a young literary youth who is new to poetry, the encouragement of sand gulls is a milestone in Pan Baohua's life. To this day, Pan Baohua, who is pseudonym "Ying Pan", still retains the letter manuscript of Sha Ou. For so many years, I have moved several times, and this manuscript is still there. This is a spiritual energy that Pan Baohua has always preserved.

After the lecture was over and took a group photo, sand gone proposed to fly Lin Lin to feel Lin Tao in the south. Standing in front of the flying forest, sand gull overlooks, thinking about it, took out the pen and notebooks in the purse bag that was carried on the spot, and wrote "Go to the small forest": "Go to the small woods, then The life on the side is very young/the years growing on the branches and leaves/the sun like the sun/embroidered the land/the sound of the heartbeat in the silence/all consciousness exhibits its original process/go to the forest, there/over there/ Each grass is dripping with a string of dew/you will know your own eyes. "

Living in the north all year round, Xueyuan, Ancient Tree, and Lin Hai have a deep brand in the minds of sand gulls. Before the flying forest in the south, the sand gull burst into different feelings and poetry.

Time is short. Waving to do nothing. Soon, Sha Ou sent a group of poems and published it in the fourth issue of "New Ye" literary season magazine in the fourth issue of 1988 (selection of Sichuan forestry literature works). Among them, the poem "Ya Water Bureau" reflects the emotions of sand gulls for this ecological literature: "Songlin is ups and downs in memory/wind, drunk man/throwing sand and gravel/sky is mountain spring washed/newly built buildings, small small buildings, small small buildings, small small buildings, small small buildings, small small buildings, little small buildings The courtyard/possession of the wasteland/nature retreated/crossed the river valley, the old Yakshan/still gloom. "

Time is not old. At that time, the "lush" flying forest and the young poetry practitioners who accompanied the flying forests grew up. If you return to the pine forest slope that stood in the time of sand, you can still hear the poems of Did Cui in the transliteration of flying forests.

【About the Author】

Wang Fuxiang, a member of the China Natural Resources Writers Association, a member of the Sichuan Writers Association. In "Poetry", "Star", "Poetry Monthly", "Selection of Poetry", "Green Wind", "Cottage", "Shanghai Poet", "Earth Literature", "Ecological Culture", "Sichuan Literature", "Guangxi Literature", "Youth", "Young writer" "People's Daily" (Overseas Edition) and other newspapers published hundreds of poems and prose (articles).

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