Li Xiao | Regardless of Jiang Zuojiang and Right, you have to do the tide of Mohai

Today's Yangxi Garden Qunxian, less and long and salty. Our friends and friends in Jiangxi gathered on the shore of the Yangtze River, and held the Jiangzuojiang Right calligraphy exchange and exhibition. It was because of our love for calligraphy, using calligraphy as a medium, and the Yangtze River as a link. East.

Although the scope of the two provinces is not accurate enough, the exhibition allows us to have more memories of Wei and Jin. In the historical and cultural sense, the region of Jiangzuojiang and Right is broader. Generally speaking, Jiangzuo also includes parts of Zhejiang and Anhui. Jiangyou's main body is in Jiangxi, and some scholars also believe that it covers local areas in Hubei, Hunan, and Anhui. From the perspective of the regional environment, Jiangzu has more water, and Jiangyou Mountain. As the saying goes, one side of the soil and water raising one side, the style of regional book style is the sign of the aesthetic style of different regional scholars. Therefore, we gathered the shore of the Yangtze River today to observe this exhibition.

I personally think that Jiangsu is more water, and the style of book style is more "rush". Duo Mountain in Jiangxi, the works are even more "bone". In general, our Jiangsu bookmakers 'works have more traditional paradigms, focusing on the inheritance of traditional inheritance. From each of the works, we can see the background of the scholars' clear classic classic monument. The more "charm" in their works is a "shape" spirit. Therefore, our province has been committed to the creation of the "Shuiyun Jiangsu" brand. It can be seen that the culture of Jiangsu has clear water and water. Jiang Zuo's romantic flow can be said to be the logo of the Wei Jin Qiliang culture. The "Yi Qi" of Wang Xianzhi's calligraphy lies in the "grass vertical" writing of the "grass vertical", which has the characteristics of smoothly, unobstructed, unprecedented, and strange. The typical figure of modern calligraphers is Lin Sanzhi. He drawn Huang Binhong's "five pen and seven ink" methods, creating a new style and ink. It can be said that this cultural password is hidden in the book style of Jiangsu.

It should be said that I am also very familiar with Jiangxi scholars. I often see their figures in various exhibitions and reviews. The works of Ouyang Hegeng and Cao Duanyang, who are here, have been nominated for awards. I also appreciate the works of Jiangxi writers. Of course, Jiangxi and Jiangsu's book style are still obviously different. This difference is not only the surface layer of the glyph structure, but also the differences between scholars' pursuit of aesthetic spirit. I think Jiangxi calligraphy is more concerned about the aesthetic characteristics of the times. Their works are more energetic and "taste". Their works present more modern pictures, with strong visual impact, giving people a strong aesthetic experience, and they are better at drawing essences from contemporary calligraphy exhibitions. Mountains, with edges, especially mountains in Jiangxi, are more dangerous and towering. Comrade Mao Zedong wrote the danger and momentum of Jiangxi Mountain in many poems, especially the most impressive with the "one mountain flying to the big river". Therefore, when we appreciate the exhibition, the imposing and bone Cave Da in Jiangxi writers will definitely bring you different feelings.

The back of the hand is meat, and Jiang Zuojiang is all friends. Why is it not like this? In the trajectory of each of us, we are either left or right, or they are "left and right" by other situations. I think the real excellent scholars must be independent of the character. They stand in the world with their own spiritual externalization and exist in the world. Therefore, whether we have to do the tide of Mohai regardless of Jiang Zuojiang and right, such as the poem of great men: to the middle of the water, the waves are shot to fly boat!

(Author Li Xiao, secretary general of the Chinese Book Association and Secretary -General of the regular script committee, the president of Jiangsu Province and vice chairman of the Jiangsu Provincial Book Association. Speech)

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